Married Cops Do Review

Reviewed by TouchDown Tony  on  8/6/2001

Married Cops Do
"Sometimes the Code of Silence is stronger than the bond of matrimony."
Directed by Blue Blake
Starring Duke Miller, Caesar, Tuck Johnson, Anthony Cox, Hank Hightower, Joe Romero, Chad
Connors, Glenn Matthews. Tony Valentino with T. J. Hart, Cherry Taylor, Delilah and Blue Blake in non-sexual roles.

Special Features Hardcore Photo Gallery (self- playing; almost 4 minutes), Previews (Stills for Tales from the Tree House and Demo Daddy) appr.45 seconds each.

Blue Blake’s stepping behind the camera has brought about a delicious, hot new look to home video. Long established as one of the hottest pieces of uncut meat, and a versatile performer, Blake’s directorial skills on Married Cops Do demonstrate that he is also a director to be reckoned with.

The pleasures begin with the cast he has assembled; full of big, beefy, muscular MEN going the distance for Blake’s probing camera. What delectable treats the camera discloses! Hank Hightower. Joe Romero. Caesar. Tuck Johnson. Anthony Cox. Not to mention the mountain of muscle discovered for the film’s showcase: Duke Miller. Duke’s bountiful bod is on ample display, and fortunately for the viewer, he’s not a no- brainer, muscle- bound dumbbell. He’s a rare combination of fire and vulnerability, and he is a mighty good fuck, too.

Being one of the titular creatures of the title, Duke gets to demonstrate his hetero side in the film’s short opening sequence. (If bobbing boobies and heaving chests are not up your alley, skip the first scene). Duke, lying prone, is fucking his blonde, big-bosomed babe of a wife in a scene which establishes far more character than most adult films deliver in one hour’s time. There’s a sadness in Duke’s eyes, and a fire in his marital squabble as he exits the house to go to the weekly policemen’s poker game. Rounding out the poker table are Blue Blake (who unfortunately is in a non-sexual role) and Tuck Johnson. Blake introduces the framing device of the film by relating the true reason there are not eight hands around the table; it seems that cutie Chad Connors has been fooling around up in Beverly Hills - - but not with the babalicious lady he’s been describing - - Chad has been having a weekly three-way workout with Hank Hightower and Joe Romero!

It would seem that Chad (nicely beefed-up and tattooed) is enjoying the hearty meal that Joe Romero’s cock provides. Sensing a good thing, little bear Hank Hightower insinuates himself into the frame, helping himself to a free lunch. Chad and Hank are obviously enjoying the tasty morsels that Joe has to offer, and Hank offers his cock cunt up for Romero’s ramming thrusts.

As hard as Romero thrusts, the slimy lubricant drizzles forth from Hightower’s hairy butt-hole like lava from a volcano! All this time, Hightower’s other orifice is concentrating on Connor’s cute cock. After switching partners, each and every one of the hot trio is satisfied. In terms of film-making, the scene would have worked better had Blake stepped out from behind the camera and into the action, instead of featuring a character the viewer has only heard about.

More satisfaction is offered up when Tuck Johnson offers up his own tale of marital infidelity. When the faucet keeps dripping and dripping, Mrs. J. calls in a plumber, the well-hung- - make that exceedingly well-hung - - Anthony Cox who seems about to burst from his tight denims. When the missus is called out of the house, Tuck goes to work on Cox’s cock while Cox fiddles with the pipes. With all the vocal bravado they are able to muster, the sexual activity commences with Tuck deep-throating the plumber’s tool. The action gets really heady once Tuck strips down and shows off his well-chiseled bod - - complete with a bouncing erection as thick as his prop beer can. (If only he didn’t sport a haircut more suitable to The Three Stooges he could have been the inspiration for Michelangelo’s “David”)!

When Cox begins to plumb the depths of Johnson’s smooth, moist asshole with his tongue, the sexual heat becomes tangible. Coaxing Johnson with divine dirty talk , Cox gives Johnson a ramming worth the price of the dvd! As the Chapter Index aptly states, this is one helluva “Plumber Poke.” Even though Cox leaves his tank-top on during the scene, there are enough well-thought out close-ups of his hairy butt pounding against Johnson’s to satisfy the most jaded viewer. If you like your sex with a rough, dirty edge this scene will get your engines stroking.

Back at the poker table, noises rise from the next room. It seems that Blake’s nephew Toby has been suspended from school and is working out in the weight room. Toby (Caesar) is thought to be a juvenile delinquent by his Uncle Blue, who urges Duke to have a talk with him, since Toby looks up to him. No wonder Toby looks up to him - - they were an item before Duke got married, and Toby is hot to stir things up again.

This leads to the moment we’ve all been waiting for: Duke Miller’s gay sex debut. Is it worth the wait? My, oh my, yes!

With an industrial-fueled score pumping away in the background, the tattooed Toby lovingly explores Miller’s massive hulk with his tongue, priming the handsome Miller up with his fingers, while stroking himself. When Caesar, as Toby, buries his face between Miller’s globular glutes, Blake lets the camera slide in as well, showing off Miller’s hot, gaping man-pussy. But it is Caesar who gets to be fucked doggie-style by Miller’s ample tool. A quick turnover, and we’re treated to close-ups of Miller’s ginger-haired balls beating against the kid’s butt before they both stroke themselves to orgasm.

A little solo action from Glenn Matthews establishes Duke’s homosexual proclivities, as he relates his voyeuristic encounter with Matthews. Good clean fun entails as Matthews, aware that he’s being spied on, jacks off onto window which Miller has been watching him through.

A fantasy three-way closes the flick, as Caesar imagines what it would be like for himself and Tuck Johnson to share Duke’s ample charms. Appearing on a set that looks as if it were leftover from The Best Little Warehouse in L.A., these men go into a three-way free-for-all as hot as one would expect from this trio. Johnson and Caesar willingly worship Miller’s bulky frame before the heavy-duty sucking and fucking start.

And who should be the recipient of Johnson’s impervious johnson? Why none other than that burly hunk of manhood, Duke Miller. It is to Blake’s credit that he allows his discovery off in all of his versatility...Duke fucks a woman, Duke fucks Caesar, and finally Duke gets fucked.

When Duke gets fucked he does indeed take it like a man, and Tuck in all his manhood can deliver the goods. Bathed in lavender-tinged lighting, the scene delivers as much, if not more than it promises. Once everyone is spent, stick around for a nifty dialogue scene which manages to tidy up some loose ends.

As highly as I enjoy the sex in Married Cops Do, I most certainly would have liked to see a better presentation. Married Cops Do never rises above a standard vhs look, and its soundtrack might just as well be mono - - I found myself adjusting the volume when my fingers had better things to tune up. The disc’s “Special Features” could stand a little re-thinking as well. Both of the “Special Features”are elongated Slide Show presentations: the first is a self-playing, four minute gallery featuring the film’s action sequences; the second, mislabeled as a preview presentation which consists of Slide Show photos from other Blue Blake endeavors - - “Demolition Daddy” and “Tales from the Tree House” each running less than a minute each.

Very hot men, in and out of uniform make up for the technical deficiencies of the dvd. Heartily recommended to those who want their men on the more than manly side, those who are tiring of the all-twink phenomenon and for those who wish to witness the birth of a new star deserving of the status.