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Rear Window (Jet Set)
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Rear Window (Jet Set)

Studio: Jet Set
Category:  Gay
Starring: , , , , ,
Released on: 
Where to buy:DVD NewDVD RentStreaming/Download
Joe Shaver's ratings for Rear Window (Jet Set):
Overall Rating 3 stars
Rear Window (Jet Set) overall rating 3 stars
Female Looks Rear Window (Jet Set) Female looks rating 0 stars
Male Looks Rear Window (Jet Set) Male looks rating 3.5 stars
Sex Rear Window (Jet Set) Sex rating 2.5 stars
 
Plot/Acting Rear Window (Jet Set) Plot/Acting rating 3 stars
Extras Rear Window (Jet Set) DVD Extras rating 1 star
Audio/Video Quality Rear Window (Jet Set) A/V Quality rating 3 stars
Worth$25.00
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Reviewed by Joe Shaver  on  2/18/2003
Gauge, the star of this film is an incredibly muscular hulk of the type that Jet Set excels in. Although not breath-takingly beautiful as was Brett Mycles, their non plus ultra muscle boy, Gauge does something that Brett would not—he sucks dick. What’s more he seems to like it and is pretty damn good at it. He’s just too muscular for my taste. He’s more awesome than erotic. I stare at his physique as I would at the pyramids or some other amazing piece of architecture.

The film opens with Gauge being obsessed with what is going on at the house next door where for days he’s seen handsome guys entering. Gauge is convinced that the something that is going on is something he would like to be a part of. He watches from a window while telling a friend on the phone about his suspicions. This leaves one hand free to stroke his cock. We learn his suspicions are well founded when Curt Baldwin and Taylor enter the house and begin making out in the foyer because “all the rooms are full.” Blond Curt and brunet Taylor are average in looks. Their sex will prove to be less so. Curt wants to be fucked and Taylor starts getting him ready. He licks his butt but doesn’t put his tongue where it counts. Instead he finger fucks him, inserting four fingers at one point. “One day, I’ll fist you”, Taylor tells the willing Curt. Promises. Promises. Why not now? Just as Curt’s ass is ready for Taylor’s dick, we cut away in order for Gauge to spy Wade Mohawk (a.k.a. Clint Baxter) and Danny Boy heading in the back door (no pun intended—yet).

(There is a clever use of split-screen for all this, showing both Gauge and the in-house action. But the director and editor get carried away with this gimmick and as a result the film becomes very frustrating for the viewer, as you will see below.)

We have another mixture with brunet Wade and blond Danny Boy which seems to one of the director’s fetishes. But this duo surpasses the earlier twosome and is anything but “average” in appearance. They are making out in the kitchen when Gauge barges in. Both boys give ample worship to the bodybuilder before he starts in on them. I can’t believe that this guy—since these muscle boys are usually straight as an arrow, would find it demeaning to have sex with anyone inferior to themselves, or are locked in the closet—is actually going to suck a dick. But just as he’s about to…the action cuts back to the foyer where Taylor is now fucking Curt. SHIT! I tried to use the chapter points to jump back to the kitchen scene but the DVD is not programmed to do it. Who the fuck fucked up the chapter points? Now I had to go all the way back to Gauge entering the kitchen and fast-forward past the intrusive foyer fuck to get back to where someone’s in the kitchen with Dinah. I mean Danny Boy.

Sure enough when I get back to the kitchen scene Gauge is sucking dick. Wade is lying on the kitchen counter and Gauge is giving him a hell-of-a blowjob. Danny Boy is kissing Gauge’s ass. Why don’t these guys rim? “You're next,” Gauge tells Danny Boy. Danny Boy crawls up onto the counter and Gauge goes down on him.

Well, damn if the action doesn’t switch back to those two fuckers in the foyer and I have to wait for them to shoot their loads before I can get back to the other scene! Cross-cutting is great in suspense films (as in Hitchcock’s “Rear Window”, for example) but in porn films it’s fucking irritating! At least there’s 32x speed for DVDs.

Finally The Boys in the Hall shoot their loads and we are able to return to the kitchen where Danny Boy is in the midst of boning Wade. See, they made me miss the best part where he inserted his dick! Gauge is odd man out, until he gets his turn. As he is boffing Wade, Danny Boy gets behind him with a rampant rod that I hope will disappear into Gauge’s beefy buns. But no such luck. Danny Boy settles for being sucked by the bottoming Wade. To end the scene they do something I found rather odd. One by one they crawl up onto the kitchen counter to jack off. Danny Boy has the biggest load.

As Gauge is leaving he runs into his pal Jake Rodgers. (Was this who he was talking to on the phone? And has he come to check out the house also?) They go into the house and this time they find an unoccupied bedroom. Jake is tall and handsome. To my mind he is the most attractive guy here. Well-built, not bulging. The definition of hunk. As they suck on one another in a nice 69, Jake comments on Gauge’s “big” dick (it’s only 6” at most—on the other hand, Jake is hung like a small horse). Jake actually rims Gauge, getting his tongue right into that crack. (Unlike the ass-kissers in the previous scenes.) Jake then bottoms for the bulging hulk. The End?

With only 3 scenes and two of them ruined by crosscutting, I felt somewhat cheated. With better than average lookers and less than average sex, it was something of a disappointment. If the director had given more attention to the sex and less attention to playing with the editing gimmickry, this could have been a better film. As it is, I prefer Hitchcock’s.



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