Eye Of the Tigress Review
Caballero
Studio: Caballero
Category: Classic
Directed by: Bruce Seven
Starring: Tom Byron, Mike Horner, Sharon Mitchell, Buck Adams, Jon Dough, John Stagliano, Ray Victory, Kathleen Gentry, Barbii, Cherry Hill
Released on: 12/5/2006
fu_q's ratings for this movie:
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Reviewed by fu_q on 12/8/2012
Review:
A mystical sexual relic has been pilfered from a Chinese temple, and a sexy stripper (Barbii) is its unwitting carrier in “Eye of the Tigress”, an excellent late-80s production from Caballero and director Bruce Seven. Indeed, fellow dancers John Stagliano and Sharon Mitchell have conspired to plant the stolen artifact—the Eye—on Barbii so as to evade any pursuers. Upon returning home from China, the real trick for them is to get it back from her, with Stagliano having given it as a “cheap” gift. Of course, those in China responsible for its safe return also get in on the act, hiring a goofy detective (Mike Horner) to hunt it down. As they all find out firsthand, the Eye has an eerie ability to temporarily transport its holders (and those around them) to their fantasies, bringing them to life. What ultimately ensues is a fun, sexy, and fast-paced fuck-flick that’s both strong on the plot and steamy on the sex…another fine, forgotten gem from Bruce Seven and Barbii.
In terms of the sex, Scene One finds Barbii at her first night back at “Club Seven”, the strip-club at which she’s the star performer. Clad in a rhinestone-covered blue thong-bikini, she looks great here and dances just as well. The assembled masses are clearly enjoying the show, as is the owner, Ray Victory. Of course, this is a Bruce Seven flick—and Barbii is certainly hot to trot, especially under the influence of the Eye—so it’s no wonder that her routine quickly gets out of hand as she makes her way over to the bar where Ray’s situated. Within moments, she has him up on the bar and his cock out of his pants. The bartender, Cherry Hill, also makes her way over to them, and a sexy interracial ménage-a-trois ensues…all of it in full view of everyone. It’s Cherry—who fashions herself to be Ray’s “girlfriend” in the film—who takes the penetration here, and the festivities are capped off with Ray pulling out of her from a doggie position and unloading on her ass and Barbii’s face just below. Both ladies provide some oral cock clean-off. Nice!
Scene Two features Sharon Mitchell and handyman Tom Byron, whom she’ll soon ask to steal the Eye from Barbii, in the grungy basement of the club. Sharon descends the stairs to find Tom working there, and—dressed only in white, knee-high boots and a shiny silver piece of fabric that’s wrapped around her body—demands that he lick her boots and eat her out. Tom does as he’s told, and the pair is off to the races. Mitch looks in top form here, as she and Tom put one another through their paces. With Sharon erotically twisting and turning under the influence of Tom’s cock, the positions are all sexy. To close things out, she jerks him to a pop all over her chest, breasts, neck, and face. Wow…this is intense stuff!
In Scene Three, Tom Byron meets Barbii and a short-haired blonde dancer, Kathleen Gentry, in the dressing room backstage. He asks Barbii if he can take a look at the Eye, which is hanging from a chain around her neck, and after rubbing it on his pants, the scene shifts to a realistic (and shared) fantasy-fuck of his involving Kathleen. The two get it on in what appears to be an ancient temple, and the action that follows is both erotic and sexy. Tom takes her in various vaginal positions in the archaic-looking environs, and he then delivers a load to her backside to finish off this steamy ritual. After—and back in reality—he tries to make off with the Eye by slipping it in his pocket, but Barbii requests that she have it back and foils the attempt.
Scene Four starts up just after Barbii and John Stagliano have both chased down Buck Adams, a bouncer at the club, following his pinching of the Eye from her things. As he hands it back to her, his fantasy comes to life, and Barbii finds herself back in the club with him, John, and Jon Dough. Buck has Barbii and Stagliano do some erotic stripping up on the stage—all of it quite good—while he and Dough leer on. (The music that plays here is a halfway decent knock-off of Survivor’s “Eye of the Tiger”.) Of course, the real “meat” of the action comes up next, as a mini-gangbang is apparently what’s really fueling Buck’s fires. As such, Barbii takes on all three cocks with passion in what ends up being a super-steamy little tryst. Toward the end, Stagliano ejaculates on her butthole out of a doggie-style position and then reinserts for some continued fucking. A cut has him out of the action, with Dough fucking Barbii in a missionary position and then spraying his seed all over her chest, neck, and tummy. Finally, Barbii takes Buck all missionary- and doggie-like, and pops after trying to put it in her butt. His juice sprays into her ass-crack and out onto her back. In truly sexy style, she then uses a few fingers to push some of his seed into her ass. Hot, hot, hot!
