Catalyst, The Review

Three positions (RCG, standing doggie, mish) progress at a steady pace accurately portraying the director's vision of a power struggle between the two. Music helps set up the action then softens to the background allowing the performers to be heard; a constant theme throughout Catalyst. Mannequins play a role in every scene lending a surreal and dreamlike mood to the sex. In this opening scene, said mannequin gets the rough treatment reflecting the interaction between Kane and Scott.

The added effect of both performers remaining partially clothed lends a sense of urgency and realism to the sex and it's obvious that these two are after more than just a paycheck especially Kane who cums at least twice by my count. Good luck making it through this one in a single viewing.

Marcos is enjoying a bit of voyeurism via a telescope when a nearby mannequin awakens as the ridiculously attractive Faith Leon. The antithesis of scene one; scene two offers a more sensual tone while maintaining a good pace which seems even quicker as the result of superb editing. Faith succeeds in portraying her transformation to life from her mannequin state appearing rigid at first then warming up quickly.

Faith's blowjob showcases her hypnotic eyes as well as her oral skills then leads into a mish drawing some sexy phrases from her beautiful lips. Faith and Marcos' RCG picks up the pace considerably then leads to a doggie ending with an impressive load which runs all over Faith's ass.

This scene focuses on the interaction between Daisy and Adriana yet Emily still has an important effect on the overall scene. Emily appears to be in control of the action though she never says a word. Like a Madam enjoying the show from two of her girls. Perhaps it's how she's dressed compared to Daisy and Adriana. She's looking elegant in her white and black leopard print dress and matching hat with veil while Sage and Marie get the "Moulin Rouge" treatment complete with corsets, clashing colors, and jewelry.

With a mannequin perched in a recessed part of the wall Marie Luv soaks herself in a black bathtub filled with milk while Jerry and Jassie enjoy the benefits of each other's company. In no way, shape or form does Marie Luv take a backseat to the action. The whole scene works out brilliantly presenting a theme of black and white only broken by the stark contrast of a red floor and Luv's red lips.

Jassie wears a bridle and bit (only removed when she's sucking) and black feathers from head to toe with black vinyl stockings to match. Jerry gets her chomping at her bit with long and slow strokes in their first position (mish) then continues with more of the same during standing doggie.

Nice camerawork brings Marie into the frame a number of times throughout as she uses a bottle to pour milk over herself which cascades over her frame. Eventually she resorts to frigging her beautiful pink slit and slapping her clit while Jassie and Jerry continue their romp at her side. At the scenes climax Jassie is screaming her enjoyment, generating more energy from Marie and drawing streams of spunk from Jerry which find targets on Jassie's thigh and beyond.

I enjoyed watching this final scene open. Britney is performing a nice little dance which will ring a bell for anyone who's ever been to a strip club. She's also sporting an exotic hairstyle and a mane of feathers giving her a wild look. The set has a dark and rugged feel to it further enhancing the scenes effectiveness.

Manson looks amazing sucking cock and flitting her gold-tipped lashes about then she gets busy (mish) while Rossi continually remarks on the quality of her pussy. Before continuing on to CG the two increase their pace at Britney's behest and by the time they get into RCG there are some wonderfully wet sounds coming from Manson's twat. Doggie is the obvious highlight here which build to a fast and hard pace then ends with a deposit on Manson's face.