In one of her films Mae West sidles up to a tall hunk and says, “My you’re a big boy. How big are you?”
“I’m 6 feet 9 inches”, the hunk replies.
“Forget about the 6 feet,” Mae coos, “lets talk about the 9 inches.”
For Mae it wasn't the height of a man that was important. It was the length.
Now, the little guys in SQUIRT may be vertically challenged but they more than make up in thickness or length what they may lack in height. Mae would approve.
The film begins with Corbin Michaels approaching his superior Sean Steele and requesting a promotion. Sean explains that Corbin’s size is against him. That he simply wouldn’t be as impressive for the clients as a taller person. Two cleaning men (Mario Cruz and Adam Bana) overheard this conversation and decide to show Sean just how imposing little guys can be. Sean is pushed to his knees and fed cock before both fuck him.
In the second scene we find Corbin decorating a Christmas tree. Jack Sanders, a tall and lanky 6 foot 4, enters and mocks Corbin for not being able to put the top ornament on the tree, something Jack does effortlessly. Corbin wants Jack to intercede with him for the promotion. When Jack mocks him, Corbin drags out the big gun. When both are naked we see that Jack has an even bigger gun. Jack doesn’t have much meat on his bones, but his bone is very meaty. It appears as though Corbin had some hot sex the night before the shoot as it appears his chest is covered with hickeys. When Corbin prepares to fuck Jack, the tall guy protests. But Corbin pushes him to the floor and enters him. By the time Jack is lying on his back he’s no longer protesting and that huge cock is quite hard and the Christmas tree is revolving. (It’s not tall guys fucking short guys for me. So I really wanted to see Jack's monument put to use. I think the guys with the biggest cocks should be the top. My god, am I a size queen? That, of course would be out of place here.) Corbin now has an ally.
Corbin’s biggest ally (though not in the dick department) is Johnny Law who fucks the big boss Dillon Press on behalf on Corbin. As Johnny shows Dillon “what real leadership skills are” Dillon agrees to Corbin’s promotion.
The final scene is the best as it contains the only truly hot guys in this film: Jack Crew and Dick James. They play two clients whom Corbin is trying to impress. They look quite bored until Corbin pulls out his cock. Both chow down on it. Jack and Dick look somewhat alike and I was thinking Jett Blakk should cast them in another twin drama like NASTY NASTY. Corbin lies back on the desk so that Dick can sit on his cock and Jack can sit on his face. Then Jack lies on the desk for Corbin to fuck him in the mission-position. As Corbin fucks him, Jacks suck his buddy Dick’s dick. I really wasn’t greatly moved until this scene, but it was well worth the wait. Jacks sends forth a fabulous cum shot before Dick and Corbin deposit their loads on him. Corbin, we assume, has shown he can handle the clients.
Extras include the usual chapter selections (so I can jump right to scene 4) along with a photo gallery of action stills from the film, web access to Red Devil and Sweatshop Video and trailers for some of Red Devil’s feature films including THE BEST OF JASON RIDGE which is the only one I haven’t seen although I have seen the scenes in other of the films except for the interview and the Chad Hunt-Jason scene which is new. I can, however, vouch for the others. See them!
My only reservations about SQUIRT are that except for Jason Crew and Dick James I didn’t find any of the performers to be a turn-on (which doesn’t mean you won’t) and that the oral segments often went on a bit too long before moving on to the anal.
As one who is over 6 feet, I can’t understand the dilemma of short people. True, I can reach things on the top shelf of grocery stores and I can change a light bulb without standing on a chair. But I find it hard to be inconspicuous in a crowd and I’m always bumping my head on basement doors. In short (no pun intended) I don’t even believe Mae West to be right when she infers it’s not the vertical of your men that count, it’s the horizontal. It’s how you apply what you’ve got.