Superfuckers 10: Nonstopsex Review
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Studio: Private
Directed by: Pierre Woodman
Starring: Renata, Tony, Alain Deloin, Lena, Alissa [I] (ambiguous), Pierre Woodman, Titof, Pascal St. James, Ian Scott, Petra Short, Chris Mountain, Marie-Anne, Bambie Dolce, Yasmine Fitzgerald, Bob Terminator, Lara Stevens, Diana Doll, Melinda Vecsey, Roby Williams
Released on: 4/9/2002
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Directed by Pierre Woodman
Private
Produced 1/2001
DVD Released early 2002
Cast : Tendora, Lena, Suzie (aka Maria), Aliza (aka Alissa, Alyson), Yasmine/Yasmina Fitzgerald, Sophie (aka Bambie), Marchie (aka Laura, Lara), Adrianna, Melinda, Renata, Petra Short, Alain “Akim” Deloin, Bob Terminator, Chris Taylor (aka Chris Mountain), Ian/Yann Scott, Pascal St. Clair (aka Pascal St. James), Roby Williams, Titof, Tony Valentine, Pierre Woodman
Here we go, with yet another collection of scenes from Pierre Woodman. I have come to realize that these movies, now split among the Superfuckers, Hustler XXX, and Anal Intensive lines, are a decidedly mixed bag. The viewers perception will of course vary, depending on the collection of female talent (the same guys are in everything Woodman does), but it also does seem that Woodman sometimes puts more effort into his scenes than he does on other occasions. Superfuckers 10 sounds promising because it includes some women I particularly enjoy watching.
Our hostess this time is a cute blonde named Tendora, who has a nice slender body, but could use a better hairstyle. She seems to be speaking in English, but her voice is still dubbed by a female narrator. Thankfully, this is the only dubbing in the movie, which is otherwise primarily in English.
The first actual scene is one of Woodman’s castings, which dispenses with the “let her get offended by a nudie magazine” sequence to get straight to showing off the girl’s body. The victim in this case is brunette (with some red dye) Lena, the latest outpouring from Woodman’s formerly-deep Latvian well (the same connections that found Tania Russof, for example). She’s very pretty, with sparkling eyes and rather large breasts for such a slender body. The narrator tells us what is going on, since Woodman interviews Lena in Russian. Actually hearing more than the occasional Russian word would be welcome, because the narrator won’t shut up! Woodman treats the viewer to considerable tease footage of Lena’s assets, and I suggest turning down the volume here, because the narrator still won’t shut the fuck up, and becomes a distraction. Lena plays with a vibrator, before Woodman bends her over for doggy fucking. She quickly mounts him for reverse cowgirl anal, allowing Woodman to get one girl closer to his goal of buttfucking every woman in Europe. She soon leans forward to make the action doggy style, and Woodman then gets especially aggressive. He fucks her ass hard, slaps her butt cheeks, and displays his abilities as a tri-lingual charmer. “Take it bitch, like a dog,” is followed by, “Chien, chien,” and then some comment in Russian. She responds in the same language, “Da,” after which Woodman switches back to English. “Is good?” “Yeah, yes,” is Lena’s reply, showing that she posseses at least modest bilingual abilities of her own. All through the scene, her dangling brestiges have been nicely on display, and her body language suggests that, while she found the action intense, she was comfortable with it the whole time. This is further shown by her relaxed smile as Woodman jerks off in her face. She sucks him some to bring him to ejaculation, as the picture fades away. Lena went on to a high energy, non-anal scene in Exotic Illusions 1.
The second scene casts Suzie as a hotel desk clerk. She’s a pretty, dark haired Slovakian, whom I had already seen in Exotic Illusions 2, in which she is listed as being 20. I thought that had to be an error, and the cast section to this movie corrects her age to the more appropriate 30, not that she’s aged badly. But she does seem more mature than the usual 18-22 year olds in Euro porn, despite having a role in Russian Teen Sluts.
Suzie shows Alain Deloin and Bob Terminator to their room, and proves to speak better English than Deloin when he tries to invite her inside. She finally agrees, of course, and while she’s a sexy woman, this is still an ordinary scene. It’s not bad for a paint by numbers job, but you probably don’t need me to tell you that she blows both guys, takes them one at a time in her pussy, takes them in her ass, and gets DPed. There’s not much heat, unless you count how loud she yells most of the time. The strokes of her hand aren’t enough to finish off Terminator, who has to jerk himself to cum on her face. Deloin then pulls his remarkably limp dick out her ass, and frantically strokes it until he too shoots in and around her mouth.
Then it’s time for a “wild camera” segment. These are fictional scenes set up to seem as if Woodman and his friends actually pick up girls off the street and fuck them. This one feels fairly realistic, but by the time I’m writing this in the summer of 2002, everyone who watches much Euro porn has seen Aliza (usually “Alissa”) literally 2002 times. She’s a pretty blonde Russian (the cast list says Ukrainian, and could be correct) who works a lot, and is very into rough anal sex for a girl so young.
