Voyeur 27, The Review

Reviewed by Hannah Glorybrook  on  4/19/2006

There’s something immediately classy about John Leslie’s work. As the opening credits fade, and the crooning jazz trickles away from your ears, you know he’s got something up his sleeve for you. Sure, sometimes his artistic vision obscures the actual art, but every now and then, he comes up with something completely stunning. Something like The Voyeur 27.

And what makes this particular volume of Leslie’s signature line so fucking spectacular? Well let’s start with the opening three-way between the two euro-studs in either corner and drop-dead gorgeous Nicky Belucci taking centre stage. The first thing you’ll notice, other than her shapely tities or perfectly pink pussy lips, is that Belucci is a natural in front of the camera. Completely at ease and most of all, eager to please both her co-stars and the viewers at home. Every action, from simple cock sucking to the difficult DP, is handled with the ease and grace of a movie star. She laps up the attention, and most importantly, the gooey man-juice in one of the sexiest cumshot sequences I’ve seen for awhile. Ball draining to say the least.

But Leslie’s just getting started. Take bootylicious Lara Stevens and Tina Wagner for example. Decked out in raunchy nurse outfits, they team them up with Greg Centauro who administers the most blistering, three-way anal examination thought possible. Centauro expertly does with their asses as he pleases, avoiding every possible positioning problem, and somehow pulling off the best ones with ease. His prowess in this scene is simply unmatched, thrilling the girls, the director, and the viewers at the same time.

The next two scenes offer more standard quality than the openers, but Leslie still manages to go out with a bang, serving up the delicious Jane Darling for dessert. She teases and pleases in a powerful coupling with Thomas Stone. Indeed, a satisfying end to another Leslie classic.