Superfuckers 12: Whores Riding Review

Reviewed by Speelie  on  9/15/2002

Superfuckers 12
Directed by Pierre Woodman
Private
Released early 2002, DVD released summer 2002

Cast : Tchanka, Olga, Barbarella, Suzanna (aka Suzy Dark), Lylly Berty, Mary Cat, Crystal, Sandra, Erica Fire, Asian Shan, Titof, Alain “Akim” Deloin, Bob Terminator, James Brossman, Pascal St. James, Sebastian Barrio, Pierre Woodman

And so the story ends, this being the final chapter in Pierre Woodman’s Private career, aside from his casting movies. As befits the closing of an era, Private crammed this DVD full of scenes and provided better picture quality than seen in the preceding volumes. The long movie opens with dark, slender, exotic hostess Tchanka, who has since appeared in one of Woodman’s Anal Intensive volumes. She’s the figure on the front cover (both sides, tame and explicit) clad in PVC gear, and while she’s certainly attractive, something about her turns me off. However, she’s only here to introduce the scenes, with her narration dubbed as is standard in this series. The dialog provided by the dubbed voice is highly annoying, which I suppose is another tradition of the Superfuckers line. The subtitle of this volume 12 is “Whores Riding,” but “It’s Good to be Titof” might be a more accurate description.

Pierre Woodman holds a casting with dark haired (dyed?) Russian Olga in a Budapest hotel room. He speaks to her in French, mixing in occasional English words such as “nice pussy,” apparently to help the non-French speakers in the audience follow along. He shoots lots of POV tease of her tight, quite curvy body. His fingering of Olga’s box, and then her butt, seems to get her off. He puts the camera on a tripod to begin receiving head, only to revert to POV halfway through. Woodman displays his usual charm, calling her “chienne” and “salope” to show his appreciation for her efforts, which result in him cumming while deep in her mouth. She then swallows the evidence. I imagine this pretty, enthusiastic girl has more credits, but I’m not aware of any, and I’d like to see her again.

After a silly introductory narration, we get to the good stuff, with the first appearance I’m aware of for fan favorite Barbarella. I’m not quite as much of a drooling fan boy for her as Sbando is, but I’m close. I remember watching this movie on VHS in early 2002 and thinking, “here’s a girl to watch.” She simply lights up the screen, showing a decent rapport with Woodman as he briefly fingers her crotch. Titof and Alain Deloin are brought out to get fellated, and Barbie then sucks one while fucking the other in a couple of positions. Deloin moves to her ass, and in my first viewing I thought that maybe she was a screamer, but now that I’ve seen more of her, I know that she’s actually howling in pain. It’s not by accident that she has since avoided anal while providing great scenes in Orgy World 1 and Killer Pussy 8 (I’m eagerly awaiting the pending DVD release of 18 and Nasty 28, which has another Barbie scene). I found the following action difficult to watch, to be honest, but for the record, she gets DPed in two positions, and this is the only DP I know of for her. In the end, no pun intended, she jerks Deloin off into her mouth, and helps Titof finish himself in the same general area. Woodman had Barbarella for an exclusive three scene contract, and the last of these is about to be released in Hustler’s Superfuckers 16. It may have a DP, for all I know. Her other Woodman scene (including anal) is found in Brazilian Snake 1, and Woodman totally wastes her talent, as she spends most of the scene on her back with Woodman’s camera focused tightly on her groin, instead of her adorable face. I know there’s an audience to see Barbarella get DPed, but when this includes watching her suffer, then I’m afraid I’m not part of it.

Suzanna is interviewed by Woodman in a bedroom as a storm rages outside. She’s better known as Suzy Dark, and is a very sexy, sensual performer in movies such as Asses High 1, Exxxplosion, and XXX Road Trip #2. That’s Suzy at lower right on this movie’s cover, flashing her genuine smile. She masturbates for Woodman, who fingers her pussy and brown eye. “This is an ass that has seen a lot of dick!” he concludes, and Suzy agrees with a laugh (perhaps it saw too much, as she tells Vince Vouyer in XXXRT2 that she doesn’t do anal). She’s joined on the bed by Bob Terminator and James Brossman, and both guys receive her oral attention. As it starts to rain outside, Brossman slaps on a condom, and takes her pussy doggy, while she continues to blow Terminator. She gets nicely caught up in the following action, as Terminator also applies a rubber before she rides him. More vag fucking ends when Terminator switches to her ass while spooning. After a short DP, she sucks both guys, helping them to finish on her face and neck. This scene has the only safe sex in the movie.

