Made to Serve Review

Reviewed by Mrz. Neptune Violet  on  3/11/2020

There's something both right and wrong about how race and culture-driven humiliation porn is acted out in this film. What's right is that as a dominant, Stirling Cooper (portraying "Mr. Kane") marshals so much "rich white man" benign angst that his character pulsates off the screen. As for Aryana Amatista (as "Ava"), the scripting of the scene left much to be desired. There's something about generically referring to "my country" without directly naming "Mexico" that takes you out of the drop-in necessary for the fantasy to resonate. There's a level of hyper-reality required to make the sensitive dramatic effect of a plotline driven by illegal immigration work that just isn't here. However, the sex is very intense, and again, Stirling Cooper (intentionally, he's the dom here) steals every second of the film.

Amatista's a Latina illegal immigrant searching for work here, with Cooper playing the white man with the big house who can "make her dreams come true." Making even housekeeper wages in America is a queen's ransom as compared to working "in her country," and she's all about sending money back home to help her family. Of course, when Cooper asks to see her citizenship papers, that's when he swoops into aggressive action.

"I'm quite virile," Mr. Kane says, and all pretense of where we're going with this is quickly dropped. Insofar as the vast porn tropes, this film takes equal bits of "plumber who shows up right on time" and "naughty housekeeper," but ramps up the humiliation to a 12 out of 10. There's something about watching porn where the scenario could hit a little TOO close to home in a non-erotic manner. Still, the sex on the screen keeps your attention solidly focused on what's happening that extends the humiliation to the viewer. That's a different level of impact and something that is usually saved for the realms of bestiality or other MUCH more taboo subjects. Seeing this played out in what initially feels like a known and well-worn porn dynamic is uniquely compelling.

Ava changing into her maid costume only to be thoroughly doggy-style violated via fingerbanging by Mr. Kane while she is hand-scrubbing his hardwood floors is a captivating image. Amatista's heartbreak, Cooper's domineering attitude, and the captivating eroticism of it all are a powerful combination. There's something in the lack of significant lighting that makes the profoundness of Amatista's arousal glistening in the shadows even more gripping. This film features pure humiliation, the type that for fans of the act or genre, is the best. If not a fan of the action or style, it -- much rather than the acting -- is the tie that binds together the scene as worth watching.

Even deeper, consider when the scene moves to the kitchen, and Cooper's thick cock is plowing into Amatista as she's washing dishes at the sink. Yes, it's that plumber-meets-maid fantasy again, but the raceplay and class-play dynamics overwhelm the scene positively if considering the realm of humiliation. Moreso, the fact that Cooper thoroughly manhandles Amatista here is impressive. He's lifting and placing on, near, around, and over his cock for 15 minutes. It's as athletic as it is impressive. The scene where he places her seated on a kitchen stool in such a manner that he can fuck her while he's standing and she's sitting is nothing short of simultaneously inventive and impressive.

In final, Mr. Kane shooting a full, clear load all over Ava's face and then demanding she thank him for her job and opportunity to save her family truly seals the deal. This scene is as socially wrong as it is sexually depraved. Pure Taboo does this often, but there's an added button pressed here -- that of headline-snatched raceplay humiliation -- that's wildly intriguing, and either should never be approached again or doubled-down into and regularly pillaged for more heightened levels of Sado-sexual excitement.