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Rush, The (Vivid)

Rush, The (Vivid)

Studio: Vivid
Category:  Feature film
Directed by:
Starring: , , , , , , , , , ,
Released on: 
Where to buy:DVD NewDVD RentStreaming/Download
fu_q's ratings for Rush, The (Vivid):
Overall Rating 3.5 stars
Rush, The (Vivid) overall rating 3.5 stars
Female Looks Rush, The (Vivid) Female looks rating 4 stars
Male Looks Rush, The (Vivid) Male looks rating 3.5 stars
Sex Rush, The (Vivid) Sex rating 3.5 stars
Plot/Acting Rush, The (Vivid) Plot/Acting rating 3.5 stars
Extras Rush, The (Vivid) DVD Extras rating 4.5 stars
Audio/Video Quality Rush, The (Vivid) A/V Quality rating 4.5 stars
Rating Scale
Reviewed by fu_q  on  7/28/2010
Quote of the Movie:
“Fuck me with your big Russian cock!”—Lia manages to blurt out while taking Jerry’s manhood in a hot and tight reverse-cowgirl riding (Scene Three).

“The Rush” is an overall good production by a director with whom I’m not familiar (Kory Fame) and Vivid that features former contract star, Lia. This movie represents a first for Lia—containing her first boy-girl action (at least on DVD)—and would have been excellent had it consisted of only the final four sequences (see below). In terms of the plot—which starts out a bit on the poor side but gets markedly better as the film progresses—the focus is on Lia, who has to jump through a variety of sexual hoops to save her friend (Shawna Lenee) who has apparently been kidnapped. A “surprise” ending is in store for those who are interested in the storyline, and either way it helps frame the sex nicely…speaking of which…

In Scene One, it’s Lia and Jayme Langford in a too-spontaneous lesbian romp that, in all honesty, just simply misses the mark. While Lia looks good here, everything else about the sequence just pretty much falls flat. Sure, there are fingers, tongues, some pink vibrators that are used, and even some 69’ing, but it all just comes off as very, very average. The setup for this segment is also a bit weak, as Lia has been told by the kidnappers of her friend that she must “seduce” Jayme and find a golden coin that has somehow been planted on her. Within a couple of sentences, the “seduction” has taken place, and the action has started. Further, when all is said and done, the coin was just in Jayme’s pocket all along. Sadly, this scene just doesn’t work out. (I suppose that is should be noted that Jayme has braces and pink hair highlights in this segment and also has a very thin frame, for those who may be interested.)

Scene Two starts out with Marie Luv dancing and stripping for Mr. Marcus in what is either a studio or a lap-dance club (?). After Lia—who has been sent there by her friend’s kidnappers—shows up, Marcus and Marie get it on for her—though Lia isn’t present (on camera) for too much of the encounter. The blowjob work—which includes spit, gagging, face-fucking, and deep-throating—is fairly nasty here, and the cowgirl and reverse-cowgirl riding that Marie does are enthusiastic to say the least. Marcus finishes this one off with a pop-shot on Marie’s bush and pussy, followed up by some reinsertion and continued fucking. Fans of Marie Luv will likely enjoy this very good romp which is certainly a step up from the first scene.

In Scene Three, it’s a “suburban crime lord” (played by Jerry), his bimbo (played by Cindy Hope), and Lia taking care of business the “Russian” way in Jerry’s living room. Lia has, once again, been sent here by her friend’s kidnappers as another part of her bizarre goose-chase. The girl-girl action here is much better than in the first sequence, and Lia manages to get her first (?) onscreen taste of a cock-sicle—which shows—as she appears to be a bit apprehensive at first in working over Jerry’s dick. Before long, however, she and Cindy are sharing the man-meat, and things get moving along. In so doing—and also fulfilling the requests of her fans, the dick lands between Lia’s legs and implants itself at right around the 1 hour and 21 minute mark—fireworks and confetti follow (okay…not really). What does follow, however, is a steamy reverse-cowgirl riding by Lia—who clearly takes some (sexy) time getting used to the cock—too hot! After this, Cindy—who should be known as “the jack-hammer”—takes over and does her own scorching reverse-cowgirl and cowgirl riding of Jerry. Further highlights of the segment include some nice oral / vaginal combinations that the trio partakes in, as well as Lia getting it doggie-style, side-entry, and missionary-like. The ending is scorching in this one—which is clearly an excellent sequence—with Jerry pulling out of Lia from a missionary-like position and cumming all over Cindy’s face and mouth, as well as Lia’s clean-shaven pussy and pelvis. Cindy does a good deal of oral cock clean-off here before doing a touch of cummy-kissing with Lia—sweet!

