Nympho (Vivid) Review

Reviewed by fu_q  on  5/22/2010

Review:
“Nympho”, directed by B. Skow and distributed by Vivid, is a very good production featuring ex-contract star Meggan Mallone in two scenes and also an apparently original bonus. Also performing are Nikki Rhodes and Kissy Kapri, with Kissy taking on the down and dirty anal duties of the disc. All of the action is of the boy-girl variety and, other than one sequence, is all very strong from start to finish. There’s no real plot to speak of here—just scenes in realistic and interesting settings. Regardless, the formula does work.

In terms of the sex, Scene One features Meggan Mallone and Jerry in a sexy, passionate encounter in a fancy bedroom. Things start off with Meggan—alone in the room—doing some sensual teasing, posing, and masturbating and then they move into the full-on action once Jerry enters the picture. The side-entry and missionary-like positions are amongst the highlights here, and the pop-shot to close things out is also quite hot, as it lands on Meggan’s face, mouth, shoulder, hair, chest, and breasts—nice shot! This is all followed up by some oral cock clean-off. Everything taken into account, this is a very good sequence and worthy of a look.

After some slow and sexy teasing, posing, and masturbating by fire-crotch Nikki Rhodes, it’s off to the races in Scene Two for a steamy and erotic romp with muscle guy Marco Banderas. The blowjob work and reverse-cowgirl riding by Nikki are particularly nice here, and a pop-shot to her mouth by Mr. Banderas—followed by some oral cock clean-off—finishes off this very good sequence in quite the sexy fashion. Indeed, this segment is actually better than the first with Meggan, which is honestly something of a surprise. Good job here by Nikki Rhodes and Marco Banderas!

Meggan Mallone starts off Scene Three out on the range all by herself in a black cowboy hat, a bikini top, and a pair of cut-off short-shorts. She doesn’t stay in her clothes very long, however, as some sexy teasing, flirting with the camera, and masturbation ensue. Moreover, she doesn’t remain alone very long, either, as Marco Banderas enters the scene in fairly short order, and the two immediately begin to make-out. Following this is a scorching, all-vaginal, outdoor fucking that takes place by a tree behind a rustic home (for the first portion of the scene) and then finishes up on the home’s porch. Again, the festivities are passionate and, this time around, they include reverse-cowgirl, doggie-style, and side-entry positionings as the best of the bunch. A facial and some oral cock clean-off close out this very good sequence—great stuff!

The final sequence (Scene Four) involves Kissy Kapri and Voodoo. As with the other scenes, this one begins with the actress (Kissy) by herself doing some sensual posing, teasing, and masturbating before the actor (Voodoo) pops in and the pair gets things going. The vaginal sex that takes up more than the first half of this one is, quite honestly, pretty tame and just doesn’t deliver the heat. Making up for this, however, is the anal sex that comes during the last half—which is where the festivities really pick up. Indeed, Kissy does a number of instances of ass-to-pussy, as she allows Voodoo to trade-off fucking both of her holes. Further, she does a bit of gaping and at least one instance of ass-to-mouth, as well. To finish off the scene, Voodoo delivers a spurting facial and has Kissy lick up a bunch of his load that ended up on the bed. After a bit of oral cock clean-off, the sequence ends. Given that the first half (really more) is average, while the second half (really less) is very good, I’ll go with calling this a “good” scene overall. The viewer should keep in mind its dual nature, however, when watching it.

Some other items should also be mentioned. The much maligned advertisements play when the disc is inserted, but these can be skipped by hitting the “Menu” button on the remote. The Vivid website watermark is still present in this production at the bottom of the screen. As always, this doesn’t make much difference, though it would be better if it were absent. The running time hits a bit over the 2 hour mark—which is a reasonably good length—not too long and not too short. The camerawork here is quite good, and the settings are nicely realistic. Additionally, it should be noted that Meggan has a brief strip-tease sequence that runs during the closing credits, providing a bit extra at the end.

In terms of bonus materials and other options, there are “Play Movie”, “Scene Selection”—a standard scene selection mechanism, and “Special Features” in the Main Menu. Under this last item, one finds a “Photo Gallery”—which puts forth a slideshow of “pretty-girl” shots and stills from the production—as well as a “Previews” section—which gives a choice of four Vivid trailers. Also present are a “Vivid Extras” option—which plays through various Vivid-related advertisements—and a “Behind the Scenes” featurette that is over 20 minutes in length. Finally, there is a “Bonus Scene”—a boy-girl sequence featuring Meggan Mallone that looks to be original to this production. This actually ends up being a very good, all-vaginal scene (around 20 minutes in length) that closes in a massive pop-shot all over Meggan’s pelvis, tummy, and chest—great addition!

Overall, this disc serves as another fine addition to B. Skow’s collection of work. While the final scene could have been better and is a bit spotty, the rest of the material is all very good—including the bonus scene. For fans of B. Skow and / or Meggan Mallone, this is one that should be picked up.