Shot Glasses Review
Zero Tolerance- Movie Studios
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Studio: Zero Tolerance
Directed by: Mick Blue
Starring: John Strong, Erik Everhard, Mick Blue, James Deen, Sasha Grey, Diana Doll, Juicy Pearl, AnnMarie Rios, Asa Akira, Heather Vahn
Released on: 12/16/2008
fu_q's ratings for this movie:
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Reviewed by fu_q on 2/8/2009
Cast
Sasha Grey, Ann Marie Rios, Juicy Pearl, Diana Doll, Asa Akira, Heather Vahn, Mick Blue, John Strong, James Deen, Erik Everhard
Director
Mick Blue
Summary
Shot Glasses is an excellent all-sex romp by Zero Tolerance that focuses on women in sexy, fashionable eye-wear. The scenes range from good to incredible, with the last three being the best of the bunch. Of particular note are Sasha Grey’s performance with Mick Blue (anal) and Ann Marie Rios’ fuck-fest with Erik Everhard (vaginal-only). These two segments of the disc really raise the action up to a higher level. The cum-shots are all aimed at the glasses in this DVD, but it’s worth a look whether that’s your fetish or not. Overall, it is definitely worth the money.
Main Menu
The Main Menu has three primary options: “Play Movie”, “Chapters”—a typical scene selection mechanism, and “Special Features—which will be covered at the end of this review. For now, let’s hit “Play Movie” and get this party started.
Opening Credits
The opening credits play as we’re treated to clips of the various actresses’ scenes as they are introduced textually on the screen. Just from this action, it looks like this film has some real promise.
Scene One
This scene begins with Diana Doll, a thin, leggy blonde, getting out of a silver-colored car and heading up to a house, where her male lead for the scene (Mick Blue) awaits her outside. Diana offers up a nice crotch-shot (no panties; trimmed tuft and shaven lips) on exiting the car, and she also gives a bit of up-skirt action as she makes her way to the home. She looks incredible in her flowing, light-green miniskirt and fashionable eyewear here. From the brief bit of dialogue between Diana and Mick, it appears that Diana is supposed to be a call-girl.
A transition to the inside area of the house follows, where we find that Diana has changed into a tight, black miniskirt with white pinstripes on the front and back. Mick is seated on a soft, brown couch, and Diana is giving him a bit of a striptease. Again, there are some up-skirt shots (no panties) before the skirt quickly comes off, leaving Diana in only her black bra with white pinstripes, a white-tie-and-collar choker, her black, high-heeled boots, and her glasses.
In short order, the bra comes off, revealing Diana’s nice-sized, natural breasts and leaving her essentially nude. She then gives Mick a quick lap-dance, and follows it with a nice masturbation sequence featuring some dirty-talk (sultry accent) and very nice close-ups of her soft, pink pussy. This all leads into Mick’s thick, uncut cock being unleashed from his pants, and Diana taking it into her hungry mouth for a steamy blowjob that is filmed, in part, from a POV angle.
From here, torrid, condomless sex ensues on and around the couch, complete with a variety of positions (woman-astride, missionary, doggie-style, side-entry, reverse cowgirl, etc.). There is a bit of pussy-to-mouth action, as well as some hot making-out that occurs. Interestingly, Mick seems to like to kiss Diana, eat her out, and rim her after she has just been blowing or fucking him. He is a man who likes to savor every aspect of an encounter, I suppose—more power to him. The scene ends when Mick ejaculates on Diana’s face and glasses, leaving her covered in a thick, sticky load.
Overall, this scene generates a lot of heat and is definitely worth a look. While it does go on a bit long, there is also a lot of varied action here (i.e., plenty of positions and what not). Moreover, Diana and Mick seem to have decent chemistry and appear to be into each other. On the downside, keeping Diana in her first outfit—the light-green miniskirt—would have been a lot sexier and made for a better visual. Along similar lines, there also seems to be a rush to the sex in this segment, as Diana really doesn’t spend much time in her second outfit, either. That said, this is still a solid scene between two good performers, and it sticks to the girls-in-glasses theme well.
Scene Two
This scene opens with Asa Akira, a thin woman of Asian descent, and John Strong sitting on a couch; John is giving Asa a Russian lesson. Asa is wearing a pair of purple glasses, a white top that reveals a lot, and a blue-and-white, plaid mini-skirt with lacy, white panties and thick, white heels. She looks great here. John is attired in a dark-gray button-down shirt and black pants.
