Fluid 3 (Evil Angel) Review
Evil Angel
Studio: Evil Angel
Directed by: Dana Vespoli
Starring: Dana Vespoli, Dana DeArmond, Stoya, London Keyes, Sovereign Syre, Jessa Rhodes, Carter Cruise
Released on: 3/11/2015
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Reviewed by fu_q on 5/26/2015
**Note – This review is based upon the web version of the film released on Evil Angel’s official website. As such, the bonuses haven’t been given a rating, and there could be some discrepancies between this version and the DVD release.**
Review:
Dana Vespoli is back with the third installment of her "Fluid" series for Evil Angel, and this time around she's brought an all-star cast and an interesting, new set of ideas with her. Generally speaking, the theme is one of vignettes--a blowbang, a three-way, and a passionate lesbian sequence--that incorporate water in one form or another and that also feature incredibly quirky (and often comical) intros. By in large, these scenes work out fine here, with the Carter Cruise and Jessa Rhodes inflatable-pool bang-out with Manuel Ferrara as the best of the bunch. In addition to these offerings, however, there's another, longer sequence presented...one that easily surpasses the others...an exquisite, plot-driven pairing of Sovereign Syre and Steven St. Croix. As much a mind-fuck as it is a literal fuck, this scene is simultaneously harsh, intense, and erotic, and its dark, emotional underpinnings, which are played to perfection by Syre and St. Croix, are the key to its overwhelming success. It seems that whenever Sovereign and Dana team up, pornographic magic happens, and this is again the case here. Indeed, this sequence alone would make the release worthy of a purchase and is the sole reason for its fourth star in this review.
In terms of the sex, Scene One offers up two of the current crop of super-hotties in the industry right now, Carter Cruise and Jessa Rhodes, looking stunning in animal hats, silver hot-pants, and red bras. They dance around in an intentionally ridiculous fashion, and--equally ridiculously--are joined by Manuel Ferrara as a grill-bearing, wannabe gangsta. There's an inflatable pool and a throne for Manuel, both of which serve as the points of action in the sequence. The young women kick things off with some girl-on-girl fun, including open-mouth spitting, and the champagne flies. Despite its borderline-ludicrous overtones, the heat wins out in the spirited and raunchy romp that ensues. It's all about oral and vaginal in this wet and wild wank-off, and the good times come to a close with a double-facial and some cummy-kissing / cum-swapping. Hot as fuck!
In Scene Two, it's a cock (Wolf Hudson, Eric John, and Chad Diamond) and strap-on (Dana Dearmond) blowbang for the kimono-clad London Keyes. Following a bizarre, masked, suit-and-schoolgirl dance routine cast upon a black backdrop, the dudes (...and Dana...) shove their cocks down London's throat and ultimately leave her face a sticky mess. Dana washes the goop off of Ms. Keyes by dunking her head in a water-filled tupperware container--the same one that they had also used prior for dunking her during the scene--and that closes things out. For whatever reason--perhaps it's the distinct lack of female flesh in this sequence--this one falls a bit short. It's okay.
Scene Three finds Sovereign Syre as a budding, young journalist who--straight out of school--has been granted an interview with Steven St. Croix. For his part, Steven plays the role of an enigmatic and elusive television personality who's recently been acquitted of darkly perverse charges against women. Of course, Sovereign--being the kinky and curious young lass that she is--has her own ulterior motives, and Steven is quick to pick up on them...much to his deviant delight. The two find their way to the bathroom, where Sovereign is blindfolded with a scarf, has her arms bound behind her back in a red contraption, and finds herself the subject of rope-work, whipping, a mild beating with a belt, and bidet-play. This intro material is teeming with anticipation, taunt, and tease...and Sovereign's acting and sincerity are exquisite. Steven ultimately frees her but then covers her face with the scarf and dunks her in the filled tub, fucks her while her head is submerged, and has her perform orally and vaginally all whilst she has her head in the bidet and laps at the water flowing from its spigot. The "festivities" ultimately finish off with a massive facial and the distinct impression that the "fun" has just begun. Remarkable. A complete and laudable surrender of control by Ms. Syre.
In Scene Four, Dana Vespoli--as a latex-clad, S&M version of "Edward Scissorhands"--and her loving girlfriend, Stoya, sate one another's desires atop a large, raised cushion in the foyer of a modern-themed mansion. The action is preceded by cuts of the pair swimming in a pool, and Vespoli's primary getup is interesting, if not bizarre. The sex itself is slow, soft, and sensual and involves some armpit love and foot worship, along with the more standard lesbian offerings of fingers and tongues. This ends up being very realistic, passionate, and loving lesbian material, despite its awkward opening.
In all, this is a good release from Dana Vespoli and Evil Angel that is fortunate enough to also include a darkly remarkable Sovereign Syre / Steven St. Croix gem. While the other three scenes do have their bright moments (particularly the Jessa Rhodes / Carter Cruise / Manuel Ferrara fuck-out), it's really this one that raises the quality of the production to new heights. Indeed, had the rest of the flick followed in its footsteps, this could have been a five-star release.