Scene Four brings us Anthony Rosano and relative newcomer, Kiera King, in a romp in her living room. Anthony is a driver who has been told to take Lia to her next stop, while Kiera is apparently his girlfriend who is providing a (not-so-)quickie pit-stop for him. This scene ends up being excellent, with both performers really being into the action. The cowgirl and doggie-style activities are the high points of the segment, but everything is really worth watching. Kiera—who is one to look out for—takes a facial and does a bit of oral cock clean-off to finish this one off—good stuff.

Of course, Lia steals Anthony’s car while he’s messing around with Kiera, and—miraculously—makes her way to her next location and her next scene—this time with Billy Glide (Scene Five). This segment takes place in a warehouse and has a bit of a domination theme to it—particularly at the beginning where Billy forces Lia to masturbate while he spanks her with a paddle. Eventually, he gets in there more intimately, and the two are off to the races. The nipple-play and the pussy-eating here are quite hot, as are the cowgirl action and the missionary-like positionings. Part of this heat is a result of the fact that Lia has trouble taking Billy’s massive meat in the former position, and then finally—after some work—gets it in there well in the latter. It’s kind of like she’s giving reverse-birth to his schlong at times. (Along these lines, it is a wonder why there wasn’t some lube on set, though…or at least why it wasn’t used more if it were there.) The reverse-cowgirl action in this segment is also quite nice, and the pop-shot ends up all over Lia’s tummy. She rubs some of the cum into her right nipple before this one is over. All in all, this is an excellent scene—more because of, than in spite of, Lia’s difficulties in taking such a big unit. The whole ordeal—where Lia is trying to take it, finally manages, is clearly having difficulties with it, but also appears to be enjoying it all the while—really lends an air of authenticity to this segment and does, indeed, make it quite unique.

In the final sequence (Scene Six), Lia finds her kidnapped friend (Shawna Lenee), but she is immediately cuffed to a post in the warehouse and forced to watch Shawna get it on with the kidnapper, Mick Blue. The blowjob work—which includes some face-fucking and spit—is hot here, as are the standing rear-entry, missionary-like, and cowgirl positionings. This excellent romp closes out with a money-shot delivered predominantly to Shawna’s mouth—and a surprise ending (kind of…).

Some other items should also be mentioned. Advertisements play when the disc is inserted, but these can be skipped by hitting the “Menu” button on the remote. The Vivid website watermark is still present in this production at the bottom of the screen. As always, this doesn’t make much of a difference due to its tiny size, though it would be better if it were absent. As a note, the film clocks in at around the 3.25 hour mark—which could have conceivably been shaved down a bit by reducing the length of the first couple of sequences. Finally, it should be noted that the settings for the action are realistic and appropriate.

In terms of bonus materials and other options, there is some nice extra material presented here. One finds a “Photo Gallery”—which puts forth a slideshow of “pretty-girl” shots and stills from the production—as well as a “Previews” section—which gives a choice of four Vivid trailers. Also present are a “Vivid Extras” option—which plays through various Vivid-related advertisements—and a “Behind the Scenes” featurette that is about 18 minutes long and is quite fun and interesting. Finally, there is a “Bonus Scene”—a girl-girl sequence featuring Lia and Sadie West (from “Lia’s First Time”). This is a nice bonus—it’s one of the better scenes from that film.

Overall, this disc starts out very, very average but gets better quickly and ends very strongly—with four of the six scenes being excellent. For those who are fans of the Vivid girls, Lia, and quirky films with something of a plot, this one is worth checking out. Otherwise, it might be best to rent first.

Also check out the FSC anti-piracy PSA, too.

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