Ladies Room, The (Caballero) Review
Caballero
Studio: Caballero
Category: Classic , Feature film
Directed by: Henri Pachard
Starring: Tom Byron, Randy West, Sharon Mitchell, Jamie Summers, Blondi, Jerry Butler, Buffy Davis, Krista Lane, Herschel Savage
Released on: 3/19/2005
fu_q's ratings for this movie:
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Reviewed by fu_q on 11/24/2015
**Note – This review is based upon a VHS version of the film. As such, any bonuses haven’t been given a rating here, and there could be some discrepancies between this version and other releases.**
Review:
If it's happened in history, it hasn't happened in "The Ladies Room"...unless "it" is a whole lotta sucking and fucking, that is. An overall-good, late-80s release from Caballero and Henri Pachard, this fun, little fuck-flick focuses upon the tawdry tales springing forth from a restroom that began its life as a women's room and, through more than five decades, played host to all manner of kinky characters and carnal activity. An interesting premise indeed, the period costuming is done fairly well, as are the historical references and role-play. It seems that Pachard was trying to capture his own, perverse slice of the American experience with this release, and he largely succeeded. Of course, it helps to have a strong cast (including Jerry Butler, Blondi, Jamie Summers for two scenes, Keisha, and Sharon Mitchell) to help out along the way. For those looking for a trip down mammary lane and into porno past, this one may well be worthy of a look.
In terms of the sex, Scene One dials it back to 1931, with Herschel Savage taking advantage of a drunk little Miss, Tami White, in a bathroom stall...all as another woman gets sick in a neighboring toilet and as Sade plays a stereotypical, restroom attendant. It's New Year's Eve, but the only fireworks that Tami will be seeing are those that Herschel shoots on her fiery bush (...and perhaps some stars if she hits the floor).
In Scene Two, it's 1944, and WWII is still in full swing. A young, blitzed-out-of-his-mind soldier, Tony Montana, ends up in the ladies room, and the three playful gals in there with him (Blondi, Buffy Davis, and Rosemarie) are quick to put him to good use. The super-cute Blondi is charged with the bulk of the work, as Buffy and Rosemarie dare her to both suck and fuck him...which she does. Blondi eats Buffy's pussy, as well, as she rides Montana's cock. A pop on her backside ultimately finishes off this fun fuck.
Scene Three rolls forward to 1956, with two groupies, the blonde lovely Jamie Summers and the big-busted brunette Keisha, giving into their girlish desires with Tom Byron and Scott Irish, respectively and separately. The guys are low-end musicians with the whole bad-boy persona, and Jamie and Keisha eat it up...much like they do their cocks. Jamie's an amazing stunner, and Keisha's no slouch, either...and they both take the D like seasoned pros, despite their characters' purported innocence. Tommy spunks up Ms. Summers' backside over the sink and Keisha takes Scott's load on her chest and in her mouth. The latter is captured from a Chuck Berry-esque, out-of-the-toilet angle, complete with cum raining down toward the lens.
In Scene Four, it's 1964, and Jamie Summers returns--this time as a rough, hippie chick--to the scene of her deflowering, only to find a returned vet, Randy West, installing a urinal. The two exchange words before they make "love" not war and fuck one another right there on the floor and also using the urinal as a support. Again, Summers looks incredible, and Randy ultimately makes a deposit on her back and ass out of doggie in capping off this carnal caper.
Scene Five brings in 1975, with Krista Lane and Jerry Butler plying his golden-haired wife, Alexa Parks, with both cocaine and reassurances, all in an attempt to get her involved in a three-way. Of course, it all works, and the trio gets down to business in the restroom (...now the men's room...). Jerry nails both babes, and the two also get down with one another. A spurting pop on the insecure Alexis' face and chest finishes off the festivities.
In Scene Six, it's the (then-)modern day (ca. 1987), and the former ladies room's been turned into a torn-up, low-end hangout for street urchin types. Fitting this bill perfectly--though still supremely sexy--are Rosemarie and Sharon Mitchell (in the role of a post-op TS). With them is their guy friend, Peter Nicholas, and a big hair, leather-and-chains fucking follows. Mitch sucks dick in this one, and Rosemarie gets plowed whilst her head's in the urinal. Sharon pulls Peter's peter out of her buddy and jerks him to completion in closing things out.