It isn’t long before Asa convinces John to take a breather from the lesson, and the pair begins to sensuously make out. Shortly, Asa is on her knees in front of John, who is seated on a large, white, leather sofa, and she pulls his cock from his pants and starts to blow him. There is a nice, up-close camera angle here, and Asa is quite proficient at using both her mouth and her hands on John’s erect member. There is some attempted deep-throating that goes on, and Asa makes some mild gag-like noises from time to time. During this oral sequence, Asa’s top gets lowered, revealing her nice-sized, enhanced(?) breasts.
After a good deal of female-to-male oral, John helps Asa back onto the couch, where she sits with her legs spread. She immediately pulls aside her panties, and we’re treated to an up-close view of her tight, fully-shaven womanhood. She plays with herself a bit and shows just how sticky and wet she has gotten, as well as the fact that she likes the taste of her own body. She pulls her panties and bra off, and John begins to pleasure her orally. Asa is clearly into the action, and she is quite vocal during this section, which is relatively short in length.
From the oral work, there is a quick transition into a side-entry position (no condom), as John takes control of Asa’s limber body. What ensues is a vocal, condomless sexual romp that really turns the heat up. Amongst the high-lights are: some sexy, pussy-to-mouth action; some heavy, woman-astride pounding; some standing, Asa-held-in-the-air sex; Asa yelling something along the lines of “Fuck me, teacher!”; a hot reverse-cowgirl slamming; Asa’s black, wavy hair bouncing about; a nice doggie-style segment where John really gives it to her; and a cum-shot (average load) on Asa’s glasses and face that essentially ends the scene.
Overall, this is an intense scene that once again features the performers going through a number of positions. Asa is definitely enjoying herself here, but she does get to be a bit on the noisy side; this is somewhat distracting to me, but some people will probably love it. Good use is made of Asa’s limber frame, and it plays well into the visuals. In total, this is a very good scene.
Scene Three
This scene starts out at a pizzeria, with Mick Blue stopping in to pick up some lunch. The girl working as both the cashier and the waitress is slender, Latina(?) Heather Vahn. Heather is wearing a plaid mini-skirt and belly-revealing, black top, and there is a bit of up-skirt action as she heads over to take Mick’s order and give him her phone number.
There is then a cut to later, with Heather lying on a red bed at a different location. She is wearing a pair of black, see-through panties and a black bra; both the bra and the panties have a bit of red fabric mixed in. She is also sporting a pair of thin-lensed, black-framed glasses that complement her relatively short, brown-black hair well. The action at the beginning of this sequence is POV, with Mick and Heather engaging in some sexy banter, as Heather shows off her assets. During this time, her panties and bra come down, revealing her nice-sized, natural(?) breasts and her shaved, tight cooch. There are also some nice close-ups here of her inner pink as she spreads for the camera.
This transitions into Heather pulling down Mick’s pants and sucking his cock until it is hard. She really gets into this POV blowjob and looks quite cute administering it. Before long, Heather lies back on the bed, removes her bra and panties, and there is some more POV up-close action of her working over her smooth, wet womanhood. This lasts for only a brief time before there is a break away from the POV camera angle, and Mick starts to eat her out.
From here, Mick takes his engorged member and slides it into Heather’s tight hole in a missionary-like position. He bangs her with some enthusiasm, after which a fairly standard (no condoms) boy-girl sex sequence ensues. Amongst the highlights are: a nice use of the cowgirl position, with Heather looking great as she takes Mick’s thick cock inside her body as he thrusts it up into her; some hot, between-position oral sex on Mick by Heather; a good, lengthy reverse-cowgirl pounding; some side-entry and doggie-style positioning; and a messy ejaculation on Heather’s forehead, glasses, nose, and hair that, after a bit of oral cock clean-up, effectively ends the scene.
Overall, this is a good scene, but the heat doesn’t really pick up until the switch away from the POV angle—which corresponds roughly to the time when the full-on sex begins. The setup is very good here—particularly what Heather is wearing at the pizzeria—but things fall a bit flat during the early action in the bedroom, and the switch to a different, less sexy outfit isn’t the best of choices. That said, these shortcomings are more than made up for by the intense, multi-positioned fucking that comprises the last part of the action. In total, this is a solid scene but certainly not the best out there.
