Night Dreams (Caballero) Review
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- Night Dreams (Caballero)
Studio: Caballero
Category: Classic , Feature film
Directed by: F.X. Pope
Starring: Jacqueline Lorians, Pia Snow, Kevin James, Jennifer West, Loni Sanders, Dorothy LeMay, Ken Starbuck, Andy Nichols, Pez D. Spencer, Fast Steppin' Freddie, Danielle [II] (classic)
Released on: 12/15/2000
fu_q's ratings for this movie:
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Reviewed by fu_q on 9/9/2016
**Note – This review is based upon the web version of the film streaming on the www.AdultMovies.com service. As such, any bonuses haven’t been given a rating, and there could be some discrepancies between this version and other releases.**
Review:
An erotic, psychosexual tidal wave is unleashed when a repressed, frigid housewife, the beautiful Dorothy LeMay, finds herself the subject of extreme, electroshock therapy intended to cure her of her pleasureless condition. Of course, the experimentation drives her to near madness and into a state of twisted, sexual delusion that plays forth brilliantly for the benefit (...and to the shock...) of the film viewing audience. Such is the case in "Night Dreams", an exemplary, 1981 release from Caballero and F.X. Pope (a.k.a. Francis Delia). While some porn filmmakers attempt to be "edgy", "artistic", or "thought-provoking", more often than not, they fail miserably, and--on occasion--they simply embarrass themselves. This is most certainly not the case here. Indeed, Pope conjures up vision upon vision of sexually-charged, explicit action that feeds the darkest recesses of the mind as much as it does the lustfulness of the libido. From the utterly disturbing to the bleak to the beautiful, and everything in between, all manner of carnal conjurations are brought vividly to life. There's sex in Heaven and in Hell, with a horrifying jack-in-the-box, and so on...all captured exquisitely and all perfectly matched to the underlying musical score, which ranges from the cacophonous to near-silence and which aids deftly in driving home the work's varied themes. Also not to be left unmentioned is the extraordinary acting ability of Ms. LeMay. While she appeared in multiple roles over the course of her career, it's difficult to imagine a performance better than this one. It is of mainstream quality. As such, it's distinctly easy to recommend this film to just about anyone. It's hard to believe that any fan of pornography couldn't get at least something out of it, an aficionado of the classics or not. Words only begin to describe it. It should not be missed.
In terms of the sex, Scene One finds Dorothy LeMay ravaged in a dark-lit room by an incredibly creepy, life-size jack-in-the-box (Kevin James). A truly disturbing, laughing-fueled fucking follows, complete with oral by both participants, Dorothy getting penetrated by the toy's nose (mask), and then by its dick. A load on her bush and pelvis finishes off this freakish fornication. (This sequence is the very definition of "horror porn".) In Scene Two, Dorothy has her way with two cowgirls, Danielle and Jacqueline Lorians, fireside in a faux-desert setting. The two girls appear almost mechanical as they partake in oral copulation with Ms. LeMay, and she then uses a dildo on one of them whilst playing with the other. Scene Three opens up with Dorothy writhing on the ground in front of a group of Arabs in their dirty, desert tent. She's masturbating with the probe-covered handle of a whip, and it isn't long before two of them--Kevin James and Starbuck--make their way over to her and take over, orally and then vaginally. A load on her backside and a facial close out this eerie, almost silent encounter. In Scene Four, Dorothy finds herself in a dark, austere bathroom, wearing only a black corset and stockings. She masturbates in the mirror with both her fingers and a ribbed vibrator, all as an ominous, masked figure (Kevin James) peeks in at her through a crack in the door. Ultimately, he takes her, throws her over the toilet in slow motion, whips his dick out and forces himself upon her from behind. She's then made to suck his cock and take him in missionary whilst seated upon the throne...all until he unloads on her bush. Despite its coercive elements and Dorothy's complete, almost drugged-out submission--or, perhaps, because of them--this sequence is incredibly hot. Scene Five has Dorothy as a horny housewife who's working in the kitchen when her "Cream of Wheat" box comes to life...sporting a big black cock. Of course, what's a happy homemaker to do but to put it in her mouth and begin to blow...all as "Ol' Man River" plays and a dude dressed up as a piece of "Wonder Bread" dances around in the background playing a saxophone. In Scene Six, Dorothy's roasting in what appears to be some version of Hell, where she finds herself draped over a large rock as Loni Sanders eats her out and then pounds her with a demonic strap-on...all at the direction of a harsh demonic character (Starbuck). The demon then double-penetrates her with a two-pronged dildo on a stick, as she writhes somewhere between pleasure and pain and gives Sanders oral. He eventually bangs Loni vaginally, as well, and LeMay blows him until he doles out a facial...all as the dry winds of Hades blow through. Scene Seven brings forth Dorothy, now apparently in Heaven and wearing a sheer nightgown. There before her are the Pearly Gates, and on the other side is Kevin James--nude and ready to go. Before long, she approaches him and begins to imbibe his schlong...and then takes it vaginally. The sex that ensues is both romantic and sensual, and Dorothy ultimately spills his seed at her hand in capping off this erotic romp. What imagery evoked...what sexual content...what quality...from start to finish. Wow! See this film if you haven't already. Hands down and dicks up, it's a winner!

