Voyeur 21, The Review

The Voyeur 21
Evil Angel
Directed by John Leslie
Starring: Nicole Sheridan, Sharon Wild, Mercedes, Tawny Roberts, Bambie Dolce, Flick Shagwell, Jessica, August, Billy Glide, Frank Gun, Lexington Steele, Ricky, Pat Myne, TT Boy, Voodoo, and the Voyeur
Running time: 2hrs 9mins

Ever eager to peep on some spicy sex featuring long-legged sexy-assed women, John Leslie's Voyeur fixes his gaze on four scenes from that house which seems to have featured in at least one scene from pretty much every American made movie I have seen this year, and one fine scene from a sojourn to Hungary.

Nicole
Nicole Sheridan's long gazelle legs, accentuated by a pair of red patent heels, are a major feature of the opening scene, as The Voyeur follows her silky ass upstairs to a bathroom where she admires and then touches herself. Voodoo (AKA Voodoo Child, a stud with whom Nicole seems to have done quite a number of scenes) enters the room, and her height is strikingly apparent as she towers over the fellow, even allowing for her heels. She bends forward to suck his already hard dick, beginning an extensive bout of oral that includes some exciting hands free action.

Nicole leads Voodoo by the dick to the bedroom, where, after another quick suck, she takes his cock straight into her ass. She rides him and I can't help but be amazed by the way she folds and flexes those long, long legs to accommodate the various positions they get into. The sex is hearty, earthy and rather naughty, ending with Voodoo really using her ass before she nastily jerks him off into her mouth. Even allowing for the fact that I really don't find Nicole very attractive facially nor do I admire her implanted boobs, for me there's more excitement in this single scene than in the last three movies and 4½ hours of mediocre porn that I've watched.

Mercedes & Bambie
I've been remiss in catching up with more of Bambie, who my esteemed colleague Speelie marked my card about before - aside from this, you may wish to admire her as Sophie in a scene with Marchie (AKA Lara) in Superfuckers 10. Mercedes (AKA Gina and Claudia) has also got her admirers, from several appearances for the likes of Christoph Clark and Kovi, as well as in the preceding edition of this series. Anyway, the two lovely slim, sexy and damn pretty girls - Mercedes has long brown hair, Bambie has shorter dark hair - detain Frank Gun for a languid sex session in a location familiar from Christoph Clark's movies. The Voyeur has been peeping on them wafting about the house in skimpy garments before they take turns kissing and sucking Mr Gun.

He waddles through to a living room with his trousers round his ankles and the girls tease him and give him some more oral attention before they each have a shot riding on his cock. They all stay together and kiss and touch a lot, with little secret smiles and an excellent laid back mood. Great shots from Mr Leslie rightly highlight some fine female figures here - doe-eyed beauty Bambie has got a hot bot, no doubt! However, it's Mercedes who takes on the task of accommodating Franks' cock in her lovely bottom. He doesn't push it too hard, no sense in spoiling the finely wrought atmosphere they've established, until he spunks on Mercedes' pussy and Bambie gives him a little suck. Two really lovely natural girls + some unhurried, natural sex = a very pleasant scene.

Sharon Wild
The Voyeur peeps on a shower-fresh Sharon as she receives two guys (Billy Glide and Pat Myne) into her house. I found the dialogue inaudible here, but it seems like she doesn't protest too strongly when they get overly familiar with her - her husband's due back, but that doesn't stop her getting down to suck cock deeply and with notable expertise.

There's a slight edge to the action as Billy and Pat take turns at giving her the sort of fuck that the neglected housewife (yeah, right) has been craving, until a combination of her fingers and Billy's dick bring shaking to orgasm. Apparently. Then Pat takes over and no reflection on him, maybe it's just me but I kind of lost interest in the scene after that. They keep at it and it looks pretty good in soft natural light, but I find Sharon slightly harsh in looks and manner and it just lacks a certain something for me. Pat finally shoots on her pussy, and Billy coats her face. I won't spoil the "romantic" conclusion…

Jessica & Flick
Flick Shagwell, AKA Rebecca Lee, has refined her image somewhat since I first saw her and looks distinctly tall, elegant and glamorous in a spangly tight dress as she and her curvier companion Jessica make their way indoors where they meet Lexington Steele. He's soon beaming like the cat that got the cream as he has two girls wriggling on his fingers, and then bending over to suck dick with John's camera perfectly placed to capture the butt shots.

