Scene 1 opens with a sling sequence featuring Rod Barry, Matt Bradshaw, and Anthony Cox—porn vets all. In spite of my strong affinity for a man in a sling, this was probably the weakest scene on the DVD. Oh, the sex is good enough even if it lacked a bit of chemistry, but the reddish camera filters and the annoying multiple split screens and fancy schmantzy dissolves serve only to distract from the action. (The editing style makes it look like Bud McCoy was trying to do a porn version of The Thomas Crown Affair.)
Scene 2 features pairings of Rick Allen and Eduardo, and Jackson Reid and Jacob Scott. Eduardo is one of my faves and he does not disappoint here. He fucks Allen doggie style while yanking on his hair and slamming his cock home like he was drilling for oil. Eduardo is one aggressive, in-charge mother fucker in this one. And Allen has, to my taste, almost the prototypical porn body—muscular and cut, very tall and lean with an amazingly long stiffie. The Reid/Scott pairing of two hot muscled daddies is also fairly aggressive. There’s plenty of chest pounding and spitting throughout. In short the action here is fine stuff among some hot muscled hairy aggressive real men. Now if only the red filter effects hadn’t made me think this thing was filmed on Mars.....
The third scene between cop Cole Tucker and biker pig Joe Romero is sexually and especially verbally over the top. Cole forces Romero to devour his tool and then returns the favor by burying his face between Romero’s hairy cheeks. But the real treat here is seeing Romero put the usually dominant Tucker through some amazing paces. Like using Tucker’s billy club on him as a dildo; like having him fuck the tailpipe of his bike; like giving him a garden hose enema and having Tucker shoot a gallon or two of water out his ass; like using a can of 10W30 to lube up Cole’s ass for a giant black dildo; like Cole squatting and riding on Romero’s bike kickstand with an apple in his mouth (in case you somehow missed the porcine theme of this flick)….you get the idea. All of this is overlaid by some filthy talk and a bunch of indecipherable grunts and loud noises. Like I said, over the top. But by far the best scene in the flick—raunchy, nasty and hot.
In Scene 4, cops Rob Roberts, Sandy Sloane and Jackson Reid, responding to noise complaints at Biker Pig Headquarters, are quickly outgunned with guns of both the armament and penis variety by biker pigs Romero, Cox, Eduardo, Allen and Scott. The ensuing 8 man free-for-all is full of raunchy real man sex—fucking and sucking and ass play in all sorts of combinations, including taking a gun barrel up the shit hole. Hot it is, but, alas, long it is not. The scene covering 8 guys in action lasts only 17 minutes out of a total running time of almost 90 minutes total. As much as I hate to give up on a sling scene, I probably would have trashed the opening segment and put in more footage of this baby.
One real hoot of note: Joe Romero sing/growls the title song that he also composed. It’s probably one of the only gay porn flicks with its own theme song and an x-rated theme song at that. We probably won’t be seeing this on any music video retrospectives in the future.
Extras are minimal. Just some stills and 7 previews, one of which is for Fantasies of a Pig Bottom. Hmmmm…as long as I’m in the mood for pigs, maybe I ought to check this one out.....
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