In all, this is a unique, sexy release from the late-80s and Henri Pachard that features an interesting premise and something of a commentary on American history and sexuality. With a solid cast (...don't miss Jamie Summers...) and a decent plot, it's fairly safe to say that the nostalgically naughty among us will be interested in watching this one through. For the right crowd--classics, Pachard, the ladies, etc.--this one is worthy.
Check out the FSC anti-piracy PSA.
Review:
If it's happened in history, it hasn't happened in "The Ladies Room"...unless "it" is a whole lotta sucking and fucking, that is. An overall-good, late-80s release from Caballero and Henri Pachard, this fun, little fuck-flick focuses upon the tawdry tales springing forth from a restroom that began its life as a women's room and, through more than five decades, played host to all manner of kinky characters and carnal activity. An interesting premise indeed, the period costuming is done fairly well, as are the historical references and role-play. It seems that Pachard was trying to capture his own, perverse slice of the American experience with this release, and he largely succeeded. Of course, it helps to have a strong cast (including Jerry Butler, Blondi, Jamie Summers for two scenes, Keisha, and Sharon Mitchell) to help out along the way. For those looking for a trip down mammary lane and into porno past, this one may well be worthy of a look.
In terms of the sex, Scene One dials it back to 1931, with Herschel Savage taking advantage of a drunk little Miss, Tami White, in a bathroom stall...all as another woman gets sick in a neighboring toilet and as Sade plays a stereotypical, restroom attendant. It's New Year's Eve, but the only fireworks that Tami will be seeing are those that Herschel shoots on her fiery bush (...and perhaps some stars if she hits the floor).
In Scene Two, it's 1944, and WWII is still in full swing. A young, blitzed-out-of-his-mind soldier, Tony Montana, ends up in the ladies room, and the three playful gals in there with him (Blondi, Buffy Davis, and Rosemarie) are quick to put him to good use. The super-cute Blondi is charged with the bulk of the work, as Buffy and Rosemarie dare her to both suck and fuck him...which she does. Blondi eats Buffy's pussy, as well, as she rides Montana's cock. A pop on her backside ultimately finishes off this fun fuck.
Scene Three rolls forward to 1956, with two groupies, the blonde lovely Jamie Summers and the big-busted brunette Keisha, giving into their girlish desires with Tom Byron and Scott Irish, respectively and separately. The guys are low-end musicians with the whole bad-boy persona, and Jamie and Keisha eat it up...much like they do their cocks. Jamie's an amazing stunner, and Keisha's no slouch, either...and they both take the D like seasoned pros, despite their characters' purported innocence. Tommy spunks up Ms. Summers' backside over the sink and Keisha takes Scott's load on her chest and in her mouth. The latter is captured from a Chuck Berry-esque, out-of-the-toilet angle, complete with cum raining down toward the lens.
In Scene Four, it's 1964, and Jamie Summers returns--this time as a rough, hippie chick--to the scene of her deflowering, only to find a returned vet, Randy West, installing a urinal. The two exchange words before they make "love" not war and fuck one another right there on the floor and also using the urinal as a support. Again, Summers looks incredible, and Randy ultimately makes a deposit on her back and ass out of doggie in capping off this carnal caper.
Scene Five brings in 1975, with Krista Lane and Jerry Butler plying his golden-haired wife, Alexa Parks, with both cocaine and reassurances, all in an attempt to get her involved in a three-way. Of course, it all works, and the trio gets down to business in the restroom (...now the men's room...). Jerry nails both babes, and the two also get down with one another. A spurting pop on the insecure Alexis' face and chest finishes off the festivities.
In Scene Six, it's the (then-)modern day (ca. 1987), and the former ladies room's been turned into a torn-up, low-end hangout for street urchin types. Fitting this bill perfectly--though still supremely sexy--are Rosemarie and Sharon Mitchell (in the role of a post-op TS). With them is their guy friend, Peter Nicholas, and a big hair, leather-and-chains fucking follows. Mitch sucks dick in this one, and Rosemarie gets plowed whilst her head's in the urinal. Sharon pulls Peter's peter out of her buddy and jerks him to completion in closing things out.
In all, this is a unique, sexy release from the late-80s and Henri Pachard that features an interesting premise and something of a commentary on American history and sexuality. With a solid cast (...don't miss Jamie Summers...) and a decent plot, it's fairly safe to say that the nostalgically naughty among us will be interested in watching this one through. For the right crowd--classics, Pachard, the ladies, etc.--this one is worthy.
Check out the FSC anti-piracy PSA.
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