Superfuckers 5: The Anal Sexplosion Review

Reviewed by Speelie  on  5/13/2002

Superfuckers 5
Directed by Pierre Woodman
Private DVD
VHS released 2000
DVD released 12/2001

Cast : Ann Kiray (aka Anne Joy), Brigitta, Carrie Lee (aka Melinda), Dorothy (aka Dora), Jeanette, Nicolette, Noemi, Sharon Bright, Sophie Roche, Alain “Akim” Deloin, Ian (aka Yann) Scott, Titof, Rodolf(o), James Brossman, Pascal St. Claire (aka Pascal St. James), Seb(astian) Barrio, Bob Terminator

Superfuckers is where Pierre Woodman dumps his throw away scenes, extra castings, and other bits that don’t fit into his plotted movies and castings series. These days, he’s turning off fans by spreading himself too thin for Hustler, diluting the quality of Superfuckers in his hurried need to shoot the number of scenes required to support three series of unrelated vignettes. But when he started Superfuckers in 1999, it seemed like a very good idea, as it gave his many admirers a chance to see lots of Woodman scenes in between releases of his features. Superfuckers 5 in particular has long had a special appeal to me, because it includes appearances by two actresses I really enjoy, women who don’t have a lot of scenes to their credit.

My excitement over getting the DVD began to fade from the first moment. The picture quality and menus are not up to the same high standard that Private gave to Woodman’s features such as Riviera and Exotic Illusions. The quality is acceptable, but I was expecting exceptional, so even if Superfuckers 5 is better than many other movies from a production standpoit, it created some instant disappointment.

Our hostess for this outing is lovely Hungarian Ann Kiray, who is better known these days, even to Private, as Anne Joy. I’ve been in lust with her ever since I saw her in Fresh Meat 11 (she’s featured on that cover, here she’s at left in the head-wrap), and these hosting segments were shot during the making of Woodman’s Riviera series, in which she has a couple of scenes during part 3. She’s tall and slender, pretty in a substantial, non-superficial way, and speaks good English. In fact, unlike most Superfuckers hostesses, she introduces the segments in English (read her lips), which makes it hard to understand why hers is the only voice dubbed in this movie. The rest of the sound is natural, and most of the scant dialogue is in English.

Dyed blonde Sharon Bright also speaks good English, and also appears in Riviera 3. She has a proper casting in a latter edition of Woodman’s castings movies, but here she and Woodman get to know one another just a bit. Sharon is a very pretty Hungarian with a tight, toned, and (when this was shot) deeply tanned body. Despite her lovely curves, her best feature is her eyes, which entranced me from the moment I first looked into them in her ski mountain scene from Woodman’s No Sun, No Fun (that scene is on the third version of Private’s previews sampler DVD). She’s obviously smart, and mature for her age (22), and has a sexy confidence as she poses, gets poked and prodded, and answers Woodman’s questions. She’s a strong personality, so Woodmen confines his usual boorish behavior to calling her “salope” and “bitch” as she gives him a terrific blowjob while kneeling in a bathtub. He cums in her mouth, filmed POV, and she gives a warm smile and says, “ahhh” to prove that she swallowed his load. Sharon was on Kovi’s Caribbean trip that yielded the movies Indiana Mack 2 and Santo Domingo Connection, but only made a single scene, which appeared in Private XXX 13. I need suggestions for more Sharon appearances, please, if any readers know of any!

I saw Superfuckers 1 a long time ago, and have forgotten most of it. Apparently, Brigitta was in it, and is now back to show how much she’s learned in the meantime. She’s quite cute, with a nice petite body, but the scene is nothing special. It’s a standard 3-way in a bedroom, as she’s joined by Rodolf and Titof. She sucks and fucks, and takes the inevitable anal and DP. Woodman’s shot this scene dozens of times, and no one seems inspired on this occasion. It ends with each guy jerking his meat to cum on her face. You can see a much better Brigitta scene (also with Adrienne Klass) in Woodman’s Madness 2.

Some of the Superfuckers 5 credits label the next girl Carrie Lee, but other credits, and Ann in her introduction, refer to her as Melinda. Either way, her body is a lot better than her face. She’s at a house in the French Alps, as Deloin, Brossman, and St. Clair drive up. They join her for coffee, which naturally leads to fellatio. The four move to the bedroom, for a scene which is the 4-way equivalent of the previous scene’s 3-way. There’s sucking and fucking, and some DP, and its sadly, pathetically boring. Another dime a dozen scene concludes with Deloin and St. Clair jerking off onto her face, before she strokes Brossman off.