Scene Four
This scene starts out with Sasha Grey, who is wearing a black mini-skirt, thigh-high stockings, a white blouse, and black-framed glasses, running up a driveway. She is carrying a large, black purse on her shoulder, and she has her brunette hair tied back in a bun. As she rushes along, she drops a folder and gets down to pick it up. Sasha notices a run in her stocking, answers her cell phone, and heads up some outdoor stairs, during which the viewer is treated to a bit of up-skirt action. It is clear that Sasha is in a hurry.
Finally, Sasha reaches a door, rings the bell, and there is a cut to her inside giving Mick Blue the file that she had dropped earlier. He is seated at a table in a room with a lot of windows for walls that look out onto a large, porch-like area. As always, Sasha looks incredible here, with her cute derriere hanging slightly out of the back of her skirt. Mick notices her attire and has her show off her thin frame for him. Upon finding out that Sasha is done with her tasks for the day, Mick gets up, walks over to her, and they begin to make out. As this is going on, Mick hikes her skirt up, revealing her nicely-shaped bottom, and Sasha begins to work his ample manhood through his pants. Sasha is wearing a thong and a garter belt that attaches to her stockings. She is always in top form.
It isn’t long before Sasha gets on her knees, and Mick’s thick, uncut cock is out of his pants. She begins a blowjob (partial POV) that is absolutely incredible, especially with her occasional, mind-blowing dirty-talk. After this, Mick takes her over to a cushioned, modern-art-themed chair and begins to make out with her and undress her. During this process, Sasha’s blouse, skirt, and panties come off, and Mick immediately begins to give her a rim-job. This quickly transitions into Mick sliding his engorged manhood into Sasha’s visibly tight cooch (shaved lips; tuft of relatively thick pubic hair just above) from behind, and what follows is an insanely hot, condom-less coupling between two performers who clearly share a good deal of chemistry. Amongst the highlights here are: a hot reverse-cowgirl riding / pounding; Sasha’s incredibly dirty mouth and amazing intensity; some face-fucking / sloppy blowjob activities; and a scorching anal sequence that ends with Mick ejaculating on Sasha’s glasses and nose, followed by a good deal of oral cock clean-up by Sasha to end the action. As a couple of points to note: Sasha’s bra comes off at some point during the scene, revealing her nice-sized, natural breasts, and her hair is unleashed from being tied back in a bun at some point, as well.
This is the best scene of the DVD. Not only are both Sasha and Mick into each other, but the length is just right. Everything here is done perfectly, from the setup to the follow-through. The sex is believable and erotic and is, quite honestly, very easy to get into. Instead of feeling as though you are watching from afar, you feel as though you are right there in the room with them. As such, this scene serves as yet another example of why Sasha Grey is considered to be one of the best performers out there these days. There is something extra in her scenes—something intangible—but it is always there, and it makes her stand out with ease. This scene alone would make this DVD worthwhile.
Scene Five
This scene begins with blonde Juicy Pearl in tight-fitting business attire (black jacket and pants with a white blouse underneath) walking down a city street and entering a residence. There is a cut to her inside, coming down a metal, spiral staircase, where she finds James Deen on a light-blue bed at the bottom. Upon seeing him, she throws a folder that she’s carrying at him, begins to yell at him in French(?), and pulls her jacket off. The two play-fight for a moment before the fighting turns into a make-out session in which Juicy’s blouse is quickly removed, and her black bra is pulled up then off. James does a little bit of fondling and kissing of Juicy’s ample, enhanced bosom as the making out continues.
Next to come off are her heels and pants, and doing so reveals that she isn’t wearing any panties underneath, but instead she has on a black garter belt and thigh-high, black fishnet stockings. Juicy looks great here, with her thin-lensed, pink frames and her gold-colored waist chain. Her cooch is shaved other than a tiny, trimmed patch above her lips, and her clitoris is pierced. She also has an odd tattoo consisting of writing in an arch-like pattern on her pelvis. This is a bit distracting, but it’s not too much so.
James wastes no time in enjoying her delights, as he uses his mouth and then his fingers on her. After a bit of this, he instructs her to masturbate while he gets his own, thick cock out of his pants. Juicy is eager to please, going over to him and beginning to blow him.
