The road to Hell may be paved with good intentions, but it's an all-out, freak-filled fuck-fest once you get there, at least that's if the diabolical director of the dirty, Greg Dark, is to be believed. Such is the case in his two-part classic series from 1986 and VCA, "The Devil in Miss Jones 3 and 4", that finds the gorgeous, blonde punk porner and AVN Hall-of-Famer, Lois Ayres (as the seemingly timid and troubled "Justine Jones"), slamming her head into the wall whilst out revenge-fucking and then ending up in the perverted pits of Hell.

To my surprise and delight, DMJ 3 and DMJ 4 are in fact one film. While titled as sequels to Damiano's 1973 masterpiece, DMJ 3 /4 is closer to a remake, or even more appropriately, a re-telling of Damiano's tale. In fact, besides the name of the heroine and the film itself, as well as the basic premise of a woman dying and ending up in Hell, this film has no similarities to either of the earlier two entries in the series.

VCA has collected Devil in Miss Jones 3: A New Beginning and Devil in Miss Jones 4: The Final Outrage together for this set which makes sense since the two films are actually one film split in half. Gregory Dark's set of two films is very different than Gerard Damiano's original film and are very much a product of the 80s in their visual stylings. The two films are well done and definately worth seeing. VCA has done a good job with their release of the two films on this set with good video despite lacking extras.

Directed by the infamous Dark Bros., "The Devil In Miss Jones 3 and 4" were critically-acclaimed classic sequels to the original ground-breaking porno which even reknowned radio personality (I hesitate to call him a journalist) Larry King proclaimed as one of his favorite films (I am not making this up!). Despite the dated look of most of the porno stars, and pre-CGI set designs and special effects, these two films still have a daring and surreal look to them. The sex, however, is not as heated as some of the Dark Bros better efforts, like the the Traci Lords-edited "New Wave Hookers" which preceded this work.