Teen Sex Dolls Review

Reviewed by fu_q  on  7/2/2012

Review:
Freed from the constraints of a contract, director B. Skow exercises his free reign and demonstrates his full potential in “Teen Sex Dolls”, an excellent production from Skow Digital. Bringing forth six young ladies (18+, of course)—all in interview, solo-girl, and also boy-girl scenes—this one is very well-captured and has strong production values. Indeed, everything here is visually pleasant, and the sex is erotic and typically intense. The best scene belongs to Molly Bennett—both in her solo-girl and boy-girl material—but those of Adrianna Luna and Jessie Andrews aren’t far behind. The format generally consists of realistic interview / solo-girl material, then—in a different location—further solo-girl material featuring more of a glossy presentation, and finally a full-on boy-girl fucking. In so doing, the production ends up being lengthy, but it doesn’t get stale…as the transitions break up any monotony that might have otherwise developed. Moreover, the apparently-truthful interview material really allows the viewer to get to know the lady of the scene in a way that he or she likely wouldn’t have in a more standard release. This adds to both the realism of the proceedings and also gives the viewer more of a “connection” to the actress…making the sex that follows even better. In sum, this is certainly a winning formula that Skow has crafted.

In terms of the sex, Scene One brings forth Adrianna Luna, a half-Asian / half-Latina barely-legal type with a cute voice and a perky attitude. She kicks things off in a striped room featuring black leather sofas and a wet bar, and she’s wearing a pinkish-orange skirt (sans any bra or panties, of course). B. Skow is there behind the lens for some interview material, and it isn’t long before the clothing disappears. After some sexy posing, masturbation, and story-telling, a cut takes us to Adrianna in a different part of the house and back in her skirt. It’s hiked up, and she models, strips down, and plays with herself (fingers and a pink vibrator) a good deal for the camera—nice captures here. She orgasms, and a further cuts brings us back to the first room. Adrianna’s there pleasuring herself on one of the sofas, and her guy (Ramon Nomar?) pops in. An erotically-charged oral (mild face-fucking, throating, spit) and vaginal romp ensues, with Adrianna taking it like a champ in a variety of sexy positions and even squirting a bit. Things get a touch rough (slapping, choking)—but nothing too crazy—and the festivities are capped off with a spurting facial for (and some oral cock clean-off by) Ms. Luna. This is some exceptional material—start to finish.

Scene Two offers up Ella Milano in an elegant white room featuring an olive color sofa and marble tiling. She’s wearing a revealing white sweater, pink denim shorts, and a pair of white, striped, thigh-high socks. Extensive interview material accompanies some stripping, posing, and masturbation by Ella before a cut takes us outside to a fenced-in backyard. There, Ella’s back in her outfit, and she models, strips down, and works herself over with a leopard-print vibrator for the camera. This is all sexy, of course, and after she cums, there’s a cut back to the original location. Ella’s there on the sofa masturbating, but her stud for the day immediately jumps into the scene and starts to eat her out. What follows is a hot and flexible oral and vaginal romp (with some over-dubbed audio at times) that includes Ella getting rimmed and closes out with a load all over her breasts, tummy, and pelvis—nice!

In Scene Three, it’s Britney Young’s turn for some fun. She kicks things off in a tan-colored room featuring a gold-and-maroon sofa and an archaic-looking lion-head fountain on the wall. She’s clad in a black halter-top and a pinkish-orange skirt (no panties), but these items don’t stay on too long as she strips down, poses, and masturbates while being interviewed by B. Skow. A cut brings us to Britney’s solo-girl segment. She’s in a red-and-yellow striped “closet” that has an old-style payphone on the wall. Her ensemble is back in place, and she does some steamy stripping, modeling, and juicy masturbation (using an orange vibrator)…all of which works to nice effect. A further cut takes us back to the initial room. Britney’s there, nude and spread-eagle on the sofa. Before long, Julius Ceazher makes his appearance…and Britney’s got his dick in her mouth. An interracial romp featuring plenty of oral and vaginal action proceeds, and a facial caps off this fine affair—very good+!

Scene Four kicks off the second disc and brings us the awesome up-and-comer, Molly Bennett. She begins reposed on a white leather sofa in a marble-tiled room with a fireplace in the background. For the interview material that follows, she’s wearing a blue-and-white striped spaghetti-strap half-top and lacey lime-green panties. Accompanying this is some bouncy and perky posing, stripping, and masturbation…all hot, especially the finger-work. A cut takes us to Molly—back in her attire and outside by some vegetation and a fountain in a backyard. The festivities continue in this solo-girl segment, as she strips down, models, and takes care of her self with her fingers and a wand-vibrator. She’s really in top form here, and everything is super-sexy and realistic (toe-curling and frothy)…one of the best sequences of this type that I’ve yet seen. As with the other scenes, a further cut takes us back to Molly in the original location…and her stud du jour, Evan Stone, jumps in. The two immediately go at it, and a torrid oral and vaginal romp follows. A gooey facial for (and oral cock clean-off by) Ms. Bennett close out this wild ride—awesome!

In Scene Five, Sabrina Taylor’s wearing a very loose-fitting yellow t-shirt and a pair of pink and yellow panties in a rustic-themed bedroom. She’s there for her interview material, and of course that means that there’s plenty of stripping, posing, and some masturbation to go along with it. Some revealing details come out during this time—which are interesting to say the least—and a later cut takes us to Sabrina in front of a set of glass sliding doors. She’s wearing a black-and-white striped top and a pair of lacey white panties for her solo-girl material. Some modeling, stripping-down, and self-lovin’ follow, with a cut bringing us back to the initial room. Sabrina’s there—masturbating—and her guy (Jerry) pops in and starts to eat her out. A passionate oral and vaginal encounter proceeds and is finished off with a load all over Ms. Taylor’s chest and tummy.

Scene Six is the grand finale, and it features none other than the super-popular Jessie Andrews. She’s wearing a pair of striped panties and a pink tank-top on a pink bed in a small, blue-themed bedroom. As with the other young women, Jessie’s interview material includes stripping, posing, and some masturbation…all of it both interesting and sexy. A cut finds Jessie out in the backyard by a wooden fence. She’s changed into a light-blue, flowery top and a white pair of panties. The solo-girl sequence that ensues includes modeling, stripping-down, and some frothy self-pleasure with a fluorescent-green micro-vibrator. All of this is well-lensed, and a further cut—again—brings the viewer back to the initial bedroom. Jessie’s there—nude—and her guy (Tommy Pistol) makes his entrance. Quickly, the pair starts to make out, and a full-on oral (throating, spit, face-fucking) and vaginal tryst proceeds. Tommy drops one on Jessie’s face and in her mouth to cap off this excellent endeavor—hot stuff!

Bonus-wise, one might say that all of the interview material that’s been incorporated into the main feature is a sort of “bonus”. Further, embedded in the “chapter search” options are individual “Photo Gallery” slideshows (“pretty-girls” and stills) for each of the actresses and “Behind the Scenes” segments for all but Adrianna and Sabrina. Given the overall length and depth of the production, this is more than plenty of material.

In all, this is an exceptional production from B. Skow that features some of the hottest young female talent in the industry right now. It’s nice to see Skow unshackled from a contract and able to do what he wishes on film, and the result is a well-captured, sexy release that most fans of X should easily be able to enjoy. Check it out. It’s worthy.


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