From here, a fairly standard (though quite erotic), condom-less, boy-girl sequence follows. Amongst the more interesting action is: nicely-captured side-entry positions; a hot rear-entry fucking; Juicy masturbating as James penetrates her body; very good woman-astride action in which Juicy shows that she really knows how to work it; some missionary-like sex; and a nice ejaculation that lands predominantly on Juicy’s glasses and essentially ends the scene.
In all, this is a very hot, very good scene with some great action in it. Juicy Pearl is an attractive woman, and she is also very much into the activities here. She is quite believable in her responses in this scene, and she really helps make it a winner. James Deen’s performance is equally good, and the coupling of these two performers really makes for an excellent sexual romp.
Scene Six
This scene starts out with Erik Everhard wiping off his motorcycle in an odd room with a stripper pole in it and a red-and-white checkered floor. Ann Marie Rios, a sexy brunette, walks in wearing a stripper-nurse’s outfit (white, revealing mini-skirt with a red cross on the front/side and thigh-high white stockings with red bows on the back). She is also wearing a pair of red-framed glasses.
The two partake in idle banter before Ann Marie grabs hold of the stripper pole and begins to strip for Erik. As she dances, she removes the mini-skirt, revealing a red-and-white-striped bra and panties set. Before long, she takes off her bra, giving a full view of her nice-sized natural breasts and tanned body. She is a real looker.
Eventually, Erik can’t take any more and begins to lick her breasts. From here, he pulls down her panties, revealing her beautifully-shaped bottom, and he starts licking her cooch, which is shaved but for a very tightly-trimmed patch above the lips, from behind. There is some hot rimming that takes place here, too.
After a good deal of this, it’s Ann Marie’s turn to return the favor, and she makes out with Erik a bit while removing his shirt and then pulling down his pants and underwear. During the making out, Erik does a little bit of finger-work on Ann Marie, and immediately following pulling down his underwear, she takes his large cock into her mouth. The blowjob that ensues is truly inspired. Ann Marie’s enthusiasm results in plenty of slurping, some ball-licking, some spitting, and lots of sucking and jerking.
Immediately after this oral action, Erik lifts Ann Marie up and begins fucking her (no condom here or for the remainder of the scene) in a standing position, with her suspended in the air. From this point forward, a hot boy-girl sequence ensues, with some of the more noteworthy action including: a searing cowgirl riding by Ann Marie; some steamy missionary-like position sex; Ann Marie’s occasional mixing of Spanish(?) in with English during her dirty-talk; a very hot side-entry pounding; Erik giving it to Ann Marie doggie-style with feeling; Erik eating Ann Marie’s freshly-fucked hole; a scorching reverse-cowgirl segment; Ann Marie saying, “Damn you, mother-fucker and your cock.”; some apparent 69 action featuring deep-throating, spit, and near-gagging; and at least one other position that I can’t really put into words but is quite erotic nonetheless. The scene ends with Ann Marie blowing Erik (some gagging) until he jerks off on her face, nose, and a bit on her glasses. Ann Marie continues to suck and lick his cock for a good deal of time until the final fade to the closing credits.
In total, this is an excellent scene with incredible intensity. Ann Marie looks great, and both she and Erik put on a powerful sexual performance. As I was unfamiliar with her work when I chose to review this DVD, I must say that I am pleasantly surprised at how good her work here is. She is a firecracker, and she knows how to move. She’s definitely one to keep any eye out for in future DVDs. This is easily the second best segment of the disc.
Bonus Materials / Other Options
In terms of bonus materials, there are four options. One is a slide-show of stills from the film (“Photo Gallery”). Another is “Cum Shots”, which replays the cum-shots from the movie. Yet another is “Trailers”, featuring multiple movie trailers for other movies. Finally, there is the “Behind The Scenes” option, which is interesting but seems incomplete, particularly given that Ms. Grey isn’t a participant.
Closing Statement
All in all, this DVD’s last three scenes really raise this production up from good to great. Sasha Grey’s performance is spectacular, and the Ann Marie Rios closer is also quite stunning. If you’re looking for an all-sex movie with a girls-in-glasses theme or even just hot, lengthy scenes featuring beautiful women, this DVD is for you. If you’re looking for a plot or something that you can watch from start to finish in one sitting, you might look elsewhere. Overall, this one is worth the price of purchase.
