Time for
more Buttman nostalgia over the course of three scenes in this 1997 compilation,
re-issued by Evil Angel on a low-price DVD, highlighting three alluring
talents from England, Brazil and France.
Tracy Gibb (from
Buttman's European Vacation Part 2, January 1992)
John Stagliano's interest in British magazine models is reflected in the
appearance of this buxom blonde, though until I saw her sparkling performance,
I must admit to being slightly puzzled both by John's interest and enduring
fan appeal. As an avid reader of late '80s - early '90s British soft-core
magazines, I felt other girls always overshadowed Tracy. Clearly, I wasn't
seeing the whole story. This perhaps goes some way to prove the value
of video in reflecting many personal qualities that are never fully demonstrated
in magazine sets, possibly suggesting such soft-core imagery is actually
more culpable in objectifying women than hard core movies where someone
with genuine character can assert their own sexuality. Far from a proven
case, I accept, but I am just floating the idea.
Anyway, this scene is one of those Buttman pick-ups that could be a tad
sleazy if it wasn't a clearly played-for-fun set-up. Rocco, here in character
as "Dario", and John, spot a striking blonde in hectic after-dark London.
This is Tracy. The usual chat-up scenario leads to some stolen public
gropes and flashes of boobs and stocking tops en route back to the hotel
room, where we get to fully appreciate Tracy's charms. This enjoyable
intro comes to a head, no pun intended, when Tracy collapses in giggles
when she spies Rocco's knob. Perhaps it's the champagne they're sipping,
but she seems like a very lively, fun girl.
Rocco eases her onto the bed and gets to work, opening her clothes and
exposing parts of her fabulous buxom body, her big, soft, natural tits
and going down on her furry pussy. She gives Rocco a quick BJ and teases
John with her undies. There's a fair bit of good-natured banter going
on here and through some more BJ, 69 and tit-fucking fun, but eventually
it becomes a little more serious. Tracy gives a thumbs-up as she anticipates
Rocco's entry, and off we go. Rocco's soon bending her into awkward positions,
treating us to the sight of her tits in perpetual motion and the glorious
shape of her legs, butt and back in doggy.
Ass-licking Rocco wishes he could fuck her in the ass, but it's not on.
Still, it's no hardship to watch the sweaty, earthy sex, Rocco fucking
her flat-out on the bed, and check her sturdy legs looking superb in stockings.
From cowgirl, Tracy slaps Rocco with her tits; he slaps her ass and mauls
those boobs. John nips in to quickly finger her, and there's delightful
coverage of standing doggy with her hefty tits hanging. Further reverse
cowgirl and missionary see both Tracy and Rocco biting and pulling out
her nipples and large areolas, before a final tit fuck makes Rocco explode
over her face. With a nice suck to finish the scene, Tracy sends it off
with a smile. This is simply great fun, say no more. It's funny how you
can really get the wrong impression about someone; suffice to say, Tracy's
appeal is bloody obvious after seeing this little number!
Eduarda (from
Buttman's Big Butt Backdoor Babes, July 1995)
Opening with a seemingly hung over John filming his shoes while loitering
in an office where Stanlay Miranda, his Brazilian colleague, is holding
an interview or suchlike, the action unfolds as a series of little dream-like
interludes. With this gent taking a long phone call, a very full-figured,
sweet-faced young brunette who sits coyly on the desk takes John's attention.
Eduarda teases him and leads him to another room where the camera continues
to explore her abundant curves wrapped in a tight skirt and top. She finds
Alexandro, a guy with a mullet (!) in a cupboard (!!), and while she gives
him a little BJ we finally see those knockout knockers, amazingly unsupported
yet full and high.
It seems like John was only dreaming…but wait, he's back in the office,
where Alexandro leads John straight back to that magic cupboard (hey,
play along) and there's Eduarda. She lets him check out what's inside
the panties that cling to the deep cleft between her mighty cheeks. A
kiss, a grope, and he's down fingering and tonguing her sweet little a-hole,
worshipping her butt as she wriggles around, demonstrating her natural
appeal.
A ringing phone seems to bring John back from his dream, but again the
sight of this voluptuous young woman, sitting nude on the desk, seems
too good to be true. Her hefty bum leads John away once more, to a room
where our mullet-sporting friend waits. Eduarda's tits, sticking out like
a shelf, invite him to suckle, he eats her hairy pussy and fingers her
ass. Admiration of her rear is John's focus during a blowjob and cowgirl
sex, as Eduarda quietly straddles her man and milks his dick.
