After his phenomenal success with BIRTH OF A NATION around 90 years ago, D.W. Griffith produced a film called INTOLERANCE that had four separate plots that it jumped around among. It was a colossal failure. Now Titan has produced FOLSOM FILTH, a film with three separate plots unified only by the theme of S & M. While not by any means a failure, it is not an unqualified success either. The problem is the same as with the Griffith filmwe become discombobulated when the different plots pop up willy-nilly. The firstand I would say main plotis the abduction of Patrick OConnor and his transformation into a sex slave. The second plot (if one can call either of the other two plots in the true sense) consists of the masters Diesel Washington and Brendan Davies putting their slaves Alex Baresi and Lee Heyford through their paces. The third plot contains assorted scenes that finally by using some of the same performers sort of joins the second plot. Its all-confusing. BUTand its a very big butthe parts are better than the whole. It took me days to get through all the action.