AJ Bailey Experiment, The Review

Reviewed by fu_q  on  10/10/2009

Review:
“The AJ Bailey Experiment”, a two-disc set produced by Vivid and directed by B. Skow, proves to be an excellent vehicle for the introduction of brand-new Vivid Girl, A.J. Bailey. A.J. is a tall, slender blonde with a natural physique who appears to be in her early-to-mid-20s. She has a different look than is typical for a Vivid contract performer, which serves as a refreshing change from the norm—not that there’s anything wrong with the other Vivid Girls, of course. She is also a very enthusiastic performer, as evidenced not only audibly by her moaning during sex but also visually by the appearance of her more intimate areas before and during her encounters. Indeed, she certainly doesn’t appear to be faking anything in her scenes—all of which are vaginal-only and which include a boy-girl romp with Alex Gonz (Scene One), another boy-girl sequence—this time with Billy Glide (Scene Three), and a boy-boy-girl ménage-a-trois with Evan Stone and Danny Mountain (Scene Six). In her multi-position encounter with Alex Gonz, A.J. does some nice reverse-cowgirl riding of Alex and also gets rimmed a bit. Further, the pop-shot is excellent here, as A.J. jerks him to orgasm on her face and chest, followed by some oral cock clean-off. In her romp with Billy Glide, A.J. does some nice cowgirl work—during which she is spanked to redness—and also receives a good deal of rimming. This one finishes up with Billy pulling out of a missionary-like position and ejaculating on A.J.’s breasts and tummy. In the final scene of the movie, A.J.’s three-way with Evan Stone and Danny Mountain goes through some crazy positions and combinations and actually gets a bit rough on her—but it’s nothing that she can’t handle. During this sequence, A.J. performs a nice double-blowjob / hand-job on the two gentlemen—complete with deep-throating, some spit, some semi-gagging, and also A.J. rubbing the guys’ chubs together. The ending here is scorching, with Evan pulling out of a missionary-like position and popping a gooey load on A.J.’s face, mouth, and chest. This is followed by Danny taking her in a missionary-like position—while she is still cummy from Evan—and then ejaculating on her face, mouth, and chest, as well. All of this is finished off with some double oral cock clean-off by Ms. Bailey—HOT!

Not to be discounted, however, are A.J.’s co-stars in this film: the ever-cute Lexi Belle (Scene Two), the busty Kagney Linn Karter (Scene Four), and the nicely-bottomed Phoenix Marie (Scene Five)—all blondes and all doing boy-girl, vaginal sequences. Lexi puts forth a very good scene with Mr. Pete (facial cum-shot / oral cock clean-off)—which includes multiple positions of pounding, some rimming of Lexi, and also some digital penetration of Lexi’s ass—both in an auto- fashion, as well as by Mr. Pete. Kagney Linn Karter is a real stand-out in this production, as her romp with Erik Everhard is top-notch (oral cum-shot / oral cock clean-off). Some of the highlights here include Kagney’s very sexy oral skills—deep-throating, semi-gagging, and spit are all involved—and also the unbelievably hot side-cowgirl work that she does on Erik. This latter activity has to be seen to be believed. And, let us not forget the steamy, sweaty work brought forth by Phoenix Marie and Sascha. Phoenix does some sloppy oral work on Sascha—which includes deep-throating, spit, and face-fucking—and also gets nailed in a standing rear-entry position over a desk. Not to be missed here is the anal play that goes on, as well. Phoenix lets Sascha get the tip of his cock in her ass but no more, and she also anally fingers herself and allows Sascha to do the same (up to three fingers). Phoenix must be brewing something mighty fine up there, too, because she is definitely prone to licking off the fingers that have walked down (up?) her “path-less-traveled”. This sequence ends in a super-hot fashion, with Sascha pulling out of a pile-driver position and ejaculating on Phoenix’s splayed-open pussy—followed by some oral cock clean-off.

Generally, the production sticks to a fairly constant format. There is no plot, but the scenes are linked together via narration sequences and are preceded by the upcoming actress posing, teasing and / or stripping, and masturbating. Often this latter activity involves some sort of toy play—i.e., A.J. using a large black dildo before her romp with Billy Glide (Scene Three) and then using a black vibrator before her three-way with Evan Stone and Danny Mountain (Scene Six), and Phoenix Marie pleasuring herself with a glass-like dildo prior to her sequence with Sascha (Scene Five). The setting is also fairly constant, with four of the scenes taking place in a warehouse, and one taking place on a roof-top (Scene Four) and another occurring in an apartment (Scene Six).

Given that this is a Vivid feature, one expects to find a number of bonus materials and other options, and there is no let-down here in that area. There is a “Scene Selection” option on both discs that is as its name implies. There is a “Behind the Scenes” segment on the first disc that is fun, interesting, and about 15 minutes long, and there is a “Photo Gallery” on the second disc that plays through a slideshow of “pretty-girl” shots and stills from the movie. One also finds a “Vivid Previews” option—which puts forth various trailers of other releases—and also a “Vivid Products” selection—which presents a variety of advertisements—both on the second disc. The “Positions Room” choice plays through the action from the given disc of the chosen type, while the “Vivid Girl Extras” of Disc Two give a choice of three great bonus scenes. These include a boy-boy-boy-girl blow-bang featuring Meggan Mallone (from “Suck It”), a boy-girl-girl three-way with Hanna Hilton and Whitney Stevens (from “Bounce”), and a Nikki Jayne boy-girl anal (from “The Nikki Jayne Experiment”).

Overall, “The AJ Bailey Experiment” is an excellent two-disc set that features A.J. Bailey in three of its scenes and other top-notch performers in its three other scenes—all of which range from very good to excellent. The bonus materials are incredible, the camerawork and editing are spectacular (as is the norm for the directing phenomenon known as B. Skow), and the picture quality is amazing. The only real drawbacks here are the watermark for the Vivid website at the lower-right corner of the screen and the fact that they have the structural formula for either benzene or cyclohexane wrong on the title screen—they’re either missing the delocalized pi system, or they’re missing some hydrogen atoms. In all seriousness, though, check out this movie—you won’t be disappointed.

Screen Caps from the Production:

A.J. Bailey—just prior to her scene with Alex Gonz (Scene One).


Lexi Belle—the seductress (Scene Two).


A.J. Bailey—“Look into my eye…” (Scene Three).


Kagney Linn Carter—in one of the coolest outfits around (Scene Four).


Phoenix Marie—looking devious (Scene Five).


A.J. Bailey—getting worked up prior to taking on Evan Stone and Danny Mountain (Scene Six).