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Review:
Dana Vespoli is back with the third installment of her "Fluid" series for Evil Angel, and this time around she's brought an all-star cast and an interesting, new set of ideas with her. Generally speaking, the theme is one of vignettes--a blowbang, a three-way, and a passionate lesbian sequence--that incorporate water in one form or another and that also feature incredibly quirky (and often comical) intros. By in large, these scenes work out fine here, with the Carter Cruise and Jessa Rhodes inflatable-pool bang-out with Manuel Ferrara as the best of the bunch. In addition to these offerings, however, there's another, longer sequence presented...one that easily surpasses the others...an exquisite, plot-driven pairing of Sovereign Syre and Steven St. Croix. As much a mind-fuck as it is a literal fuck, this scene is simultaneously harsh, intense, and erotic, and its dark, emotional underpinnings, which are played to perfection by Syre and St. Croix, are the key to its overwhelming success. It seems that whenever Sovereign and Dana team up, pornographic magic happens, and this is again the case here. Indeed, this sequence alone would make the release worthy of a purchase and is the sole reason for its fourth star in this review.
In terms of the sex, Scene One offers up two of the current crop of super-hotties in the industry right now, Carter Cruise and Jessa Rhodes, looking stunning in animal hats, silver hot-pants, and red bras. They dance around in an intentionally ridiculous fashion, and--equally ridiculously--are joined by Manuel Ferrara as a grill-bearing, wannabe gangsta. There's an inflatable pool and a throne for Manuel, both of which serve as the points of action in the sequence. The young women kick things off with some girl-on-girl fun, including open-mouth spitting, and the champagne flies. Despite its borderline-ludicrous overtones, the heat wins out in the spirited and raunchy romp that ensues. It's all about oral and vaginal in this wet and wild wank-off, and the good times come to a close with a double-facial and some cummy-kissing / cum-swapping. Hot as fuck!
In Scene Two, it's a cock (Wolf Hudson, Eric John, and Chad Diamond) and strap-on (Dana Dearmond) blowbang for the kimono-clad London Keyes. Following a bizarre, masked, suit-and-schoolgirl dance routine cast upon a black backdrop, the dudes (...and Dana...) shove their cocks down London's throat and ultimately leave her face a sticky mess. Dana washes the goop off of Ms. Keyes by dunking her head in a water-filled tupperware container--the same one that they had also used prior for dunking her during the scene--and that closes things out. For whatever reason--perhaps it's the distinct lack of female flesh in this sequence--this one falls a bit short. It's okay.
Scene Three finds Sovereign Syre as a budding, young journalist who--straight out of school--has been granted an interview with Steven St. Croix. For his part, Steven plays the role of an enigmatic and elusive television personality who's recently been acquitted of darkly perverse charges against women. Of course, Sovereign--being the kinky and curious young lass that she is--has her own ulterior motives, and Steven is quick to pick up on them...much to his deviant delight. The two find their way to the bathroom, where Sovereign is blindfolded with a scarf, has her arms bound behind her back in a red contraption, and finds herself the subject of rope-work, whipping, a mild beating with a belt, and bidet-play. This intro material is teeming with anticipation, taunt, and tease...and Sovereign's acting and sincerity are exquisite. Steven ultimately frees her but then covers her face with the scarf and dunks her in the filled tub, fucks her while her head is submerged, and has her perform orally and vaginally all whilst she has her head in the bidet and laps at the water flowing from its spigot. The "festivities" ultimately finish off with a massive facial and the distinct impression that the "fun" has just begun. Remarkable. A complete and laudable surrender of control by Ms. Syre.
In Scene Four, Dana Vespoli--as a latex-clad, S&M version of "Edward Scissorhands"--and her loving girlfriend, Stoya, sate one another's desires atop a large, raised cushion in the foyer of a modern-themed mansion. The action is preceded by cuts of the pair swimming in a pool, and Vespoli's primary getup is interesting, if not bizarre. The sex itself is slow, soft, and sensual and involves some armpit love and foot worship, along with the more standard lesbian offerings of fingers and tongues. This ends up being very realistic, passionate, and loving lesbian material, despite its awkward opening.
In all, this is a good release from Dana Vespoli and Evil Angel that is fortunate enough to also include a darkly remarkable Sovereign Syre / Steven St. Croix gem. While the other three scenes do have their bright moments (particularly the Jessa Rhodes / Carter Cruise / Manuel Ferrara fuck-out), it's really this one that raises the quality of the production to new heights. Indeed, had the rest of the flick followed in its footsteps, this could have been a five-star release.
Follow me on Twitter…if you would like…(@fu_qreviews)
Check out the FSC anti-piracy PSA.
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