Blue Matrix Review
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- Blue Matrix
Studio: Ultimate
Category: Feature film , Straight
Directed by: Nick Orleans
Starring: Jill Kelly, Alexandra Silk, Billy Glide, Ian Daniels, Dave Hardman, Alec Metro, Evan Stone [I] (straight), Tina Tyler, Salena Del Rey, Taylor St. Clair, Jack Hammer, Chennin Blanc, Ginger Paige, Vivian Valentine, Nick Orleans, Herschel Savage
Released on: 6/26/2000
Diville's ratings for this movie:
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Reviewed by Diville on 1/21/2001
Starring: Jill Kelly, Alexandra Silk, Tina Tyler,
Taylor St. Claire, Vivian Valentine, Salena Del
Ray, Ginger Page, Chennin Blanc, Billy Glide, Ian
Daniels, Alec Metro, Evan Stone, Jack Hammer,
Dave Hardman, Herschel Savage
Directed By: Nick Orleans
Sometimes people like to take themselves pretty seriously. For example, I'm pretending right now that there are some who are going to read this entire review word for word without first jumping down the page to see how many times Jill Kelly gets laid in Blue Matrix. I'll save you the effort--one. Blue Matrix, itself, is another example of something that has a tendency to take itself seriously. Oh, earnestness alone is not a sin, but it can occasionally be unsightly. What I'm getting at is that this feature comes across like one of those many copy-cat movies that were made just after Andrew Blake first hit the scene with Hidden Obsessions. You know, shiny costumes, neon lights, glowing objects, porn stars with dark sunglasses, and so on.
On the surface, this is all about people who vanish after sex and the sexy investigators who try to figure out why. The theory is that there's a place called The Blue Matrix, which is another dimension. Actually, The Blue Matrix is an excuse to deliver some disjointed sexual set pieces. Also, I believe it's somebody's garage decorated with sheets, tin foil, and some lighting gels. This is one of those kinds of movies that tries to wow us with it's look, but knowing that it doesn't have the budget or crew to pull it off, tries instead to wow us with it's effort. It doesn't. What we're left with is the sex which is sometimes exciting, but most times is nothing spectacular.
What's is impressive about the sex, though? Jill Kelly, as always, proves quite capable of getting the blood pumping to all the right places. Too bad her threeway is so dark. Dressed in some pretty lingerie, she goes through the motions with Alec Metro and Evan Stone who look a little restrained. Jill Kelly is a true porn superstar. Just look at the woman; how often do you run across someone who looks like that in everyday life? Not often, if ever. I just wonder why she's barely featured in a movie that puts her picture right up front on the box.
Tina Tyler has a nice scene, as well, with Herschel Savage and Evan Stone. Despite the fact that there's no actual fucking (what, porn without sex?) it's still pretty hot. Blowjobs and handjobs go a long way, and Tina knows her way around a dick (You're never going to find Roger Ebert describing one of the actresses in the movies he reviews that way, are you?).
Besides a photo gallery and some previews, there are no notable extras, even though there is lot of sex. Eight scenes in all. And none of those eight scenes belongs on the cutting room floor. Yet, none of them are truly noteworthy. I'm willing to guess those who are interested in watching--or buying--The Blue Matrix are interested because the desire to watch Jill Kelly fuck is too overpowering not to. I can empathize, really I can. Looking at her can be a lot like looking into the sun, but just remember that she's made over 400 pornographic movies. Certainly, you can find a better one than this out there.
Directed By: Nick Orleans
Sometimes people like to take themselves pretty seriously. For example, I'm pretending right now that there are some who are going to read this entire review word for word without first jumping down the page to see how many times Jill Kelly gets laid in Blue Matrix. I'll save you the effort--one. Blue Matrix, itself, is another example of something that has a tendency to take itself seriously. Oh, earnestness alone is not a sin, but it can occasionally be unsightly. What I'm getting at is that this feature comes across like one of those many copy-cat movies that were made just after Andrew Blake first hit the scene with Hidden Obsessions. You know, shiny costumes, neon lights, glowing objects, porn stars with dark sunglasses, and so on.
On the surface, this is all about people who vanish after sex and the sexy investigators who try to figure out why. The theory is that there's a place called The Blue Matrix, which is another dimension. Actually, The Blue Matrix is an excuse to deliver some disjointed sexual set pieces. Also, I believe it's somebody's garage decorated with sheets, tin foil, and some lighting gels. This is one of those kinds of movies that tries to wow us with it's look, but knowing that it doesn't have the budget or crew to pull it off, tries instead to wow us with it's effort. It doesn't. What we're left with is the sex which is sometimes exciting, but most times is nothing spectacular.
What's is impressive about the sex, though? Jill Kelly, as always, proves quite capable of getting the blood pumping to all the right places. Too bad her threeway is so dark. Dressed in some pretty lingerie, she goes through the motions with Alec Metro and Evan Stone who look a little restrained. Jill Kelly is a true porn superstar. Just look at the woman; how often do you run across someone who looks like that in everyday life? Not often, if ever. I just wonder why she's barely featured in a movie that puts her picture right up front on the box.
Tina Tyler has a nice scene, as well, with Herschel Savage and Evan Stone. Despite the fact that there's no actual fucking (what, porn without sex?) it's still pretty hot. Blowjobs and handjobs go a long way, and Tina knows her way around a dick (You're never going to find Roger Ebert describing one of the actresses in the movies he reviews that way, are you?).
Besides a photo gallery and some previews, there are no notable extras, even though there is lot of sex. Eight scenes in all. And none of those eight scenes belongs on the cutting room floor. Yet, none of them are truly noteworthy. I'm willing to guess those who are interested in watching--or buying--The Blue Matrix are interested because the desire to watch Jill Kelly fuck is too overpowering not to. I can empathize, really I can. Looking at her can be a lot like looking into the sun, but just remember that she's made over 400 pornographic movies. Certainly, you can find a better one than this out there.
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The opinions expressed in this review of Blue Matrix from Ultimate are not necessarily the opinions of Adult DVD Talk. Adult DVD Talk provides a public forum for consumers to post their DVD reviews. Adult DVD Talk does not edit these reviews.













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