This is a 1995 feature with Jenna Jameson. She plays a phone sex operator who overhears a murder over the phone, thus becoming a target for the hitmen.
The plot is full of holes, in a quirky, entertaining way. Jenna is cute and fluffy in her miniskirt and go-go boots. There's a strong emphasis on blowjobs here, and the popshots are nicely made mostly into the girls' mouths rather than all over tarnation.
As we begin the movie, Jenna is being eaten out from behind by Brad as she leans against a stylish glass block wall. The slightly dizzying camera angles and disorienting music fade into relative normalcy as she sucks his dick. She squeals a few times in doggie and mish, and right after the facial we learn that this is all a dual fantasy between Brad and his phone sex girl, Jenna. He asks her to hold on for a minute as Steven and Mark enter his office. She hears the ensuing interrogation of Brad about 'where the paintings are,' and a gunshot. She hangs up the phone, but Steven hits the redial button and discovers where she works. Not content to only have been heard by a witness, they go to her workplace and show their faces to her boss in order to get Jenna's address. But they aren't in any big hurry, so they don't go there just yet.
After work, Jenna gives a good, long blowjob to her boyfriend, Vince, on the balcony of their apartment. The lite jazz music fits this scene well.
That night, she dreams that the two killers are with her in a scuzzy room where she is sucking their dicks, before taking on Steven in doggie and Mark in mish (hmmm, without ever having seen them, she knows what they look like and even what kind of watch Steven wears). This is a nice, gritty scene with some cool and very fitting music.
The killers evidently want more people to be able to identify them, so they go to Jenna's apartment the next day and punch her boyfriend. Now Jenna has to come home to put an icepack on the boyfriend, and they tell the police everything they know.
In their quest to create the maximum number of witnesses, Steven and Mark then go to the scene of the crime posing as cops to ask Brad's business associate Nici if she knows where the paintings are. They listen patiently as she recounts for them her sexual adventures with Brad eating her out and fingering her ass and fucking her in doggie and mish.
In her desperation to evade the killers, Jenna decides to 'lay low' for awhile. Unfamiliar with the concept, though, instead of sending a friend to pick up her paycheck, she returns to her workplace. While she is waiting for the boss to go in the next room to write the check, she takes a phone sex call, describing a girl-girl orgy between herself and Serenity, Rebecca, and Ashley. Oh no! The man on the phone asks her to wait right there while he comes to get her. She has been talking to Steven, and he just wanted to make sure that she had fair warning before they came into the building, so that she could hang around a while longer and not actually run away.
That's okay, though, because Mark comes in alone, and Jenna's co-worker Jill finds it very easy to distract him for quite some time, what with all the sucking and fucking they do. They really do manhandle each other here, with quite a nice chemistry to the scene as she sucks him 'til the cows come home, and he eats her hungrily until her legs are shaking. Then a pounding mish, some cowgirl and doggie. After he cums in her mouth, he kisses her sloppy lips. But Jenna is just now (lo these many minutes later), deciding to sneak back through the room. I won't tell you how it ends, but the guy who saves her life only gets a hug.
Extras include an extended girl-girl scene, bloopers, and the usual galleries and stats, trailers and company promos. This is an older movie, so one wouldn't expect more.
Definitely worth a look-see for any fan of older movies, Jenna movies, or light fun stuff.
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