Reviews of Kristina Varga Movies with Trailers (2)
Outlaws 2 review summaries:
fu_q's
A famed western gun- (and dick-) slinger, Rocco Siffredi, and his always-ready and ever-randy gang still can't say no to women in distress--especially when they're offering up some sweet, tight ass as payment--in "Outlaws 2" (1999), an overall-good, Old West themed sequel to the original from Joe D'Amato and Sin City. [read the full review]
review from 9/22/2018:
A famed western gun- (and dick-) slinger, Rocco Siffredi, and his always-ready and ever-randy gang still can't say no to women in distress--especially when they're offering up some sweet, tight ass as payment--in "Outlaws 2" (1999), an overall-good, Old West themed sequel to the original from Joe D'Amato and Sin City. [read the full review]
(2.5 stars avg from 2 reviews)
Starring: Missy, Ursula Moore, Jade, Philippe Dean, Roberto Malone, Rocco Siffredi, Mickey G., Richard Langin, Bruno SX, Maria De Sanchez, Antonella del Lago, Kristina Varga, Olivier Sanchez
Studio: Sin City
Directed by: Joe D'Amato
Release date: 10/25/2001
Previews: Previews
Outlaws review summaries:
fu_q's
A famed western gunslinger, Rocco Siffredi, and his gang can't say no to women in distress, especially when they're offering up some ass as payment, in "Outlaws". A very good, Old West themed flick from Joe D'Amato and Sin City (1998), this one features far more sucking and fucking than plot, but it does make it to the point where Siffredi and his gang are on their way to take on the bad-guys. The sets, setting, costuming, and grit all feel authentic, and the cheesy English overdubs (presumably from the original Italian) only add to the spaghetti western flavor. Further, the sex is hot--with plenty of anal--and so are the actresses. All around, this one's a winner and will definitely appeal to fans of the Wild West and its harsh, though romanticized, way of life. [read the full review]
review from 12/22/2015:
A famed western gunslinger, Rocco Siffredi, and his gang can't say no to women in distress, especially when they're offering up some ass as payment, in "Outlaws". A very good, Old West themed flick from Joe D'Amato and Sin City (1998), this one features far more sucking and fucking than plot, but it does make it to the point where Siffredi and his gang are on their way to take on the bad-guys. The sets, setting, costuming, and grit all feel authentic, and the cheesy English overdubs (presumably from the original Italian) only add to the spaghetti western flavor. Further, the sex is hot--with plenty of anal--and so are the actresses. All around, this one's a winner and will definitely appeal to fans of the Wild West and its harsh, though romanticized, way of life. [read the full review]
Gabriel Nine's
Note: this review refers to the European Rocco e i magnifici 7 by Century productions, not the US version, Outlaws, distributed by Sin City. Rocco e i magnifici 7 Century If I was to suggest the whimsical western music that features throughout Rocco e I Magnifici 7 is actually more memorable than any of the action it accompanies, that might just give an indication of the quality of this spaghetti western. This really is a poor movie, blighted by dire direction, abysmal acting, desperate dubbing and execrable editing. The good It starts misleadingly well, with a montage of sepia-toned wanted posters introducing the cast, but when you notice that the number 7 has been somehow left off the title thats right, they have got the main title of the movie wrong - one gets the distinct impression that someone doesnt really care that much. [read the full review]
review from 4/10/2005:
Note: this review refers to the European Rocco e i magnifici 7 by Century productions, not the US version, Outlaws, distributed by Sin City. Rocco e i magnifici 7 Century If I was to suggest the whimsical western music that features throughout Rocco e I Magnifici 7 is actually more memorable than any of the action it accompanies, that might just give an indication of the quality of this spaghetti western. This really is a poor movie, blighted by dire direction, abysmal acting, desperate dubbing and execrable editing. The good It starts misleadingly well, with a montage of sepia-toned wanted posters introducing the cast, but when you notice that the number 7 has been somehow left off the title thats right, they have got the main title of the movie wrong - one gets the distinct impression that someone doesnt really care that much. [read the full review]