Sexpack Six: Heavy Equipment Review

Reviewed by Joe Shaver  on  9/2/2002

SEXPACK SIX: HEAVY EQUIPMENT is divided into the conventional four scenes. The first of these titled “Jazzed” features Michael Vincenzo and Tony Cummings. The scene is deliberately stagy as though one were witnessing a live sex scene in a club: two guys in a spotlight against a brick wall. It’s something like the chiaroscuro effect in Italian painting with part of the body in bright light while other parts are in dark shadow. I last saw Tony Cummings as a cute smooth twink. Now he’s mature and he’s allowed his body hair to grow. He is much sexier as a result. It is often difficult to tell him apart from Vincenzo in this scene. It’s like watching twins or brothers, something that was surely intended by the filmmakers. Is that Tony sucking Michael’s cock? No, it’s Michael sucking Tony’s. Who’s giving that terrific rim job? Oh, it’s Tony eating Michael. But it’s definitely Tony riding Michael’s dick; Tony getting plowed doggy style; Tony in the missionary position with the tip of Michael’s unprotected cock slipping teasingly into his ass. Then the cock, now encased in a condom, rams into him all the way. Michael shoots twice—only a few seconds apart. Tony follows suit. As a result of watching this scene, I now have a fantasy of being marooned for the rest of my life on an uncharted tropical island with Tony Cummings. I could think of things a lot worse. I could think of few things better.

In “Fucked Silly” it’s leather time. Michael Soldier is the slave and Michael Brandon, who speaks softly and carries a big stick, is the master/photographer. He’s supposedly videotaping the scene. We get a glimpse of the film on a TV monitor; then it’s ignored until the end. Soldier tries bravely to consume Brandon’s monstrous cock. It’s a nice touch having him put the condom on Brandon (does he have to have these custom made?) and lubing it up with his own spit before Brandon shoves it in all the way into Soldier’s ass. The only sounds in this scene are Soldier’s moans and squeals and the oft repeated “Oh, yeahs” that are probably music to Brandon’s ears, but somewhat of a tired old cliché to ours. At the conclusion, Brandon comes on Soldier’s face on the TV monitor. This was a neat and original concept and I can only wonder why it wasn’t carried through. Switching back and forth between the live action and the action on the screen would have given a new dimension. It could have been a technical tour de force. The scene, as it was, left me limp. So, as it was so lacking in erotic content, they could have gone for the artistic.

“Ass Pummel” the scene which follows features Mark Evrett, the man with the elastic ass. The only item on the set is an empty wooden chair. Mark enters carrying an enormous dildo. To assume its size to be 4”x 18” is probably to underestimate it. Anyway, it’s somewhere between a fence post and a fire hydrant. Mark affixes the dildo to the chair and sits on it. It’s awesome! But once he’s bounced all the way up and down on it for a while it becomes a bit repetitious, so I start to pay closer attention to Mark. He’s really a very handsome hirsute hunk, and his cock is an imposing beauty that stays rock hard throughout. He jacks off simply sitting on the chair. It would have been hotter had he jacked off while impaled on the dildo. Wonder why he didn’t?

The final scene is “Construction Zone”. We discover Michael Brandon and Ryan Lexington laying bricks before Michael lays Ryan. Break time commences with a series of dissolves ending with Ryan, a youngish strawberry blond, on his knees with Michael’s cock in his mouth. Believe it or not, Ryan actually manages to deep-throat that monster. Incredible! It’s the most amazing thing I’ve seen since Derek Cameron swallowed all of Jeff Stryker’s in “Underground”. Ryan has talent! Michael’s cock just disappears into Ryan’s face. Then, as Michael treats Ryan to a super rim job, we know where it’s going to disappear next. It’s not a gentle fuck. Michael has gone from rimming to reaming. Ryan cums while being fucked. Vince Varrone now enters for a rim and a ream. Michael sucks each guy’s cock much too briefly. Both boys now go work on Michael’s. After all it’s big enough for both. With both boys’ lips on either side of the cock as it fucks between them with its head facing the camera, I thought we would be treated to Kristen Bjorn’s blowjob specialty and Michael would shoot a big load, but he doesn’t. He settles for a mundane fuck of Vince instead. It goes on much too long before Vince shoots a nice load. Michael’s load follows. After being so violently pummeled by Brandon’s monster organ, I guess the only thing left for Ryan and Vince to do is go sit on Evrett’s dildo. But, unfortunately, he took it with him.

SEXPACK SIX: HEAVY EQUIPMENT is another in a series put out by Raging Stallion Studios under the direction of Chris Ward and J. D. Slater, two former porn stars. The films from Renegade feature men who can take it. Ward directs and Slater composes the music. I remember Slater as a daddy figure--due to his premature baldness--in pre-condom films, and as a masterful performer due to the size of his equipment. He knew how to use it, too. It was a hardy twink who was partnered with Slater. If you come across any of these early films I suggest you give them a look. Raging Stallion now reveals Slater as a fine composer. His jazz score for “Jazzed” is especially good. Stallion might well consider putting out a bonus music CD to accompany one their future films.