Woodman’s at home in France for this Wild Camera installment, shot in Paris. He and Pascal St. James are on the prowl outside a McDonald’s, which is appropriate in a sense, almost foreshadowing his move from European Private to American Hustler. They accost Lylly Berty (or “Iris” as the narrator refers to her, she’s “Lilly” in the end credits, and might be well known as an actress in France, though she was new to me), and she agrees to take the men up to her nearby apratment. While this scene is contrived, it feels as real as any of the Wild Camera segments, and the setup is pretty well done. Petite, glamorous brunette Lylly is 22, and apparently sexually experienced. At her apartment, she reveals that she has no underwear beneath her lavender dress, and then starts blowing St. James. She strips, mounts him cowgirl, and then gets fucked mish. Woodman and St. James finger her ass while admiring her pussy gape, and after some lube is applied, the anal begins. Woodman eventually supplies his thumb to form a novel DP, with Lylly then stroking St. James off into her mouth. She was quite happy and energetic, and most viewers will likely enjoy this scene, even if the very slightly Asian Lylly wasn’t really to my taste.

The obligatory fetish scene is set in a meat locker, which is at least different, though not very erotic. The IDs here are highly confusing, with different names supplied by the closing credits, the boxcover, the cast list, and the narrator. The dominatrix is usually known as Mary Cat, but is called “Sandra” by the narrator, and her alternate name of Anna Marie, found in several movies, is provided in the closing credits. I’ll call her Mary Cat, since that is what she used in her best known roles in Beautiful Girls 3 and Hardball 15. The other two women were new to me, and are variously IDed as “Sylvia,” “Ester,” “Aisha,” “Crystal,” and “Sandra.” I’ll go with the latter two. First, Mary bosses around Titof, who looks a lot like Chris Kattan playing Mr. Peepers on Saturday Night Live, when he is forced to kneel submissively. Evan allowing for her 3” heels, Mary towers over Titof, I had no idea he was so short. I know that Hungarian Mary speaks decent English, and she shows she is even more of a linguist than I realized by speaking French in this scene. She consents to oral Titof a bit, before Terminator and Deloin wheel out the other girls. Both are plain but pretty, not too toned, and quite willing as they fellate the guys. Blonde Crystal is quiet, while brunette Sandra is more outgoing. Mary directs the sex, as the girls suck and fuck the men. Both slave women get analled, and Sandra does DP, while Mary sits on Crystal’s face. Then it is Mary’s turn, she gets airtighted, jerking off Titof towards her face, before kneeling between the other two to suck their seed into her mouth. I usually don’t care for Woodman’s fetish scenes, but this one worked well, if you can ignore the setting.

At the House of Ass, Sebastian Barrio sits on a couch, waxing his dolphin while perusing a skin mag. Erica Fire walks in on him, and this being Hungary, she isn’t grossed out as an American girl would be. No, she’s turned on, and diddles herself and fellates him. She’s a really pretty red head, and I state this as someone who doesn’t usually like paleskinned red heads. Barrio pulls down her pants, rims her briefly, and then starts fucking her doggy. I love moments like this, when the girl performs mostly clothed, though she is undressed later. Erica then lies back, so that Barrio can eat her out, and her gasping catches the ear of St James, who is outside reading a Danielle Steele novel (Danielle Steele?!). He comes in, and this being Hungary, she isn’t offended as an American girl would be. No, he’s welcome to join in, fucking and getting sucked. He gets the first shot at Erica’s ass, actually, he gets the only shot, since he’s again in that hole while Barrio penetrates her pussy for a DP. Erica is having a good time all the while, and happily helps them spooge around her mouth. I first saw her in Superfuckers 8, and hope to see more of her in the future!

Woodman interviews/fingers Asian Shan in a bedroom. This might be older footage, since she was a Woodman regular for a while, in movies such as the Riviera and Bitches series. Shan was always a very willing, slightly submissive performer in these titles, and here she eagerly starts slurping Titof and Deloin’s cocks. She takes each guy in her pussy, and moves Deloin to her ass while riding him cowgirl. She takes a couple of DPs, at the end of which Titof beats off onto her face. She then strokes out Deloin’s load, which dribbles onto his belly. She sucks both guys post-cum with a big grin. Finally, Tchanka gets a piece of the action, taking Titof up her ass in doggy and reverse cowgirl during a brief scene. He finishes himself around her mouth, and gets fellated as the movie ends.

As the preceding indicates, Superfuckers 12 is a long movie, with plenty of sex for your money. The performers and the action are of good quality, without the throw away scenes that marred some earlier volumes. The quality is even more apparent compared with the succeeding editions released by Hustler, which are padded out with photo shoots and see the return of disposable, boring, interchangeable scenes, mixed in with occasional good moments. The DVD of Superfuckers 12 has the Private norm of multiple language and subtitle options (with live sound for the basic English track), its own and five other trailers, and cast and production notes. The photobook is quite nice, and as I wrote at the beginning, the picture quality is high.

The Superfuckers movies are a mixed bag, but this final Private installment fully delivers on the promise of lots of no frills fucking involving pretty Euro girls. As such, it should have wide appeal, and I recommend it to everyone who enjoys no-plot Euro porn, as long as you keep in mind that Barbarella seems seriously uncomfortable during some of her scene.

Send questions and comments to : Speelie@my.adultdvdtalk.com