Sasha Grey, Ann Marie Rios, Juicy Pearl, Diana Doll, Asa Akira, Heather Vahn, Mick Blue, John Strong, James Deen, Erik Everhard
Director
Mick Blue
Summary
Shot Glasses is an excellent all-sex romp by Zero Tolerance that focuses on women in sexy, fashionable eye-wear. The scenes range from good to incredible, with the last three being the best of the bunch. Of particular note are Sasha Grey’s performance with Mick Blue (anal) and Ann Marie Rios’ fuck-fest with Erik Everhard (vaginal-only). These two segments of the disc really raise the action up to a higher level. The cum-shots are all aimed at the glasses in this DVD, but it’s worth a look whether that’s your fetish or not. Overall, it is definitely worth the money.
Main Menu
The Main Menu has three primary options: “Play Movie”, “Chapters”—a typical scene selection mechanism, and “Special Features—which will be covered at the end of this review. For now, let’s hit “Play Movie” and get this party started.
Opening Credits
The opening credits play as we’re treated to clips of the various actresses’ scenes as they are introduced textually on the screen. Just from this action, it looks like this film has some real promise.
Scene One
This scene begins with Diana Doll, a thin, leggy blonde, getting out of a silver-colored car and heading up to a house, where her male lead for the scene (Mick Blue) awaits her outside. Diana offers up a nice crotch-shot (no panties; trimmed tuft and shaven lips) on exiting the car, and she also gives a bit of up-skirt action as she makes her way to the home. She looks incredible in her flowing, light-green miniskirt and fashionable eyewear here. From the brief bit of dialogue between Diana and Mick, it appears that Diana is supposed to be a call-girl.
A transition to the inside area of the house follows, where we find that Diana has changed into a tight, black miniskirt with white pinstripes on the front and back. Mick is seated on a soft, brown couch, and Diana is giving him a bit of a striptease. Again, there are some up-skirt shots (no panties) before the skirt quickly comes off, leaving Diana in only her black bra with white pinstripes, a white-tie-and-collar choker, her black, high-heeled boots, and her glasses.
In short order, the bra comes off, revealing Diana’s nice-sized, natural breasts and leaving her essentially nude. She then gives Mick a quick lap-dance, and follows it with a nice masturbation sequence featuring some dirty-talk (sultry accent) and very nice close-ups of her soft, pink pussy. This all leads into Mick’s thick, uncut cock being unleashed from his pants, and Diana taking it into her hungry mouth for a steamy blowjob that is filmed, in part, from a POV angle.
From here, torrid, condomless sex ensues on and around the couch, complete with a variety of positions (woman-astride, missionary, doggie-style, side-entry, reverse cowgirl, etc.). There is a bit of pussy-to-mouth action, as well as some hot making-out that occurs. Interestingly, Mick seems to like to kiss Diana, eat her out, and rim her after she has just been blowing or fucking him. He is a man who likes to savor every aspect of an encounter, I suppose—more power to him. The scene ends when Mick ejaculates on Diana’s face and glasses, leaving her covered in a thick, sticky load.
Overall, this scene generates a lot of heat and is definitely worth a look. While it does go on a bit long, there is also a lot of varied action here (i.e., plenty of positions and what not). Moreover, Diana and Mick seem to have decent chemistry and appear to be into each other. On the downside, keeping Diana in her first outfit—the light-green miniskirt—would have been a lot sexier and made for a better visual. Along similar lines, there also seems to be a rush to the sex in this segment, as Diana really doesn’t spend much time in her second outfit, either. That said, this is still a solid scene between two good performers, and it sticks to the girls-in-glasses theme well.
Scene Two
This scene opens with Asa Akira, a thin woman of Asian descent, and John Strong sitting on a couch; John is giving Asa a Russian lesson. Asa is wearing a pair of purple glasses, a white top that reveals a lot, and a blue-and-white, plaid mini-skirt with lacy, white panties and thick, white heels. She looks great here. John is attired in a dark-gray button-down shirt and black pants.
