Manstars 1: George Review

Reviewed by Joe Shaver  on  7/17/2005

George Vidanov is the best known moniker for this hunky performer since that is the name he used for Falcon (or Falcon used for him). But he has been in countless European films as Thor Brunov, Mishi Korvy, Michael Nyilas, Mihaly Hurok, and just Mihaly H (the name he used previously for Private Man’s SWORDMASTER). He’s probably used other names as well. These Euro-performers have more alias than Chicago gangsters of the 30’s.

But whatever you call him, George is a hunk of the first magnitude. He is also something of an anomaly being a hirsute muscleman. It’s true that when you see him head on you notice his ears stick out, causing him to resemble a taxicab with both doors open, but this flaw—if one can call it that—only makes him more endearing. This film is a compilation of scenes he has done for Private Man along with one “exclusive” scene found only here. There is also a dubbed interview in which he admits to being gay and says that although he can top when required he prefers bottoming. In addition, he confesses to being sexually voracious. That should give his fans hope.

Scenes 1 & 4 are from SWORDMASTER.
Scenes 2, 3 & 5 are from JOB WANTED

In the “exclusive scene he is partnered with a handsome stud who calls himself Attila. George is a deliveryman delivering a box of dildos. Attila invites him to stick around and perhaps stick a dildo up Attila’s ass. George is happy to oblige. He even manages to give Attila the real thing. George is fucking away like mad when suddenly in a crossfade we find Attila screwing George. After a bit he skewers George with one of the dildos before returning to using his much smaller cock. But the dildo makes an anal insertion once again. There are some larger ones on the desk where George is being dildoed but they are not brought into play. The scene ends where most begin—with each guy sucking dick.

In addition to the dubbed interview there is also a magazine photo shoot, cast profiles, a photo book, trailers to other releases.

Something of a must for George Vidanov’s many fans (of whom I’m one) and a fine introduction for those who are as yet unacquainted with this remarkable performer.