In Scene Five, Barbii’s back inside the club after having gotten the Eye back from Buck. As she’s talking to Kathleen and asking about Horner’s klutzy whereabouts, Mitch takes it from her at gunpoint, and—unwittingly—rubs it on her clothes. Immediately, all three of them are transported to one of Sharon’s fantasies in which she’s a photographer and the two ladies are her lesbian models. It only takes a few clicks of her camera before the trio can’t take it any more and gets it on. Early in the action, Sharon and Kathleen slap a pair of cuffs on Barbii—a bit taboo—and work her over. The cuffs are soon replaced with the ladies using a pair of silver-tipped vibrators on her. The fingers and tongues fly and there are plenty of good vibrations all-around, as this steamy three-girl romp ensues. As things progress, Sharon takes a string of black anal beads up her tush and then vibrates herself as Barbii pops them out one-by-one. During this time, a flesh-colored dildo is also briefly used on Mitch, as well. Closing out this sequence, Barbii and Kathleen rush off while Sharon’s distracted by the ferocity of her own orgasms. When all three “awaken” from the fantasy, she’s still semi-comatose, and Barbii’s able to take both the gun and the Eye.
Scene Six involves a celebratory fuck between Barbii and Mike Horner after “they” have taken care of the bad-guys. Upon setting him straight as to who actually recovered the Eye, Barbii decides that she likes him, and she uses the relic to transport them both to a fantasy realm featuring a smoky, black backdrop. A sensual encounter ensues, with the two lovingly taking one another in various oral and vaginal positions…all of them sexy. Horner squirts all over Barbii’s tummy and bush to close out this sexy segment and also the movie.
Bonus-wise, it’s slim-pickin’s. There’s an advertisement for the company’s website, and there are some fairly hot ads for phone sex under the heading of “XXX”. That’s it.
In all, this disc serves as another fine (and largely forgotten) example of Bruce Seven's work in the 80s. It’s the second such release of his that I’ve recently come across featuring Barbii, who has been described as a post-scandal clone of one of the bigger (and certainly the most notorious) stars of the era (Skinflicks, D. Jennings, 2000). Regardless of whatever similarities to other performers Barbii may or may not have had, her work here stands fully on its own. Check this one out. It’s worthy.
Check out my blog...(as Marv Montag)
Follow me on Twitter…if you would like…(@fu_qreviews)
Check out the FSC anti-piracy PSA.
A mystical sexual relic has been pilfered from a Chinese temple, and a sexy stripper (Barbii) is its unwitting carrier in “Eye of the Tigress”, an excellent late-80s production from Caballero and director Bruce Seven. Indeed, fellow dancers John Stagliano and Sharon Mitchell have conspired to plant the stolen artifact—the Eye—on Barbii so as to evade any pursuers. Upon returning home from China, the real trick for them is to get it back from her, with Stagliano having given it as a “cheap” gift. Of course, those in China responsible for its safe return also get in on the act, hiring a goofy detective (Mike Horner) to hunt it down. As they all find out firsthand, the Eye has an eerie ability to temporarily transport its holders (and those around them) to their fantasies, bringing them to life. What ultimately ensues is a fun, sexy, and fast-paced fuck-flick that’s both strong on the plot and steamy on the sex…another fine, forgotten gem from Bruce Seven and Barbii.
In terms of the sex, Scene One finds Barbii at her first night back at “Club Seven”, the strip-club at which she’s the star performer. Clad in a rhinestone-covered blue thong-bikini, she looks great here and dances just as well. The assembled masses are clearly enjoying the show, as is the owner, Ray Victory. Of course, this is a Bruce Seven flick—and Barbii is certainly hot to trot, especially under the influence of the Eye—so it’s no wonder that her routine quickly gets out of hand as she makes her way over to the bar where Ray’s situated. Within moments, she has him up on the bar and his cock out of his pants. The bartender, Cherry Hill, also makes her way over to them, and a sexy interracial ménage-a-trois ensues…all of it in full view of everyone. It’s Cherry—who fashions herself to be Ray’s “girlfriend” in the film—who takes the penetration here, and the festivities are capped off with Ray pulling out of her from a doggie position and unloading on her ass and Barbii’s face just below. Both ladies provide some oral cock clean-off. Nice!
Scene Two features Sharon Mitchell and handyman Tom Byron, whom she’ll soon ask to steal the Eye from Barbii, in the grungy basement of the club. Sharon descends the stairs to find Tom working there, and—dressed only in white, knee-high boots and a shiny silver piece of fabric that’s wrapped around her body—demands that he lick her boots and eat her out. Tom does as he’s told, and the pair is off to the races. Mitch looks in top form here, as she and Tom put one another through their paces. With Sharon erotically twisting and turning under the influence of Tom’s cock, the positions are all sexy. To close things out, she jerks him to a pop all over her chest, breasts, neck, and face. Wow…this is intense stuff!
