Reviewed by fu_q
“The Devil in Miss Jones: The Resurrection” is one of the best adult films that I have ever come across and certainly the best of the eighty or so that I have reviewed for ADT. An instant classic from Paul Thomas and Vivid, this movie focuses on Belladonna as a reporter whose overzealous ambition to get the “big story” ends up pushing her into eternal damnation. In the interest of not giving too much away, let’s just say that it is dark, riveting, interesting, and sexually deviant—from the beginning to the end. Featuring the type of twisted content that isn’t usually present in Vivid’s releases, this disc is absolutely not to be missed.
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In terms of the sex, Scene One has Belladonna paired up with her boyfriend, Kurt Lockwood, in an over-the-top anal fuck-fest that is really atypical for a Paul Thomas production and must be seen to be believed. The action takes place in a kitchen with uncurtained sliding glass doors that lead out to the yard, and it involves a good deal of hard, sloppy oral work, slapping (mostly by Kurt), open-mouth spitting (by both partners), and rimming (again by both partners) to get things started. After this, there’s some vaginal sex, but most of the festivities involve Belladonna’s ass getting plowed. There’s some gaping that goes on, as well as multiple instances of ass-to-mouth, before Kurt dumps his load internally in Bella’s butt. After this, the pair makes certain that little to none of his offering goes to waste, as they both work at pushing / fingering it out of her ass and re-depositing it in her mouth. This is wildly hot and nasty stuff.
Scene Two brings forth more sexy action, with Kurt Lockwood taking on both Carmella Bing and Rebeca Linares in an excellent, anal-themed three-way out in a fancy pool. While there is some vaginal sex, the bulk of the action here is anal—with everyone getting it in the ass one way or the other. Both Carmella and Rebeca take Kurt’s manhood up their back-sides, and Kurt takes a finger, tongues, and a glass-like dildo up his. It should be noted that the glass-like dildo also comes into play with the two actresses, as well, and Rebeca does some ass-to-mouth with it. This raunchy sequence closes out with a facial for both ladies, followed up with a bit of oral cock clean-off and some cummy kissing—scorching!
In Scene Three, it’s Belladonna in a quickie sequence that cuts back and forth between Kurt Lockwood and Nick Manning (as her partner) at the beginning before settling in on just Nick until the very end. The idea here is that Bella is screwed up in the head and can’t figure out whom she’s being eaten by and / or blowing. There is no penetration in this segment, but the oral work that she does on Nick is very good—particularly given that she jerks and blows him to completion in her mouth (“droppin’ loads!”) and follows it up with some cum-play and oral cock clean-off. After this, it’s back to Kurt for a brief moment, but a voodoo woman is sticking his voodoo doll’s nuts with pins…so he really can’t keep going. (You have to watch it to fully follow it.) Regardless—overall—this one is short but sweet.
Scene Four is really two scenes in one – Penny Flame, Victoria Sin, and Tom Byron in one and Penny Flame and Belladonna in the other. The three-way sequence—which involves Tom Byron playing the part of a televangelist with a penchant for prostitutes—takes up the bulk of the time and is presented in the form of a memory / flashback that Penny is relating to Bella. As she does so, of course, Bella and Penny have portions of their girl-girl segment interspersed as cuts throughout the action. Tom plays his role to perfection here, and Victoria Sin’s ability to “speak in tongues” (German?) really works out well, too. These boy-girl-girl portions of the scene are super-steamy and come complete with constant, theme-relevant dirty-talk, plenty of vaginal sex, and even a good deal of anal pounding for Victoria as Tom tries to exorcise the “demons” from her ass. A double facial with a bit of cummy kissing finishes this part of the scene out—amazing! Not to be outdone, the shorter Belladonna / Penny Flame coupling is heavy on the kink, as well. Bella does some four-fingering of Penny’s womanhood and then, later, fingers her own ass—getting up to four fingers up there. Of course, Penny does the same to Bella and even nails her neck-deep up the butt with a brown beer bottle—wow! This is extraordinarily hot stuff, and this level of filth is quite atypical for Vivid—excellent scene(s)!
A massive orgy is on the agenda for Scene Five. This one involves Belladonna, Savanna Samson, Carmella Bing, Victoria Sin, Rebeca Linares, and Penny Flame with Evan Stone, Nick Manning, Steven St. Croix, and Tom Byron. The action here is entangled, hot, sweaty, and also hard to fully keep track of. Needless to say, this is an excellent sequence. Of note here, Belladonna, Savanna, and Carmella all take it up the ass—Belladonna gets it from both cock and strap-on, and there are some really good gaping shots of Carmella. Penny really doesn’t get into the action much and spends most of her time diddling herself with a dildo—at least to the best that I could tell. There’s a decent amount of vaginal and oral sex that takes place, and—at the beginning—Bella is tied up to an “X”-like set of planks while the ladies work her over a bit with their fingers. The festivities finish out with the four gentlemen ejaculating on Bella—one on her left leg and inner-thigh, two on her face and mouth, and one on her right foot. Savanna also shares in the facials a bit, though they are predominantly for Bella. This stuff is too much!
The finale here involves a frenetic anal / vaginal segment between Savanna Samson and Steven St. Croix (Scene Six). Savanna is wearing a short brown wig, but it is definitely she who is in the scene. Interestingly, Steven appears to be doing his best Nick Manning impression, as well—with all the grunting and expostulating and what not. Savanna puts forth some nice deep-throat work and also does a bit of ass-to-mouth—dirty stuff from her! This excellent offering comes to a close with a powerful pop-shot all over Savanna’s tummy and pelvis. What a good way to finish off the movie’s sex—excellent work by all involved!
Some other items should also be mentioned. The much maligned advertisements play when the disc is inserted, but these can be skipped by hitting the “Menu” button on the remote. The Vivid website watermark is still present in this production at the bottom of the screen. As always, this doesn’t make much difference, though it would be better if it were absent. The running time hits right around the 2.5 hour mark—which is a very good length—not too long and not too short. The acting and settings here are superb, as are the camerawork and the production values. In my estimation, everything is done to perfection.
In terms of bonus materials and other options, there are “Play Movie”, “Scene Selection”—a standard scene selection mechanism, and “Special Features” in the Main Menu. Under this last item, one finds a “Photo Gallery”—which puts forth a slideshow of stills and “pretty-girl” shots from the production—as well as a “Previews” section—which gives a choice of four Vivid previews. Also present are a “Vivid Extras” option—which plays through various Vivid-related advertisements—and a “Behind the Scenes” featurette that is around 30 minutes in length and also quite interesting. Finally, there is a “Bonus Scene”—a girl-girl sequence featuring Savanna Samson and Jenna Jameson (from “The New Devil in Miss Jones”).
Overall, this movie is a masterpiece. There is nothing bad to say about it—only good. It has a developed plot, great acting, good bonuses, and is spilling over with nasty filth. This is a must-own for just about everyone. Buy it.