All Gay Movie Reviews directed by Doug Jeffries

Showing 1 - 3 of 3 Reviews
Review brief: The film delivers what its title proclaims but is much better than its title suggests. The usual four scenes are held together with the semblance of a plot and director Doug Jefferies has devised some good action with attractive performers and hot sex.
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Boxcover for Men In Mallorca
Men In Mallorca 

Release date: 8/2/2005
Reviewed on: 7/14/2006 by hornydiablo

Starring: Rafael Carreras, Lucas Foz, Marlon Abdala, John Andres, Marcos David, Angelo Fuentes
Studio: Unzipped Video

Directed by: Doug Jeffries
Review brief: The title says it all for this one. Director Doug Jeffries got a bunch of men (some flown in from the US and some native Spaniards) and took them to the seaside Spanish playground of Mallorca. There's zero plot and a Flamenco guitar soundtrack that sounds like it was ripped off from The Food Network. But, don't let that discourage you, it's got a hot line-up of men! The highlights are Carlos David - This native of Spain is one of my favorites among the current crop of hispanic stars. He's usually one of the few drops of latin flavor in productions for the big, mostly white, studios (ie. Titan Men, Hot House, Studio 2000.) My all-time favorite Carlos scene is his flip-flop fuck in RX. It's worth checking out. He's a versatile standout in Mallorca too. Rafael Carreras - Here's another native Spaniard who has become quite a star. He's got a big sword and always has a borderline psychotic look on his face while he's fucking. He's versatile top, but doesn't flip in this movie.
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Boxcover for Lights & Darks
Lights & Darks 

Release date: 8/12/2005
Reviewed on: 4/29/2006 by joe-shaver

Starring: Brock Webster, Brandon Lee, Brett Matthews, Rick Razor, Jake Samms
Studio: Channel 1 Releasing

Directed by: Doug Jeffries
Review brief: Ive never really cared for Doug Jeffries as a performer, but after seeing LIGHTS & DARK Ive concluded I like him much better as a performer than as a director. Its unbelievable that anyone could take such a hot cast and make such a lukewarm film. Yet hes done just that. The idea is pretty good. Centering the action around a coin laundry where one normally separates the lights from the darks but having white boys and black boys come (or cum) together. The problem was in the execution. The direction lacks imagination and hes badly serviced by his cameraman. Either the cameraman has one leg considerably shorter than the other or else he has an absolute fetish for oblique angles. Such shots only disorient the viewer. A swirling pattern reminiscent of a similar device in Hitchcocks Vertigo changed the setups between and within the scenes themselves. I know this was to simulate the washing cycle and would have been OK to have separated the scenes but it occurs within the scenes whenever the blocking changes. The result is a series of static tableaux.
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