In Scene Three, Tom Byron meets Barbii and a short-haired blonde dancer, Kathleen Gentry, in the dressing room backstage. He asks Barbii if he can take a look at the Eye, which is hanging from a chain around her neck, and after rubbing it on his pants, the scene shifts to a realistic (and shared) fantasy-fuck of his involving Kathleen. The two get it on in what appears to be an ancient temple, and the action that follows is both erotic and sexy. Tom takes her in various vaginal positions in the archaic-looking environs, and he then delivers a load to her backside to finish off this steamy ritual. After—and back in reality—he tries to make off with the Eye by slipping it in his pocket, but Barbii requests that she have it back and foils the attempt.
Scene Four starts up just after Barbii and John Stagliano have both chased down Buck Adams, a bouncer at the club, following his pinching of the Eye from her things. As he hands it back to her, his fantasy comes to life, and Barbii finds herself back in the club with him, John, and Jon Dough. Buck has Barbii and Stagliano do some erotic stripping up on the stage—all of it quite good—while he and Dough leer on. (The music that plays here is a halfway decent knock-off of Survivor’s “Eye of the Tiger”.) Of course, the real “meat” of the action comes up next, as a mini-gangbang is apparently what’s really fueling Buck’s fires. As such, Barbii takes on all three cocks with passion in what ends up being a super-steamy little tryst. Toward the end, Stagliano ejaculates on her butthole out of a doggie-style position and then reinserts for some continued fucking. A cut has him out of the action, with Dough fucking Barbii in a missionary position and then spraying his seed all over her chest, neck, and tummy. Finally, Barbii takes Buck all missionary- and doggie-like, and pops after trying to put it in her butt. His juice sprays into her ass-crack and out onto her back. In truly sexy style, she then uses a few fingers to push some of his seed into her ass. Hot, hot, hot!
In Scene Five, Barbii’s back inside the club after having gotten the Eye back from Buck. As she’s talking to Kathleen and asking about Horner’s klutzy whereabouts, Mitch takes it from her at gunpoint, and—unwittingly—rubs it on her clothes. Immediately, all three of them are transported to one of Sharon’s fantasies in which she’s a photographer and the two ladies are her lesbian models. It only takes a few clicks of her camera before the trio can’t take it any more and gets it on. Early in the action, Sharon and Kathleen slap a pair of cuffs on Barbii—a bit taboo—and work her over. The cuffs are soon replaced with the ladies using a pair of silver-tipped vibrators on her. The fingers and tongues fly and there are plenty of good vibrations all-around, as this steamy three-girl romp ensues. As things progress, Sharon takes a string of black anal beads up her tush and then vibrates herself as Barbii pops them out one-by-one. During this time, a flesh-colored dildo is also briefly used on Mitch, as well. Closing out this sequence, Barbii and Kathleen rush off while Sharon’s distracted by the ferocity of her own orgasms. When all three “awaken” from the fantasy, she’s still semi-comatose, and Barbii’s able to take both the gun and the Eye.
Scene Six involves a celebratory fuck between Barbii and Mike Horner after “they” have taken care of the bad-guys. Upon setting him straight as to who actually recovered the Eye, Barbii decides that she likes him, and she uses the relic to transport them both to a fantasy realm featuring a smoky, black backdrop. A sensual encounter ensues, with the two lovingly taking one another in various oral and vaginal positions…all of them sexy. Horner squirts all over Barbii’s tummy and bush to close out this sexy segment and also the movie.
Bonus-wise, it’s slim-pickin’s. There’s an advertisement for the company’s website, and there are some fairly hot ads for phone sex under the heading of “XXX”. That’s it.
In all, this disc serves as another fine (and largely forgotten) example of Bruce Seven's work in the 80s. It’s the second such release of his that I’ve recently come across featuring Barbii, who has been described as a post-scandal clone of one of the bigger (and certainly the most notorious) stars of the era (Skinflicks, D. Jennings, 2000). Regardless of whatever similarities to other performers Barbii may or may not have had, her work here stands fully on its own. Check this one out. It’s worthy.
Check out my blog...(as Marv Montag)
Follow me on Twitter…if you would like…(@fu_qreviews)
Check out the FSC anti-piracy PSA.
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The opinions expressed in this review of Eye Of the Tigress from Caballero are not necessarily the opinions of Adult DVD Talk. Adult DVD Talk provides a public forum for consumers to post their DVD reviews. Adult DVD Talk does not edit these reviews.