It isn’t long before Asa convinces John to take a breather from the lesson, and the pair begins to sensuously make out. Shortly, Asa is on her knees in front of John, who is seated on a large, white, leather sofa, and she pulls his cock from his pants and starts to blow him. There is a nice, up-close camera angle here, and Asa is quite proficient at using both her mouth and her hands on John’s erect member. There is some attempted deep-throating that goes on, and Asa makes some mild gag-like noises from time to time. During this oral sequence, Asa’s top gets lowered, revealing her nice-sized, enhanced(?) breasts.
After a good deal of female-to-male oral, John helps Asa back onto the couch, where she sits with her legs spread. She immediately pulls aside her panties, and we’re treated to an up-close view of her tight, fully-shaven womanhood. She plays with herself a bit and shows just how sticky and wet she has gotten, as well as the fact that she likes the taste of her own body. She pulls her panties and bra off, and John begins to pleasure her orally. Asa is clearly into the action, and she is quite vocal during this section, which is relatively short in length.
From the oral work, there is a quick transition into a side-entry position (no condom), as John takes control of Asa’s limber body. What ensues is a vocal, condomless sexual romp that really turns the heat up. Amongst the high-lights are: some sexy, pussy-to-mouth action; some heavy, woman-astride pounding; some standing, Asa-held-in-the-air sex; Asa yelling something along the lines of “Fuck me, teacher!”; a hot reverse-cowgirl slamming; Asa’s black, wavy hair bouncing about; a nice doggie-style segment where John really gives it to her; and a cum-shot (average load) on Asa’s glasses and face that essentially ends the scene.
Overall, this is an intense scene that once again features the performers going through a number of positions. Asa is definitely enjoying herself here, but she does get to be a bit on the noisy side; this is somewhat distracting to me, but some people will probably love it. Good use is made of Asa’s limber frame, and it plays well into the visuals. In total, this is a very good scene.
Scene Three
This scene starts out at a pizzeria, with Mick Blue stopping in to pick up some lunch. The girl working as both the cashier and the waitress is slender, Latina(?) Heather Vahn. Heather is wearing a plaid mini-skirt and belly-revealing, black top, and there is a bit of up-skirt action as she heads over to take Mick’s order and give him her phone number.
There is then a cut to later, with Heather lying on a red bed at a different location. She is wearing a pair of black, see-through panties and a black bra; both the bra and the panties have a bit of red fabric mixed in. She is also sporting a pair of thin-lensed, black-framed glasses that complement her relatively short, brown-black hair well. The action at the beginning of this sequence is POV, with Mick and Heather engaging in some sexy banter, as Heather shows off her assets. During this time, her panties and bra come down, revealing her nice-sized, natural(?) breasts and her shaved, tight cooch. There are also some nice close-ups here of her inner pink as she spreads for the camera.
This transitions into Heather pulling down Mick’s pants and sucking his cock until it is hard. She really gets into this POV blowjob and looks quite cute administering it. Before long, Heather lies back on the bed, removes her bra and panties, and there is some more POV up-close action of her working over her smooth, wet womanhood. This lasts for only a brief time before there is a break away from the POV camera angle, and Mick starts to eat her out.
From here, Mick takes his engorged member and slides it into Heather’s tight hole in a missionary-like position. He bangs her with some enthusiasm, after which a fairly standard (no condoms) boy-girl sex sequence ensues. Amongst the highlights are: a nice use of the cowgirl position, with Heather looking great as she takes Mick’s thick cock inside her body as he thrusts it up into her; some hot, between-position oral sex on Mick by Heather; a good, lengthy reverse-cowgirl pounding; some side-entry and doggie-style positioning; and a messy ejaculation on Heather’s forehead, glasses, nose, and hair that, after a bit of oral cock clean-up, effectively ends the scene.
Overall, this is a good scene, but the heat doesn’t really pick up until the switch away from the POV angle—which corresponds roughly to the time when the full-on sex begins. The setup is very good here—particularly what Heather is wearing at the pizzeria—but things fall a bit flat during the early action in the bedroom, and the switch to a different, less sexy outfit isn’t the best of choices. That said, these shortcomings are more than made up for by the intense, multi-positioned fucking that comprises the last part of the action. In total, this is a solid scene but certainly not the best out there.