Ann’s next introduction mentions, “...after Brigitta....” instead of, “...after Melinda...” so something got out of sequence here. The scene includes a woman I don’t care for at all, tall brunette Jeanette (in the middle on the cover). She admittedly has a great toned body, but her face strongly turned me off in both Hardball 10 and Hardball 14. I know she made some fans in those movies, so they might enjoy her here, where she’s a dominatrix who juices up the sex life of bored couples. Her current clients are Brossman (in a mask) and Noemi, who for some reason has pantyhose over her head. Through the hose she appears to have her hair dyed black, which is quite a contrast to her dirty blonde look in The Voyeur 19. That’s probably a better scene for her, since here, she seems in extreme discomfort while getting analled in a couple of positions. Jeanette, who has the coveted rubber asshole, only gets a bit of anal herself, and mostly gently uses her whip on the other two. I can’t imagine this is all what Woodman truly intended for the scene, I think it was probably a failed encounter from which he salvaged what he could. It is telling that the after the women take Brossman’s cumshot ass to mouth, the camera cuts away without the usual, “see, I’m smiling, everything’s ok” conclusion.

Woodman has another casting moment in a hotel room with Nicolette. She’s a brunette who is pretty in a plain way, and has a nice body if you don’t mind tiny breasts. She strips, and is quickly fingering her asshole. She also fingers her pussy a bit, and it is clearly very wet. As he often does in his castings, Woodman keeps one camera on a tripod, and operates another himself, so we get a picture within a picture as Woodman goes straight for the A. He mounts her anally in doggy, and fucks her hard and deep. The action seems to cause her to cum, and then the scene jumps forward to her sucking him off and laughing. She went on to do a scene in Riviera 2, where she hardly gets noticed next to the gorgeous and loud Sunny Blue.

I suppose Sophie Roche is pretty, though again we have a girl whose face I don’t care for. And again, the face comes with a very nice body, and she also has a rubber asshole. That butt gets a good workout in LeCastel’s Assman 15 and Matador 8, but what happens here is fairly impressive too. The French blonde is in a hotel room with Scott, Titof, and Barrio for a what is mostly the usual suck and fuck. But her cowgirl DP becomes a rare (at least when this was made) double anal, which she takes without too much stress. She then gets more DP, before the guys jerk off on her face. The double anal and her relative enthusiasm is what makes this somewhat better than the earlier Carrie/Melinda scene.

Ann masturbates and uses a vibrator for our viewing pleasure, before introducing “Dora” for the next scene. The credits call her Dorothy and Dora, and she was new to me. She’s the largest figure on the cover, the girl at right center. Her smile is devious, and her curves are lovely, especially on such a tight body. Her breasts are actually fake, but they are perhaps the best bolt-ons I have ever seen. They move almost naturally, and the scars are small and unobtrusive. She’s joined in a living room by Deloin and Bob Terminator (who isn’t listed in the credits) for another standard 3-way. But just as the Sophie scene was better than the Carrie/Melinda one, this scene is much superior to Brigitta’s 3-way. All the credit is due to Dorothy, who gets sweaty and intense, and seems to have a lot of fun with the anal and DP action. She assists Deloin in jerking a load onto her face, and then Terminator jerks himself off to deliver a very big shot on the same location.

Not every Superfuckers hostess gets some action for herself. Happily, the movie concludes with Ann in a bedroom (the same one where Nannes Beaumont had a good fuck with Terminator in Riviera 1) with Barrio. In a quick session, she fellates him, then rides reverse cowgirl and reverse cowgirl anal, before sucking some more to coax out his cum. She leaves us with her lovely smile, and all through the movie displays wonderful screen presence. Ann deserves to be in better movies than Kovi’s make-up mess The Speandor of Hell, I hope she gets to be a leading lady for some director!

So there you have it, Superfuckers 5 is a decidely mixed bag. Some really good, or at least fun, moments are combined with paint by numbers stuff. The DVD has the good standard Private package of multiple language choices, cast info, production notes, and previews of other titles. I suppose collections of scenes such as this don’t usually get behind the scenes pieces, but I would have liked to have seen more of Ann and Sharon in candid moments.

Superfuckers 5 is neither Woodman’s worst nor his best movie. It is certainly worth seeing if you enjoy his other titles, or if you are a fan of any of these women. But if you are new to Woodman, or to Private, I recommend you begin with one of his features such as Indecency or Madness, which have better sets, better sex, and overall better looking women.

Send questions or comments to : Speelie@my.adultdvdtalk.com