Vengeance (Lucas Entertainment) Review

Reviewed by TouchDown Tony  on  7/21/2002

Starring Michael Lucas, Chad Hunt, Carlos Morales, Richie Fine, Anthony Ferrat, Tony Acosta, Erik Martins and Michael Mattel.
Directed by Michael Lucas

Special Edition Features: "Behind the Scenes" Featurette, Cast Interviews, Previews.

Omigod! That lean, mean sex machine known as Michael Lucas is back in top (and wow, what a top he can be!) form, and back with a VENGEANGE. I still have a major jones going for Michael, and he doesn't disappoint in this endeavor. This time around he's a Russian Mafia godfather, with better diction than Marlon Brando ever had, and also showing a lot more flesh than Brando, too. (Of course at this stage of the game, the thought of a naked Marlon Brando is the stuff on which nightmares are made).

Be warned, however, that this is one mean movie. The sex is nasty from the get-go, and doesn't let up until the final j.o. session. These are nasty men doing the nasty nastily. (With the mail order version, the fourth scene is even nastier: with pissing and fisting included). This pornographic riff on "The Godfather," makes excellent use of its modeling talents -some new, some all-too-familiar.

Antonio (Anthony Ferrat) seeks the help of the Russian Godfather (Michael Lucas) because his lover, Carlos (Carlos Morales), has been cheating on him with anonther man (Richie Fine). The Godfather, having a huge Russian uncut tool - - or, rather, a huge Russian soul, assures Antonio that the situation will be taken care of by his hot minions: Erik Martins and Chad Hunt.
A flashback gets things into action, as Michael relates how business with the Godfather is done.

Tony Acosta, another of the Godfather's toadies, collects debts-unpaid from the in arrears Michael Mattel. One should be so lucky as to be able to get out of debt so pleasurable! Acosta is hot, looking very Samoan with his bronzed body; while Mattel's moniker certainly suits him - Michael M. is a Ken doll come to life. It's a standard one-on-one scene, that doesn't really get things off to an interesting start.

As Michael L. sends his minions out to capture the errant Carlos; he explains to cute little Antonio, that one hand washes the other; in other words, "you be good to poppa, he'll be good to you." To further get his point across, Michael lights a huge cigar. I know, I know, Freud said, "Sometimes a cigar is JUST a cigar;" but he hadn't seen Michael Lucas' "cigar," had he?

Now, we get to the nasty as Michael vocally directs Antonio's hands, lips, tongue and butt to do their duty. Indulging in the latest fad in porn ( at least, I hope this is a temporary excursion), Michael spits onto Antonio's face as well as into his mouth. Being the Michael Lucas fan that I am, this scene had me rock hard from start to finish, and nearly blowing my own wad when Antonio explored Michael's hot, hairy hole. With his clipped little accent, Michael's voice would be enough to turn a man to jelly, and I was no exception! Michael's trim physique is shown off to each and every one of its best advantages as the sex moves from verbally oral to hot, heavy and still vocally anal. Antonio is quite a catch, and he and Michael play well off of each other for an exciting scene. Remind me to call Michael for a favor, I'm ready to reciprocate, if this is any indication of what reciprocation means to Michael.

We now get to see that faithless lover cavorting with his boy-toy, as Richie Fine and Carlos Morales go at it hot and heavily on a sofa. These two fit together like bacon and eggs, and Carlos' bacon manages to spurt a lot of love oil very early into the game; but, it's not lost, as Carlos quickly lets Richie fuck him like a deer - pounding hard, fast and furiously. Their afterglow is interrupted by Michael's minions (what is with that word? it make people sound like little leeks!) who have come for Carlos.

Carlos takes his punishment like a man, as the superbly over-endowed Chad Hunt and the divinely uncut Erik Martins fuck, fuck suck and verbally abuse him, while Antonio sits passively by taking it all in. Oh, yes, once again, if this is punishment, I'm all for the crime! Chad not only is hung like a horse, he's fucking beautiful to boot! Lithe, slender and chiseled, he's a perfect specimen of manhood. Martins ain't exactly chopped liver, but when faced with Hunt's humongous humper, you just can't take your eyes off of it! Following generous cum shots by all; Martins, Hunt and Ferrat spit on Morales, leaving him alone with a few toys to play with. Morales' solo for the final scene, which coming where it does in the course of the film, is a bit of a letdown.

The camerwork is pretty damned good, though never exceptional. Michael Lucas looks magnificent in the designer togs of the godfather, but the "Men in Black" look has long had its day, and we Michael mavens want our Mister Lucas in the flesh. With Lucas only participating in one sexual scene, I was a bit disappointed; that is, until I took a look at the impressive Chad Hunt! Erik Martins left an impression, which sadly, none of the others did. Sound quality is passable, the music never overpowers, though the music is hardly memorable.

But VENGEANCE is a delight for fans of uncut meat, as well as Michael Lucas mavens such as I: the Special Features are certainly not lacking in the presence of Michael Lucas. Mr. Lucas INTERVIEWS SIX MODELS in a very charming, relaxed setting. These one on one sessions shouldn't cause strife for Barbara Walters; they're fairly fluffy, but who needs insight when you've got Michael handling the questions? Morales actually comes off better during the interview than he does in the film, as he is allowed to relate tales of working for Kristen Bjorn, which certainly do not flatter that master filmmaker. Running a good twenty minutes, the INTERVIEWS are a nifty little feature which more companies should think of including on new releases. For a few good laughs, the BEHIND THE SCENES section is fairly interesting, if only for the diva fight between Fine and Morales. When these two exchange words, and those words are repeated in theses special features, you have to wonder if EITHER of them will work for Lucas again. Adding to the bounty of Michael Lucas material are twenty-five minutes of TRAILERS for other available titles. From BACK IN THE SADDLE to the double penetration scene in GETTING AROUND to a Corona enema in FIRE ISLAND CRUISING, the trailers certainly whet one's whistle for future viewing pleasures.