Damien then proceeds to interview two prospective performers: handsome Rick Lawrence and baby-faced Mike Dixon. Rick is a wet dream come to life. Damien asks them to drop their drawers and show him what they’ve got. Mike pulls out a very respectable—and very hard—tool while Rick’s is nice but flaccid. He explains that he is nervous. So Damien suggest that sucking on Mike’s dick might provide the proper stimulus. Rick starts sucking and in no time is sporting an equally hard organ that bends sharply to the left and resembles a boomerang. Damien is moved to join them and he and Rick concentrate on Mike’s swollen appendage.
Damien then has the boys kneel on a sofa and gives both a rim-job. Damien fucks the delectable Rick Lawrence who goes back to giving head to Dixon.
Rick then fucks the boyish Mike as Damien feeds Rick cock.
“You must learn to do two things at the same time,” the director advises Rick.
But alas this sucking fuck is all too brief and one wonders why this tantalizing threesome was not developed more. Needless to say Rick and Mike pass the audition.
We peer among the camera and lighting equipment to watch the video Damien is directing being filmed. The sultry Vince Rockland who epitomizes sex is casually sucking Aaron Austin’s prick. After a time Vince feeds his uncut scepter to Aaron. Eventually Aaron pulls Vince’s buns apart until the sphincter resembles a ripe pomegranate. (Is this where Oscar Wilde got the idea for his title A House of Pomegranates? I shouldn’t wonder.) Aaron naturally goes from mere finger-fucking to the real thing—driving his cock into Vince in both the doggy and missionary positions.
Unlike the lovers Aaron and Reed, Vince’s lover (Joey Morgan) knows how Vince is spending his time. All he wants is for Vince to bring his work home. He is in the pool when Vince arrives, but is quickly out onto dry land and onto Vince’s cock. Their fun continues as Joey pulls his ass cheeks apart and squats down on a humongous dildo. He rides it up and down with ease. Vince then gives him a helping hand, pushing the enormous gismo deep into Joey’s bowels. You know what happens next, don’t you? Joey gets fucked.
Meantime a friend of Reed Bronson cajoles him into going to watch the filming of a porn film. (Guess whose?) Well, it just so happens that Damien has lost one of the performers for the scene he is about to film and Reed is drafted to substitute. Reed is told to strip and lie face down on the sofa to await his co-star who is off getting his “crack shaved”. Enter none other than Aaron who proceeds to lick his co-stars butt. (Odd he doesn’t recognize him in the position where he probably sees him most, isn’t it?) Eventually their eyes meet and they recognize one another. AND THE SCENE JUST DIES! There is no recriminations, no tension—nothing of the sort. The magic word “money” seems to solve all problems. (Who wrote this script? Dick Cheney and the executives of Exxon?) Reed and Aaron just go on with the scene. And it is just perfunctory sex—as passionless as the discovery. At the very least an angry Lawrence should have fucked Austin with a vengeance, reversing their traditional roles in life or having some sort of epiphany. Instead we just get a dull fuck.
Now I realize that plot-wise the final scene should be that of Aaron and Reed after the discovery, but it should also—and this is more important—be the hottest scene and that it is not. It should have been performed with passion. Have them lick armpits (Aaron are nicely shaved for that purpose) suck on toes, do something kinky (shave Aaron’s crack on-screen.
An even simpler solution would have been to end with the Rockland-Morgan scene as Vince returns home after a hard day’s work. After all Vince was a newcomer at this point in this career and he’s the one on the cover.
Finally the title escapes me. Hands On suggests a film about masturbation. I can think of a number that would have been more apt: Deception, “Behind” the Scenes, The Casting Couch, Studio Slut. I would even have understood I it had been called Scimitar in honor on Rick Lawrence’s curved penis.
The film is an example if Chi Chi Larue’s early work. She’s learned a couple of things since then. Interesting also for an early appearance of porn legend Vince Rockland where he bottomed. (Star status soon stopped that.)