Review:
An erotic, psychosexual tidal wave is unleashed when a repressed, frigid housewife, the beautiful Dorothy LeMay, finds herself the subject of extreme, electroshock therapy intended to cure her of her pleasureless condition. Of course, the experimentation drives her to near madness and into a state of twisted, sexual delusion that plays forth brilliantly for the benefit (...and to the shock...) of the film viewing audience. Such is the case in "Night Dreams", an exemplary, 1981 release from Caballero and F.X. Pope (a.k.a. Francis Delia). While some porn filmmakers attempt to be "edgy", "artistic", or "thought-provoking", more often than not, they fail miserably, and--on occasion--they simply embarrass themselves. This is most certainly not the case here. Indeed, Pope conjures up vision upon vision of sexually-charged, explicit action that feeds the darkest recesses of the mind as much as it does the lustfulness of the libido. From the utterly disturbing to the bleak to the beautiful, and everything in between, all manner of carnal conjurations are brought vividly to life. There's sex in Heaven and in Hell, with a horrifying jack-in-the-box, and so on...all captured exquisitely and all perfectly matched to the underlying musical score, which ranges from the cacophonous to near-silence and which aids deftly in driving home the work's varied themes. Also not to be left unmentioned is the extraordinary acting ability of Ms. LeMay. While she appeared in multiple roles over the course of her career, it's difficult to imagine a performance better than this one. It is of mainstream quality. As such, it's distinctly easy to recommend this film to just about anyone. It's hard to believe that any fan of pornography couldn't get at least something out of it, an aficionado of the classics or not. Words only begin to describe it. It should not be missed.
In terms of the sex, Scene One finds Dorothy LeMay ravaged in a dark-lit room by an incredibly creepy, life-size jack-in-the-box (Kevin James). A truly disturbing, laughing-fueled fucking follows, complete with oral by both participants, Dorothy getting penetrated by the toy's nose (mask), and then by its dick. A load on her bush and pelvis finishes off this freakish fornication. (This sequence is the very definition of "horror porn".) In Scene Two, Dorothy has her way with two cowgirls, Danielle and Jacqueline Lorians, fireside in a faux-desert setting. The two girls appear almost mechanical as they partake in oral copulation with Ms. LeMay, and she then uses a dildo on one of them whilst playing with the other. Scene Three opens up with Dorothy writhing on the ground in front of a group of Arabs in their dirty, desert tent. She's masturbating with the probe-covered handle of a whip, and it isn't long before two of them--Kevin James and Starbuck--make their way over to her and take over, orally and then vaginally. A load on her backside and a facial close out this eerie, almost silent encounter. In Scene Four, Dorothy finds herself in a dark, austere bathroom, wearing only a black corset and stockings. She masturbates in the mirror with both her fingers and a ribbed vibrator, all as an ominous, masked figure (Kevin James) peeks in at her through a crack in the door. Ultimately, he takes her, throws her over the toilet in slow motion, whips his dick out and forces himself upon her from behind. She's then made to suck his cock and take him in missionary whilst seated upon the throne...all until he unloads on her bush. Despite its coercive elements and Dorothy's complete, almost drugged-out submission--or, perhaps, because of them--this sequence is incredibly hot. Scene Five has Dorothy as a horny housewife who's working in the kitchen when her "Cream of Wheat" box comes to life...sporting a big black cock. Of course, what's a happy homemaker to do but to put it in her mouth and begin to blow...all as "Ol' Man River" plays and a dude dressed up as a piece of "Wonder Bread" dances around in the background playing a saxophone. In Scene Six, Dorothy's roasting in what appears to be some version of Hell, where she finds herself draped over a large rock as Loni Sanders eats her out and then pounds her with a demonic strap-on...all at the direction of a harsh demonic character (Starbuck). The demon then double-penetrates her with a two-pronged dildo on a stick, as she writhes somewhere between pleasure and pain and gives Sanders oral. He eventually bangs Loni vaginally, as well, and LeMay blows him until he doles out a facial...all as the dry winds of Hades blow through. Scene Seven brings forth Dorothy, now apparently in Heaven and wearing a sheer nightgown. There before her are the Pearly Gates, and on the other side is Kevin James--nude and ready to go. Before long, she approaches him and begins to imbibe his schlong...and then takes it vaginally. The sex that ensues is both romantic and sensual, and Dorothy ultimately spills his seed at her hand in capping off this erotic romp. What imagery evoked...what sexual content...what quality...from start to finish. Wow! See this film if you haven't already. Hands down and dicks up, it's a winner!
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