Superfuckers 11: Serial Sex Review

Reviewed by Speelie  on  7/17/2002

Superfuckers 11
Directed by Pierre Woodman
Private
Released late 2001
DVD Released Spring 2002

Cast : Kristina, Monica (aka Jessica Mark), Agnes, Erika, Nicolette (aka Lucy, Lolita), Christiane de Nerville (aka Nannes Beaumont), Edina, Gaby Black, Adrianna, Joachim, Titof, Sebastian Barrio, James Brossman, Thomas Stone, Yann Scott, Bob Terminator, Alain “Akim” Deloin

Our hostess this time is tall, slender, rather plain dyed blonde Kristina. She looks good in a variety of costumes throughout the movie, and, if my lip reading is accurate, her English isn’t especially good. As always, the words of the hostess are overdubbed by an American narrator. She’s as annoying as in previous volumes, but fortunately is given less to say.

Monica looks to be 16, she tells Woodman that she is 18, and her listing in the cast notes gives her age as 24. She’s petite, pale skinned, and very cute, with brown hair reaching down to the small of her back. She sits on a couch as Woodman interviews her, and gradually strips. Woodman fingers her through her underwear, and then directly, after which he has her taste his wet finger. She gets naked, and as she plays with herself, Woodman admires her prominent clit. He then sets the camera on a tripod, with the rest of the scene captured only from two angles. Woodman moves into the frame to kiss Monica, and then orally stimulate her. He spanks her some, and as with everything else he does, this makes her loudly moan and gasp. Monica’s thumb fucking becomes anal, and once she’s loosened up, Woodman doggy fucks her in both holes. The switch to her brown eye is not well shown, and in theory could have been faked. She seems a little too aroused by it all, but it is fun to watch her reactions. Woodman finishes by ejaculating on her butt, after which she sucks post-cum. Monica gets analled and DPed in Hustler XXX 12, and as “Jessica Mark” has a small role in the final part of Rocco’s Initiations 4 (the production notes to Superfuckers 11 list her as “Jessica,” but she gives her name as Monica, and that is how the rest of the movie lists her).

Woodman’s next interview is with blue-eyed, dyed blonde Hungarian Agnes, who is on a leather couch. She’s slender yet curvy, and rather plain, but well made-up. Woodman jokes that she looks Swedish, and then asks if she is as horny as Swedish girls are known to be. “I am always horny,” she declares, with no trace of irony or humor. Woodman then checks between her legs, and is surprised that she is wearing panties. He tells Agnes that horny girls rarely make use of underwear. He fingers her crotch, and she asks, “You like my pussy?” This is symbolic, it is a second sign, after her hollow declaration of horniness, that Agnes is perhaps too eager to say what the director wants to hear. This continues as she urges him to finger fuck her faster (try and say that three times fast!).

I guess my complaint is that Agnes just isn’t a very good actress. She’s certainly quite willing to engage in energetic sex, but I never got the feeling she was enjoying herself. Ok, she isn’t uncomfortable either, but it all feels fake, including when she tells Woodman that she wants two cocks. “I want a big dick, and a sweet dick.” She actually receives three, including Joachim’s chocolate dick. I guess Sebastian Barrio is the big, so Titof must be the sweet. Agnes then gets well-stuffed, including DPs and an air tight. She over-sells her feelings, until riding Barrio in cowgirl anal. When Titof steps in to make it a double anal, her screaming is completely authentic. “Tell me you like,” Woodman insists, and other actresses might at least make a sexy face before complying. “I’m a fucking bitch,” she continues, just in case anyone was in doubt. Lovely. Agnes is left panting heavily after her ordeal, and so the guys come to her, one at a time, to cum on her. They all have to beat their meat frantically, and Joachim even manages to dribble out a tiny second shot. She then asks to also receive Woodman’s sperm, but doesn’t get any of it.

I first noticed Erika in Blowjob Impossible 2, where she was apparently Ramon Nomar’s shy real life girlfriend. She’s still shy while meeting Woodman in a Budapest hotel room for a wild camera segment. She’s getting married soon (to Nomar? Or was this just a contrivance?), and wants a porno fling as her version of a bachelorette party. Erika is very pretty in a plain, unglamorous way, with red highlights in her dark brunette hair. She’s tall and curvy, with a strong yet rather soft body, and is much better made up than in her previous appearance. She speaks pretty good English, but has a lot of trouble understanding Woodman’s thick accent. Through an interpreter, she explains that she wants to make a sex scene that night. Woodman points out that it is already after 11pm, and his studs are tired after a long day of sex. However, if they feel up to it, well, just maybe she can be obliged.