Then it's time for the girls to ride Lex's rod, and this is perhaps where I started to find this scene frustrating on a couple of levels. First, the camerawork is particularly skittish and never lingers long enough for my liking - as you may well be aware, Leslie's shooting has two basic styles, the Voyeur's peeping view and a closer-in view that I might inaccurately describe as a typical gonzo view, but his singular perspective is anything but. Mainly, I find he gets the balance spot on and I like it when a director keeps things moving, but in this case he tends to skip around a little too much, taking too long to even give us a decent shot of Flick's face. Secondly, Jessica grabs too much of the spotlight. I admit I was keen beforehand to see more of Flick anyway, but as it happens I really don't find Jessica attractive at all and her exaggerated exclamations, as though she's treating this as a competition, really irritated me. I am not sure the mood is good between the girls either.

Anyway, Lex does get round to using his tool on both their asses, for some unavoidably deep anal action, before unleashing his load on their faces, a come shot that's sadly washed out by bright sunlight. I can't help feeling that I'd prefer to see Flick and Lex in a one on one.

Tawny & August
The final scene is shot with John more obviously capturing the action in the room, as Tawny, blonde, slightly too slim, especially about her pretty face, and August, dark, curvy, lovely boobs, tanned and strongly featured (though I found her quite appealing) entertain their friend Ricky, and the viewers, with their great asses and a pleasant little girl-girl display, which ends up with August lapping Tawny's twat while she sucks Ricky's cock. Then Mr TT Boy wanders in and pairs off with August, while Ricky starts fucking Tawny over a chair. TT does lewd things with August's mouth and his dick, and then she hops aboard for some nice, vibey sex with good energy, at one point getting into this fantastic position with her legs crossed, heels waving, riding in TT's lap.

The Tawny/Ricky pairing is less interesting and I'm not sure that the way the scene is set up quite works out, as John scoots back and forth between the duos to grab whatever they're up to. There's no anal and no roughness, other than a mild smack or two, and it does all have quite a natural feel as though the director has let them go at it without overly directing them. The natural light is aesthetically pleasing if not always practically effective - Tawny and Ricky end up cast in silhouette sometimes, making viewing a touch tricky. In the end the scene has a good feeling for whatever flaws I perceive, and I find it quite enjoyable, especially a few little smiles August makes to the camera. Incidentally, according to IAFD.com, she's Argentinian, and has been a blonde in other movies.

Overall
I generally enjoyed Voyeur 21, at times perhaps against my better judgement. Nothing to do with John Leslie, of course, but I wouldn't normally find Nicole interesting at all, for example. Then again, this is possibly more of a reflection on some of the stuff I've seen lately. The natural girls in the sole Budapest-shot scene here are much more to my taste and turn in a fine scene, but it seems out of keeping with the rest of the movie, which still has an interesting mood about it while only sporadically catching light. Perhaps I can't be quite as enthused as I might be because I don't find so many of the other women really appeal to me. Apart from the odd criticism, I generally like the way John Leslie shoots porn, and especially the way he usually makes women look really good. Which is perhaps a reason why on one hand, I got more out of this movie, when perhaps a similar cast in the hands of a lesser director really would hold no appeal for me at all, while on the other I was slightly disappointed that Voyeur 21 wasn't a movie that I could wholeheartedly recommend, given Leslie's proven prowess.

DVD Comments
The picture quality is good, but perhaps has a little more of a compressed look about it than I generally expect from Evil Angel. John Leslie seems to favour more subtle, subdued colour anyway, but I thought it looked ever so slightly weak. Pride of place among the extras is a very pleasant chunk of extra footage, mixing a few examples of how the movie is directed with a little more sex footage. Not to all tastes, perhaps, but the best bit is seeing August run out to take a pee - John and TT follow her and TT has her suck his dick while she pees and John films it. Note this is done in a light-hearted way that shows this sort of thing as a bit of sexy fun, not something outrageous and sleazy. There are also trailers, a promo for John's blues band, text biography, filmographies, photos, and cast list, as well as the usual chapter and fetish menus.