Hotel Hookup (Jackrabbit Releasing) Review
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Studio: Jackrabbit Releasing
Category: Gay
Directed by: Decklin
Starring: Diablo, Alan Gregory, Paolo, Erik Jensen, Jacob Smith, Joseph Dragon, Dale Ireland, Craig Allen, Chris Neal, Brad Star, Audi Valonis, Todd O'Connor, Patrick O'Connor
Released on: 12/7/2005
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A similar scene follows when Diablo puts the make on young gorgeous Jacob Smith in room 309. Handsome and with a smooth muscular bod, Jacob plays the innocent having gay sex for the first time. He’s very believable as he stares in wonderment as Diablo consumes his cock. Diablo, slender and with a nicely haired torso, is terribly sexy and its easy to believe he could seduce anyone. He’s also an avid cocksucker. “Want to try fucking?” he asks the innocent Jacob. Without further ado we find Diablo on his back with his legs in the air and Jacob’s cock driving into his butt. I’m miffed that I don’t see the cock makes its initial entry into Diablo’s hot ass, but the sight of this sexy stud on his back getting fucked soon overcomes my initial dismay. I find Diablo such a sexy bastard that I long to be in Jacob’s position. After a bit they do it doggy and here Jacob really gets into it, throwing Diablo a hard and vigorous fuck. These two are so hot together I lose it and have to pause before taking it up again. “Wow!” Diablo exclaims at one point. My sentiments exactly. Fucking over, Diablo fires off an enormous load. Jacob cums on the supine Diablo.
More hot action continues when Dale Ireland and Todd O’Connor stumble into room 403 and immediately lock lips. Stopping only to pull off their shirts, they are soon on the bed getting out of their underwear and into each other. “You’re a great kisser,” Dale affirms before Todd goes down on his dick. Once again we have a pair of hot guys who seem to be really enjoying having sex so we do too. Dale climbs on top of Todd, smothering him in kisses and slides his cock into Todd’s ass. Todd’s toes curl in ecstasy as Dale fucks him hard and deep. They do it doggy as well. Dale shoots a healthy load on the recumbent Todd who—surprisingly—doesn’t cum at all.
As you can see the action has fallen into an unchangeable pattern with no mutual cocksucking and no flip-flopping. Each scene presents us with one performer who is active French and passive Greek while the other is totally passive French and active Greek.
I was hoping things would change when Alan Gregory brings cute young Erik Jensen back to his penthouse. Alan, a curly blond whom I have a thing for as he reminds me of a friend at school, is very versatile. In fact I have become rather concerned for him of late, as he’s been appearing in such films as CUM EATING WITH ALAN GREGORY and getting gang-fucked bareback. So it’s truly odd when he plays the passive French/active Greek role here. Cant’ the director think in any other terms? By now I’ve really begun to lose interest. As Alan was fucking Erik doggy I even went off to get myself a cup of coffee. When I returned they were still at it. When it changed to the missionary position, there was a nice close-up of Alan’s cock entering Erik’s ass. After the fuck in this position, they jacked off. Erik being left to fend for himself.
The next scene was a threesome with one hot uncut guy, Craig Allen, and two not-so hot guys. One of them was covered in cheap tattoos including one on his dick that looked as though he had just fucked an inkwell. You might know homely butch tattoos doesn’t suck dick. He is the passive French/active Greek member of this trio. He fucks both of the others who when they have the tattooed dick in their asses has the other’s dick in their mouth. The scene was yet another prime example of quantity over quality.
But there’s still another scene to go. However at it follows the unshakable pattern of the other twosomes I couldn’t get interested. It was a case of been there done that.
The film started off well and held together through the first three scenes (scene two being especially hot) but after that the constant repetition watching it became more of an ordeal than a pleasure. That’s what happens when we have a director with no imagination and performers who aren’t venturesome.
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