Previous wild camera scenes often felt fake. This one could be real, or perhaps Woodman put more effort into this encounter. While Erika showers off camera, James Brossman and Thomas Stone lie on the room’s bed, and declare their readiness to have a go with her. She comes out and is delighted to be paired with two handsome young guys (maybe Ramon previously introduced her to Jean-Pierre Armand and Roberto Malone). They are Hungarian, and immediately put her further at ease by speaking in Magyar. What follows is the opposite of the previous scene. Erika eagerly sucks and fucks both guys, and soon has a healthy red glow on her face. She wants anal, so Brossman lubes up her backdoor and fills it with his cock. Doggy anal becomes reverse cowgirl, and she seems even happier when Stone steps in to make it a DP. Positions switch slightly, so that Stone gets to provide the anal of another DP, and Erika gets caught up in the moment, hardly noticing when Woodman calls her “fucking bitch” and similar niceties. She sucks Brossman until he finishes himself in her mouth. After Woodman has made sure she swallowed, she takes Stone’s shot on her face, gathering the jizz in her mouth for another digestif.

1 by Day model Lucy is quickly making a name for herself in movies such as Orgy World 1, Big Natural Tits 4, and High Octane 5. This is largely because of her pretty face and big rack. Woodman focuses on these while briefly interviewing the tall dyed blonde. She gives her name as “Nikki,” and is credited as Nicolette, so this could be her real name. She’s joined on yet another couch by Yann Scott and Bob Terminator. She fellates them both at length, and alternates between them, sucking one while getting fucked by the other. Terminator enters her ass as she rides Scott, making for her first anal that I know of. To her credit, she doesn’t hesitate to take a reverse anal cowgirl ride on Scott’s thick prick, with Terminator again joining to make a second DP. He doesn’t last long before jerking off onto her face. Scott then pulls out in time to cum on her asshole, after which she gives him post-cum head. “Was good?” Woodman asks, and she smiles and gives a thumbs up.

This edition’s fetish scene is set in a factory, where a chair is suspended from the ceiling on chains. Today’s victim, Gaby Black (at lower right on the cover), sits on the chair as dominatrix Christiane de Nerville (better known as Nannes Beaumont in A Bevy of Blondes and Hardball 12, Private even calls her “Nannes” sometimes) orders hooded slave Terminator to “bring out the dog.” The canine proves to be cover girl Edina, who receives a long standing doggy fuck. Later, she eats out the mistress, as Gaby sucks and then fucks Terminator. Edina next must bend over the chair, so that Christiane can work a massive vibrator in and out of her pussy and ass. With Edina’s rear end opened, Terminator fucks it, causing a look of agony on her face. Terminator then sits in the chair so that Gaby ran ride him anally in a very nice moment. She’s much more adept at butt love, after having appeared in True Anal Stories 14, Exotic Illusions 2, and Superfuckers 7. Finally, the mistress gets some, sitting in the chair so that Gaby can use the vibrator on her ass. Chrsitiane is an anal champ, and seems to enjoy the action, even as Gaby joins Edina to suck off Terminator, who explodes on their faces. This light fetish stuff still isn’t the sort of on-screen sex I enjoy, but it works better here than in previous editions.

Brossman and Alain Deloin (would it be a Woodman movie without him?) are lazy workers, lounging on pallettes outside a warehouse. The boss drives up and catches them slacking. She’s Adrianna, a plain blonde with a nice tight body, who was the dominatrix in the fetish scene of Superfuckers 10. The guys make up for their sin by letting her suck and fuck them (makes sense to me), and a very standard 3-way ensues. The one novelty is that the action takes place on the pallettes, instead of in the warehouse. It also helps that she shows decent energy, including during a couple of DPs. The scene ends well because she helps both men jack off onto her face, instead of having them do it all by themselves. The movie ends with Kristina in a tub, once again denying us a scene with the hostess such as Anne Kray had in Superfuckers 5.

The DVD of Superfuckers 11 has a good photo gallery besides the usual Private package of language choices, production notes, female cast notes, the movie’s trailer, and five additional trailers (my Sony DVD player froze up when I tried to play these other trailers). To its credit, the movie doesn’t have any truly bad moments, but the Erika scene is the only really good one. This points in the direction Woodman should start to go. He’s made countless carefully choreographed scenes, and has nothing new to offer in that regard. Somewhat more spontaneous couplings of the wild camera sort, even if scripted, have a much fresher, more fun feel. Sadly, it seems that Woodman’s recent Hustler scene collections are more formulaic than ever.

As it stands, Superfuckers 11 will appeal to everyone who wants to see Euro girls getting buttfucked and DPed. But it feels old and tired compared to the frantic, high energy movies that Nacho, Tony Ribas, and TT Boy are making. Intimacy was never a strong point for Woodman, and while in his features the scenery and plot elements can overcome this, his scene collections have too much filler. So Superfuckers 11 gets a mild recommendation, especially because you can’t, at least so far, see Lucy do anal anywhere else, but Woodman has many better movies.

Direct questions and comments to : Speelie@my.adultdvdtalk.com