Scene Four
This scene starts out with Sasha Grey, who is wearing a black mini-skirt, thigh-high stockings, a white blouse, and black-framed glasses, running up a driveway. She is carrying a large, black purse on her shoulder, and she has her brunette hair tied back in a bun. As she rushes along, she drops a folder and gets down to pick it up. Sasha notices a run in her stocking, answers her cell phone, and heads up some outdoor stairs, during which the viewer is treated to a bit of up-skirt action. It is clear that Sasha is in a hurry.
Finally, Sasha reaches a door, rings the bell, and there is a cut to her inside giving Mick Blue the file that she had dropped earlier. He is seated at a table in a room with a lot of windows for walls that look out onto a large, porch-like area. As always, Sasha looks incredible here, with her cute derriere hanging slightly out of the back of her skirt. Mick notices her attire and has her show off her thin frame for him. Upon finding out that Sasha is done with her tasks for the day, Mick gets up, walks over to her, and they begin to make out. As this is going on, Mick hikes her skirt up, revealing her nicely-shaped bottom, and Sasha begins to work his ample manhood through his pants. Sasha is wearing a thong and a garter belt that attaches to her stockings. She is always in top form.
It isn’t long before Sasha gets on her knees, and Mick’s thick, uncut cock is out of his pants. She begins a blowjob (partial POV) that is absolutely incredible, especially with her occasional, mind-blowing dirty-talk. After this, Mick takes her over to a cushioned, modern-art-themed chair and begins to make out with her and undress her. During this process, Sasha’s blouse, skirt, and panties come off, and Mick immediately begins to give her a rim-job. This quickly transitions into Mick sliding his engorged manhood into Sasha’s visibly tight cooch (shaved lips; tuft of relatively thick pubic hair just above) from behind, and what follows is an insanely hot, condom-less coupling between two performers who clearly share a good deal of chemistry. Amongst the highlights here are: a hot reverse-cowgirl riding / pounding; Sasha’s incredibly dirty mouth and amazing intensity; some face-fucking / sloppy blowjob activities; and a scorching anal sequence that ends with Mick ejaculating on Sasha’s glasses and nose, followed by a good deal of oral cock clean-up by Sasha to end the action. As a couple of points to note: Sasha’s bra comes off at some point during the scene, revealing her nice-sized, natural breasts, and her hair is unleashed from being tied back in a bun at some point, as well.
This is the best scene of the DVD. Not only are both Sasha and Mick into each other, but the length is just right. Everything here is done perfectly, from the setup to the follow-through. The sex is believable and erotic and is, quite honestly, very easy to get into. Instead of feeling as though you are watching from afar, you feel as though you are right there in the room with them. As such, this scene serves as yet another example of why Sasha Grey is considered to be one of the best performers out there these days. There is something extra in her scenes—something intangible—but it is always there, and it makes her stand out with ease. This scene alone would make this DVD worthwhile.
Scene Five
This scene begins with blonde Juicy Pearl in tight-fitting business attire (black jacket and pants with a white blouse underneath) walking down a city street and entering a residence. There is a cut to her inside, coming down a metal, spiral staircase, where she finds James Deen on a light-blue bed at the bottom. Upon seeing him, she throws a folder that she’s carrying at him, begins to yell at him in French(?), and pulls her jacket off. The two play-fight for a moment before the fighting turns into a make-out session in which Juicy’s blouse is quickly removed, and her black bra is pulled up then off. James does a little bit of fondling and kissing of Juicy’s ample, enhanced bosom as the making out continues.
Next to come off are her heels and pants, and doing so reveals that she isn’t wearing any panties underneath, but instead she has on a black garter belt and thigh-high, black fishnet stockings. Juicy looks great here, with her thin-lensed, pink frames and her gold-colored waist chain. Her cooch is shaved other than a tiny, trimmed patch above her lips, and her clitoris is pierced. She also has an odd tattoo consisting of writing in an arch-like pattern on her pelvis. This is a bit distracting, but it’s not too much so.
James wastes no time in enjoying her delights, as he uses his mouth and then his fingers on her. After a bit of this, he instructs her to masturbate while he gets his own, thick cock out of his pants. Juicy is eager to please, going over to him and beginning to blow him.
From here, a fairly standard (though quite erotic), condom-less, boy-girl sequence follows. Amongst the more interesting action is: nicely-captured side-entry positions; a hot rear-entry fucking; Juicy masturbating as James penetrates her body; very good woman-astride action in which Juicy shows that she really knows how to work it; some missionary-like sex; and a nice ejaculation that lands predominantly on Juicy’s glasses and essentially ends the scene.