Reverse cowgirl shows off her outstanding tits, as I reflect that while
Eduarda may look young, she is more than just a slip of a girl. She has
a bit of a tummy, but she is good to watch. Sadly, I must also relate
that the sex is not so hot, even when she's bent over a chair for doggy
anal. It's more about panting gently and showing off her form. Moving
to missionary anal prompts the notion that there isn't enough coverage
of her face till the fellow showers her in come - yes, it's Buttman, but
shots that capture reactions and personality are important too. Otherwise,
this is a creative scene, perhaps a touch clumsy in execution, but fun
enough even if the sex does fall short of the promise of the tease. It
ends with John awakening in the office once more, and Stanlay saying how
John's been asleep all day. So it was a dream after all. But then there's
this girl with the big boobs straining her tight white top…
Joy Karins (from
Buttman's European Vacation, August 1991)
John is shooting the sights of central Paris when the sunlight renders
a tall, striking woman's long skirt semi-transparent, naturally grabbing
John's attention. John's bumbling attempts at chatting up Joy seem to
fall on the language barrier, though the knowing look in her eyes suggests
she knows more than she's letting on, making this intro flirtatious fun.
She wiggles off and John follows, finding himself being led to a familiar,
ostentatiously decorated flat where she proceeds to tease the life out
of him with her glorious, natural big boobs spilling over her too-small
bra, her marvellous big bum and superb long legs. Joy, doubtless familiar
to European porn viewers of this era, is not perhaps the prettiest girl
in the world, but she is so damn sexy.
Natalie, a pretty brunette who is introduced as Joy's girlfriend, wanders
in and starts groping, kissing and licking with Joy in some gentle, light-hearted
play. It's interrupted by the sudden arrival of Philippe Soine, who mocks
outrage at Joy picking up another American for business (!). This being
porn, Philippe consents to fucking the girls for the camera instead of
kicking John's head in! As Philippe mauls Joy's gros seins, I can't get
over how young Philippe looks and ponder how jaded he looks in movies
made just a few years later. It's a hard life.
So, Philippe endures having Natalie blow him before Joy virtually inhales
his cock, balls-deep, as easily as she'd suck on a Gauloise. She delivers
slow, sensuous oral with her tits wrapped round his cock. All the while
Joy has this wicked, knowing, enigmatic look on her face. She rises to
tease John more with her super form, her flowing, flowery garments cast
aside. Though outshone by Joy's radiant sexiness, Natalie has a nice smile
of her own, in evidence as she spreads her stocking-clad legs to straddle
Philippe in reverse cowgirl.
Joy lets Philippe fuck her mouth, which comes easily to her with no gagging.
Philippe then takes the Amazonian woman over the desk, pushing his cock
straight into her tight ass for some very sexy, very erotic anal. Joy
can't help but continue playing to the camera as Philippe returns to fucking
Natalie in her pussy, picking her up and banging into her, and then her
ass, in missionary, the latter being so slow and sexy that you can just
about feel it. Philippe struggles to get off, though I wonder if he'd
already popped accidentally, allowing Joy a few moments more to charm
the camera before having Philippe's come splash her nose. The girls kiss
and share the come but the sole black mark on the scene in my view is
the abrupt end - there's noting wrong with lingering in the afterglow.
Overall
Although Buttman's Favorite Big Tit Babes is more than just a nostalgia
trip - it's really a neat little compilation laden with top tease action
- it's fun to look back and reflect on how things have changed, and how
they stay the same. If today's porn is perhaps harder, most specifically
in terms of attitude, better shot and more athletically performed, it's
perfectly apparent that good scenes, which show sexy, attractive women
demonstrating natural sexiness, getting naked and having fun, will, I
hope, never go out of fashion.
That's what we have here, with playful enjoyment in abundance. Tracy and
Joy's scenes offer better sex than the Eduarda scene, which is a touch
frustrating upon reflection. Still, I learned something about Tracy and
judging a book by its cover, I was charmed by Joy and intrigued by Eduarda
- I can appreciate why John would pick out these girls for a compilation,
a format, I should note, that I don't generally appreciate. I usually
prefer getting the original movies, but in this case I can concede that,
all in all, it's just great fun, and a good buy if retailers do pass the
low price on to consumers, though note the DVD comments below. Now, all
this nostalgia has given me a taste for seeing An American Buttman in
London and Buttman's Bouncin' British Babes on DVD…what are the chances?
DVD Comments
First, I should point out, of course, that the camcorders (Hi-8, I think)
John Stagliano uses in these old scenes offer nothing like the quality
available today, so be warned the picture quality is grainy, somewhat
weak in colour and certainly not up to contemporary standards. The shooting
is occasionally (I guess deliberately) "amateur" in style and the lighting
in the Joy scene in particular lends the picture that typical slightly
unpleasant yellow tinge. None of this detracts from my viewing pleasure
as the subject matter is bloody good, but it's worth taking note. The
menus are not the full Evil Angel selection, no extra footage is on offer,
but there's still a photo gallery, trailers, text biography and cast list.
Note that this is supposed to be a budget price release - not all the
vendors in the ADT price search seem to have realised this, so make sure
your favourite supplier is charging the low price (as low as $12.95) not
the usual Evil Angel price.
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