Stud Farm (Titan Media) Review

Reviewed by Joe Shaver  on  2/18/2004

With STUD FARM, the latest release from Titan, photographers/directors Brian Mills and Harold Creg have devised another hot film. As we have come to expect with Titan, there is excellent photography, along with top-notch production values. The actors are “manly” even though there are quite a few younger performers in this one. Something of which I heartily approve. The casting of younger with older performers becomes more and more of a turn-on the older I get.

The film opens with two of the aspects of work on a horse farm: feeding them and shoveling up their shit. Mature mustachioed Michael Ray is seen doing the former, and two young performers, Hans Ebson and Owen Hawk are seen doing the latter. These young guys take a break to slip into the barn for a bit of pud pulling. Hans has appeared in numerous videos and is certainly cute so it is puzzling that he has never made the mercury rise in my thermometer. I have no idea why. Owen on the other hand—and I have to use my other hand to write a review while watching Owen—raises my temperature considerably. Michael finds them jerking off and decides to join them, binding up Owen’s cock and balls and making him even stiffer. Hans sucks on it. Then takes a chance of chipping a tooth on Michael's Prince Albert by sucking on the older stud, before going down on both simultaneously. When it’s Owen’s turn he begins with Hans, sucks Michael briefly and then goes back to sucking Hans, chewing on the foreskin. Bending Hans over, Owen rims him, digging his tongue right in there and getting that ass ready for his ever-stiff dick. In it goes while Michael waits his turn. Unable to wait any longer, Michel buggers Owen. Owen—with Hans’s cock in his mouth and Michael’s in his ass—shoots his load. Michael massages Han’s balls to help him get off and then sends his own spunk flying.

A truck drawing a horse trailer pulls up and big daddy Ray Stone gets out. Back in the barn we find Owen and Hans vying for Michael’s pierced dick. Owen gets up to sit on Michael’s face. Hans soon joins him, and Michael rims first one and then the other. Owen lies back on a bench for Hans to fuck him. Although it is still swollen, Owen’s cock is relaxed enough so that I can see it’s uncut. (Hmm, didn’t know that.) When Hans pulls his cock from Owens’s hole, Michael inserts a large black dildo. Owen cums as the dildo is pumped into him. The others then drop their second loads onto him.

Steven Richards, a hunky dude with a heavy five o’clock shadow, opens the horse trailer and goes inside, where we find—not an equine stallion—but a two-legged one: Clay Foxe. Clay is naked and tethered in the van as a horse would be. Young, handsome, and well built, Clay is the type of stallion that would make anyone want to take up horseback riding. Steven picks up and horse comb and smoothes the hair on this skittish young colt. They kiss. Clay drops to his knees and Steven drops his drawers. Clay is a super sucker. Richards returns the favor. Clay lies back on the floor and beats himself to spending, licking the cum from his fingers. Steven spews onto the supine Clay. But it ain’t over yet! Richards pulls Clay up from the floor, and, bending him over the railing put there to steady a horse, eats out his ass. Steven slips a condom over his majestic dick, and takes this young colt for a ride. After a time, Steven turns the boy around and—with Clay’s shoulders resting on the railing—picks up Clay’s legs to fuck him in that position. Exterior shots of the trailer show it rocking away with the force of their fuck. The missionary fuck continues in a more comfortable position. Both cum again. I found this scene to be the hottest in the film. It was imaginative and highly erotic. I had not seen Clay Foxe before but he is certainly a colt I would like to keep in my corral.

Big bear Roy Stone, whom we saw get out of the truck earlier and briefly witnessing the threesome in the barn, climbs the stairs to a house. Peering through the glass doors, he sees cute Brock Powell swallowing Ben Jakks’s cock. (I can’t find Brock listed in any other films so this may be his debut. He is young, handsome, and has nice body with a light sprinkling of chest hair. A Prince Albert gleams in his dickhead. He is a real find and a great addition to the Titan stable. Jakks, on the other hand, is a Titan regular. A muscular Afro–Anglo he is strictly trade here.) Bending Brock over the bed, Ben proceeds to eat out his hairy young ass. A fucking follows. Leaving the bed, Ben drapes Brock over a saddle resting on a sawhorse to bugger him missionary. Brock cums while being fucked. Ben cums on Brock’s chest. It is a scene that I wish had gone on longer. There is a section in the extras called “Ben’s Boots” where a fully-clothed Ben rubs a horsewhip over a naked Brock’s asshole before lubing up the handle and inserting it into Brock’s butt. He then gets Brock to lick his boots. Ben begins to undress. This appears to have been a prologue to the scene that was not used there. Pity. As it is, it is the film’s shortest and weakest scene.

By now of course, Ray Stone is horny as hell. He makes his way to the stable where he meets Michael Ray. They waste no time in locking lips. I’m not into big burly mature bears like Ray. I like mine young and slender. But theirs is without question the most passionate encounter in the film. Ray and Michael appear to be really into one another (literally). It’s a wonder the barn doesn’t catch fire. Their kisses are deep. They devour one another’s dicks. Ray feasts on Michael’s hairy armpits. Each fucks the other. And it’s a real surprise when Michael offers up his ass. As we now expect, both cum twice.

Titan is always generous with their extras. This DVD is no exception. We are given:
BEHIND THE SCENES. With directors and cast horsing around.
A MUSIC IMAGE GALLERY. A musical slide show of the cast and scenes. Well done!
A PHOTO SHOOT. Combining action and the finished results of Brian Mills’s talented work. (Owen Hawk’s session being the best.)
A CUM SHOT REVIEW. Get right to the spooge. No waiting.
OWEN’S DISCIPLINE. Owen’s ankles have been tied together and his legs raised up in the air. His body still lies on a bench. Michael gags him with a bandana, rubs a gloved hand over his body, gives him a few love pats, threatens him with a big long black dildo, and then walks away. So what? This lead nowhere. Why wasn’t the dildo used?
HANS PISSES. Hans Ebson walks across a field and urinates on a tree. So what?
BEN’S BOOTS. Mentioned earlier as a possible discarded opener to scene three.

There was an old World War I song that I heard in a movie once that went,
“How ya gonna keep ‘em down on the farm
After they’ve seen Paree?”
This film answers that question.