The set up to this wild camera is that Woodman’s Hungarian girlfriend Yasmine “I have only simulated sex with guys on camera” Fitzgerald (the largest picture on the cover) is riding around with he, Ian Scott, and Tony Valentine, looking for new talent to pick up. They find Aliza loading the trunk of her car in a motel parking lot, and though she speaks English, Woodman solicits her in Russian (to further the fantasy, I guess). This may be one of her first scenes, it is certainly pre-nose job, like her turn in Killer Pussy 7. This time, Woodman does break out a magzine, but the expected revulsion is replaced by admiration--for the beautiful ladies! Aliza pretends to be a lesbian,and Yasmine might as well be one, so they get the most action with each other at first. But of course the guys are able to convince her of the joys of getting stuffed full of cock, and Aliza proves just as willing and active as in her later scenes. She’s always sexually adventurous, and doesn’t flinch when Woodman sticks a finger up her butt. He then calls Yasmine over to suck his dirty finger, in a display of true love. “Anal virgin” Aliza is soon riding Ian’s big stick reverse anal cowgirl, and has shown in numerous movies that she really enjoys this sort of action. When he’s about to burst, she hops off, pulls off his condom (all intercourse, this scene only, is with condoms), and proceeds to suck and stroke out his load. Tony came earlier, and now manages to weakly do so again. This was a fun scene, and even Yasmine, who is wooden in scripted moments, seemed at ease being on camera in this looser format.
Woodman next interviews very cute, tanned, tight bodied Sophie (upper left on the cover) in a bedroom. She has black hair, and while it is shorter than I usually like, she has since grown it out, and it doesn’t look as good. With the longer hair has come a name change; she works as “Bambie” in Rocco’s Initiations 4 and The Voyeur 21. She’s also doing some Kovi work, such as Guns & Rough Sex, and Sbando pointed out to me that she’s a cum magnet in Euro Bukkake 10, so she’s certainly not shy!
After some good tease, Sophie fetches her friend Marchie (lower left on the cover), who proves to be the girl currently known as “Lara.” I adored her as “Laura” in 110% Natural 1 and Killer Pussy 8, and as Lara she has done 110% Natural 2 and Private’s Gladiator 1. Marchie doesn’t speak English, so instead of tease, Woodman fingers her pussy. She looks fairly good here, not as good as in 110% 1, but better than in 110% 2. Marchie is one of the most sensual current Hungarian actresses, and further proves it here, as she and Sophie fellate Roby Williams and Bob Terminator. Both girls know how to project sexiness on camera, and for Marchie, it is all about the little details, such as how she caresses Terminator while he is analling Sophie. Marchie gets plenty of anal too, and Sophie gets a DP. Terminator even seems somewhat awake, a sure sign that, thanks to Marchie and Sophie, this scene has a spark to it that so many similar Woodman ones lack. Both girls kneel obediently at the end, with Sophie sucking off Terminator and Marchie doing likewise to Roby. Sadly, this isn’t enough, and both guys need to finish themselves in order to give the girls facials.
The token fetish scene involves Ian and Chris Taylor being Adrianna’s slaves. She’s a plain, pretty blonde with a great body (middle photo on the cover), who brings out two female slaves to copulate with the males. Again, I wish the narrator would just be quiet, but this time the action she interrupts isn’t as interesting. The girl slaves both wear black wigs, one is Renata, who is rather plain aside from her pale skin, and the other is anal champ Melinda. This slender dirty-talker (she’s a better dom than slave) is another girl who is starting to turn up in Kovi’s movies, and has good scenes in Christoph’s Beautiful Girls 2 and Animal Trainer 7, along with an ok one in Hardball 14. Melinda is also slated to be Rocco’s co-star in the upcoming Ass Collector project.
The girl slaves suck and fuck the guys, with Adrianna sticking to getting eaten, and then both kneel for anal intrusion. Renata then orals Adrianna, while Melinda is getting DPed, after which they switch palces, so that Renata gets her own DP while Melinda tongues her mistress. Yann then jerks himself off onto Renata’s face, while Melinda sucks Chris, hands free, until he explodes over her face. I found this scene ok, but easily the weakest of the movie.
The final scene is set in a garage in France, as Titof brings his new friend Petra Short to meet Pascal. She doesn’t understand their French, but catches on quickly when Pascal opens his fly, and asks in English if she wants to, “see the (Eiffel) tower.” Petra is a very pretty Hungarian, whose surname reflects the length of her brunette hair, more than the stature of her tight, athletic body. I actually don’t care for her looks, but she has made several fans recently, in no small part due to her enthusiastic performances in many movies (see Hardcore Innocence 4, for example). She seems to reserve her rare anal scenes primarily for Woodman movies such as Superfuckers 9, Exotic Illusions 2, and Brazilian Snake 2. That doesn’t extend to the present scene, but she puts out her usual good energy in blowing the guys. She then lets them into her pussy one at a time, and fellates the man who isn’t fucking her. This is rather routine stuff, which ends with Titof jerking off onto her face, as sucks out Pascal’s load into her mouth.
That’s the end of the movie, and it is odd to not get even a “goodbye” from Tendora, never mind a brief scene. The DVD has the usual Private package of the movie’s trailer, female cast biographies/filmographies, a good photobook, production notes, and previews for five other Private titles. The picture quality is decent, but not as good as for Private’s Woodman features, and the lack of a “making of” sequence is, by now, to be expected of the Superfuckers series.
While I was critical of three of the scenes, none were terrible, which makes this a cut above some of Woodman’s other movies. Fans of Aliza and Petra Short will definitely want to see this, and Sophie and Marchie might make some new admirers. Superfuckers 10 is a decent introduction to the world of Pierre Woodman, and a respectable slab of Euro porn, but far from the best that is out there.
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