In all, this is a very hot, very good scene with some great action in it. Juicy Pearl is an attractive woman, and she is also very much into the activities here. She is quite believable in her responses in this scene, and she really helps make it a winner. James Deen’s performance is equally good, and the coupling of these two performers really makes for an excellent sexual romp.
Scene Six
This scene starts out with Erik Everhard wiping off his motorcycle in an odd room with a stripper pole in it and a red-and-white checkered floor. Ann Marie Rios, a sexy brunette, walks in wearing a stripper-nurse’s outfit (white, revealing mini-skirt with a red cross on the front/side and thigh-high white stockings with red bows on the back). She is also wearing a pair of red-framed glasses.
The two partake in idle banter before Ann Marie grabs hold of the stripper pole and begins to strip for Erik. As she dances, she removes the mini-skirt, revealing a red-and-white-striped bra and panties set. Before long, she takes off her bra, giving a full view of her nice-sized natural breasts and tanned body. She is a real looker.
Eventually, Erik can’t take any more and begins to lick her breasts. From here, he pulls down her panties, revealing her beautifully-shaped bottom, and he starts licking her cooch, which is shaved but for a very tightly-trimmed patch above the lips, from behind. There is some hot rimming that takes place here, too.
After a good deal of this, it’s Ann Marie’s turn to return the favor, and she makes out with Erik a bit while removing his shirt and then pulling down his pants and underwear. During the making out, Erik does a little bit of finger-work on Ann Marie, and immediately following pulling down his underwear, she takes his large cock into her mouth. The blowjob that ensues is truly inspired. Ann Marie’s enthusiasm results in plenty of slurping, some ball-licking, some spitting, and lots of sucking and jerking.
Immediately after this oral action, Erik lifts Ann Marie up and begins fucking her (no condom here or for the remainder of the scene) in a standing position, with her suspended in the air. From this point forward, a hot boy-girl sequence ensues, with some of the more noteworthy action including: a searing cowgirl riding by Ann Marie; some steamy missionary-like position sex; Ann Marie’s occasional mixing of Spanish(?) in with English during her dirty-talk; a very hot side-entry pounding; Erik giving it to Ann Marie doggie-style with feeling; Erik eating Ann Marie’s freshly-fucked hole; a scorching reverse-cowgirl segment; Ann Marie saying, “Damn you, mother-fucker and your cock.”; some apparent 69 action featuring deep-throating, spit, and near-gagging; and at least one other position that I can’t really put into words but is quite erotic nonetheless. The scene ends with Ann Marie blowing Erik (some gagging) until he jerks off on her face, nose, and a bit on her glasses. Ann Marie continues to suck and lick his cock for a good deal of time until the final fade to the closing credits.
In total, this is an excellent scene with incredible intensity. Ann Marie looks great, and both she and Erik put on a powerful sexual performance. As I was unfamiliar with her work when I chose to review this DVD, I must say that I am pleasantly surprised at how good her work here is. She is a firecracker, and she knows how to move. She’s definitely one to keep any eye out for in future DVDs. This is easily the second best segment of the disc.
Bonus Materials / Other Options
In terms of bonus materials, there are four options. One is a slide-show of stills from the film (“Photo Gallery”). Another is “Cum Shots”, which replays the cum-shots from the movie. Yet another is “Trailers”, featuring multiple movie trailers for other movies. Finally, there is the “Behind The Scenes” option, which is interesting but seems incomplete, particularly given that Ms. Grey isn’t a participant.
Closing Statement
All in all, this DVD’s last three scenes really raise this production up from good to great. Sasha Grey’s performance is spectacular, and the Ann Marie Rios closer is also quite stunning. If you’re looking for an all-sex movie with a girls-in-glasses theme or even just hot, lengthy scenes featuring beautiful women, this DVD is for you. If you’re looking for a plot or something that you can watch from start to finish in one sitting, you might look elsewhere. Overall, this one is worth the price of purchase.
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The opinions expressed in this review of Shot Glasses from Zero Tolerance are not necessarily the opinions of Adult DVD Talk. Adult DVD Talk provides a public forum for consumers to post their DVD reviews. Adult DVD Talk does not edit these reviews.










