There comes a time in every man’s life where he carries a deep thought about a woman that he loves more than anything. For some men, it’s more than one. In 2006, it was a woman named Naomi Russell, for John Leslie.

The Little Details Running Time: 141 min. Production Date: 3 / 1 / 2006 Director: John Leslie Cast: Marie Luv, Mysti May, Naomi, Arnold Schwarzenpecker, Brian Pumper, Erik Everhard, James Deen, John Leslie, Lefty LaRue, Mark Davis, Mike Hash, Sascha, Scott Lyons, and Tee Real The Short Story Initial Expectations: I've heard some fantastic things about this one, and can't help but go in with extremely high expectations! Initial Reaction: There were a couple scenes that didn't work as well as the others for me, but it's still a very impressive movie that I can't help but recommend. Who Should Watch It : Anybody who wants a variety of sex with one of the most beautiful girls currently in porn Who Should Avoid It: Anybody wanting a lot of balls to the wall anal, squirting, cream pies, or lesbian action The Technical Stuff Audio /Video Quality: As usual with John Leslie's work, there's a touch of art to the technical aspects.

I haven't watched a John Leslie movie in a while because he drives me bonkers shooting into the light which blinds the viewer from some of the action. I made an exception for Naomi who is a Czech-Israeli with the most incredible ass since Vida Guerra. She participates in every scene in this movie: Solo masturbation scene James Dean including anal Marie Luv (a, dp), Erik Everhard, and Sascha Blowbang with some fucking of her buttcrack frotteurism - Mario, Arnold Schwarzenpecker, Scott Lyons, and Mike Hash Tee Reel, Lefty Larue, and Brian Pumper Mysti May and Mark Davis For the most part I liked this movie. Leslie continues to use natural lighting in his movies but he stays away from the windows. We still have a murky feel but I didn't it as much especially since it fits in with his Voyeur style. Occasionally you'll see some flaring which makes me wonder if his lens is scratched. This is evident in the second scene with James Deen. The camera is peeping on Naomi from outside and then peeping on Deen peeping on Naomi.