How I Got the Story Review

HOW I GOT THE STORY is the first and title film of the set. It features hunky Beau Matthews as a reporter who has come to interview Michael Christopher. Michael was a very popular performer in these early pre-condom films appearing in many of the better films of the period. He had a fantastic build and an enormous cock. When no one answers the door for beau he wanders around back where he finds Michael sunbathing near a pool by a waterfall. Michael removes his bathing trunks and showers under the falls. Seeing Beau he invites the hunky young reporter him to join him and initiates further intimacy by going down on Beau’s cock. Beau—quite naturally—returns the favor. Before long they are out of the water and onto the grass and Michael is into Beau’s ass. This is a very beautiful interlude with two beautiful bodies making love in natural surroundings and provides a pleasing pastoral. The photography is reminiscent of the photography of that era, Roy Dean.

DOUBLE DEAL follows. Jeff Wells and Mike De Marco are seen leaving the gym. Jeff is a delectable young hunk. Mike sports one of those dreadful seventies moustaches. When Mike arrives home he strip0s for a bath. He jerks off fantasizing about Jeff as a surfer returning from surfing and masturbating. Mike cums at the thought.
Next we see Jeff arriving home and fantasizing about Mike. In Jeff’s fantasy Mike is jacking off wearing a leather harness. Jeff brings himself to climax.
The idea is cute, but the fact that these two frustrated guys never get together frustrates the viewer as well.

PHOTO PLAY is the final film and the best developed (pardon the pun). It begins with Adam Stuart, a beautiful young redhead, posing for photographer Quinn Curtis. The photo session starts off innocently enough with Adam fully dressed in suit and tie. When he poses bare-chested and barefooted, Adam notices Quinn’s cock sticking out of the leg of his shorts. Adam laughs at this and Quinn is embarrassed. As Adam changes into bathing trunks for the next series of shots, Quinn ogles his bare buns. Eventually Adam is being photographed holding a bar of soup and clad in only a towel. When the shoot is over Quinn tentatively reaches under the towel for Adam’s cock. Receiving no objection to this he takes the cock in his mouth and soon has it fully erect. Adam returns the favor and they conclude by ejaculating in one another’s mouth, swallowing down the cum.

In a second scene Quinn brings the proofs to Adam’s house. As they are looking over the proof sheets, Quinn steals a kiss. The repeated kisses are freely given. Quinn fishes out Adam’s cock and goes down on it. Adam then gets out Quinn’s uncut member and goes down on that.

When both boys enter Adam’s bedroom they are completely nude. Adam’s stiff prick precedes him proudly. We can read Quinn’s lips in this silent film: “I want to fuck you”. Adam gets on his arms and knees on the bed, his ass elevated for easy access. Quinn licks the pretty hole and inserts his dick. Adam rolls over onto his back as the hairy-chested youth continues to plow him.

There is the beginning of a third scene with Quinn bringing over a magazine showing Adam and the Irish Spring soap ad. They start to go at it again, but—sadly—the film ends. (These film began life as 60 minute 8mm wonders so there was a restriction as to length.) In any event this is the most erotic of the three episodes. Both of these guys are very handsome. Quinn’s lightly haired chest and Adam’s beautiful prick and orange pubic bush are real turn-ons!

The film is an excellent example of early porn and—as my English friends would say—it’s cheap as chips.