Original Wicked Woman, The Review

Reviewed by fu_q  on  3/15/2012

Review:
Before there was Jenna Jameson, there was Chasey Lain as the first and foremost Wicked Pictures contract star. Chasey’s time with the company turned out to be fairly short-lived, of course, and she moved on to ultimately achieve the bulk of her fame as a Vivid Girl. That said, she did star in a couple of handfuls of sexy releases from Wicked before transitioning, and she helped put the studio on the map when it was in its inception. Amongst these initial offerings was her first for the company—“The Original Wicked Woman”, directed by Jim Enright. If one is looking for a youthful and fresh Chasey Lain, then one needs to look no further than this release. Indeed, not only is Chasey essentially brand-new to the game here, but the bulk of the movie was filmed prior to her first boob-job…with the last scene actually being shot after it and cleverly working it into the storyline. In essence, Chasey plays the role of a space traveler whose mission it is to save the Earth from the ruinous shortcomings of its own population. In so doing, she travels back to various points in the planet’s timeline—typically invoking some sort of sexual escapade involving prominent historical figures along the way—only to find that most of her endeavors end in disaster. Of course, she does wind up saving the day, and—as the movie progresses—a good deal of hot sex rolls out...so either way, the viewer wins.

In terms of the sex, Scene One features Chasey looking as natural as I’ve ever seen her, as she takes on the role of Eve to Tom Byron’s Adam in the Garden of Eden. A very good vaginal romp ensues—which includes the use of a few positions—and is ultimately capped off by a pop-shot all over Chasey’s backside—nice stuff! (…natural Chasey boobs, as well…) Scene Two brings together Isis Nile (as Cleopatra) and Steven St. Croix (as Julius Caesar) in Isis’ bed chambers. Giving herself to him completely as part of a ploy concocted with Chasey, the pair moves through some sexy oral and vaginal work before the sequence closes out with a heavy load delivered to Isis’ face and chest. She’s in top physical form here, and this segment easily taps into the very good level in terms of its heat.

Scene Three is the real gem of the production, however, as it features Chasey getting it on with P.J. Sparxx (as Joan of Arc) for an exceptional roll in the hay (literally) in a medieval dungeon. There’s clear passion and chemistry between the two ladies in this one, as they enthusiastically delve into one another’s womanly charms with fingers, tongues, and some 69’ing being the orders of the day. Indeed, P.J. even manages to rim Chasey and gets a finger in her bum before all is said and done in this excellent affair. In Scene Four, Sahara Sands plays the part of Marie Antoinette in taking on her helpers—Alex Sanders and Steve Hatcher—in her royal quarters as the Revolution approaches. A couple of decent oral / vaginal combos are employed prior to the main event—a double penetration for Ms. Sands—and the festivities ultimately end with her jerking the gentlemen to pop-shots all over her breasts and chest. In all, this one’s very good…especially the last half of it.

Scene Five finds Celeste (as Mata Hari) in a dark-lit three-way that results from the culmination of her espionage-infused machinations. Getting it on with Beatrice Valle (playing a French noblewoman) and Woody Long (as a German general), Celeste takes all of the dick here (unless I missed something)—save some hot double-oral work between herself and Ms. Valle on Woody—and also eats out her French companion. Sadly, the cum-shot in this one isn’t captured by the camera—if it happened at all—and, as a result, the sequence only makes it up to the “good” level. In Scene Six, we’re treated to Chasey post-boob job, as she gets it on backstage with modern day rocker, Alexis DeVell. The camerawork could be better here, but the scene—tongues and some 69’ing—is still very good and worth checking out. Both of the women are in their prime, and the action between the two certainly lives up to expectations.

Technically speaking, this production holds up fairly well, all things considered. In some places, it’s clear that it’s older footage…let’s call it “flavor”…but, in most, it’s actually better in terms of resolution and what not than a lot of newer releases. While presented in a standard screen format and showing some age, this disc is still quite watchable.

In terms of bonuses, there’s a choice of eight “Trailers”, a number of slideshows typically spanning a variety of films, a collection of Wicked’s “Promotional Materials”, and a “Free Speech Coalition” advertisement. There are also some “Audio Bios” that are interesting, and there’s apparently a computer-playable “Wicked Casino”. Additionally, one finds a list of Wicked’s award nominations and a “Company Profile”. Finally, one can watch the movie in French or Spanish, as well. Interesting.

In all, this is a very good production that’s most notable for being one(?) of Chasey’s very first productions and definitely her first with Wicked. She’s youthful here, and the plot is fun. The sex is typically hot, and it’s good to see stars like Celeste, Alexis DeVell, Isis Nile, and Sahara Sands again…even if it is a very old production. For fans of Chasey, this one is a must-have. Check it out.


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